So today, a postscript: Covers that came out that year that just scream “2000.” If you were paying attention to music then, you will recognize many of these trends. There’s the ska revival. There’s rap-rock. There are, of course, boy bands.
Smash Mouth and Aaron Carter both make appearances. So do the Vengaboys. Madonna covers “American Pie”; Fred Durst covers Public Enemy. Someone sings a ska cover of “Take On Me” while sitting on the toilet. It was just that sort of year.
To be fair, these covers are not all terrible…but most are. Many were also among the year’s biggest hits, proving that people in the year 2000 exhibited no better taste in music than they did picking a president. And a few you probably didn’t even know were covers in the first place.
Relive your most traumatic memories of music back then below. Bonus hall-of-shame points if the cover has a music video featuring bleached tips or JNCOs.Continue reading »
Cover Me began in 2007 and we did our first year-end list in 2008, so 2000 isn’t that long before we were following this stuff in real time. But, in music eras, 2007 and 2000 seem eons apart. 2000 was nü-metal and Napster, Smash Mouth and the ska revival. Beyoncé was in the quartet Destiny’s Child; Justin Timberlake only had a one-in-five chance of being your favorite member of N’Sync (or maybe one-in-four…sorry Joey). By the time this site started seven years later, all this seemed like ancient history.
There were a lot of extremely prominent covers in 2000. “Prominent,” of course, doesn’t necessarily meaning “good.” This was the year that Madonna covered “American Pie” (not to be outdone, Britney Spears then took a stab at “Satisfaction”). It was the year a Jim Carrey movie soundtrack inexplicably asked bands like Smash Mouth and Brian Setzer Orchestra to cover Steely Dan. It was the year of “Who Let the Dogs Out?” Bet you didn’t even know that one was a cover (unless you’re a faithful Cover Me reader).
None of those are on this list (though, if you want more dated trainwrecks like those, stay tuned Monday for a bonus list I’m calling the “The Most Extremely ‘2000’ Covers of the Year 2000”). But 2000 offered a wealth of wonderful covers, often flying just under the mainstream radar. Some of them still seem of the time – anything ska, basically – but most could have come out decades earlier. Or yesterday.
YouTube was still a few years away, as was streaming more generally, so covers still mostly came out through “traditional” avenues: on albums, as the b-sides to singles, etc. As I wrote in my new book, tribute albums were big business by this time too, which means that many 2000 covers emerged through that format. Even narrowing this list down to 50 was hard, which is why Cover Me’s Patreon supporters will get a batch of 150 Honorable Mentions.
Check out the list starting on Page 2, and stay tuned for the best covers of this year coming in December.
Though “Do It Again” was Steely Dan’s first hit, 48 years later it remains their second biggest, full of instantly-recognizable moments from the “Woodstock”-esque electric piano that undergirds the song, to lead singer Donald Fagen’s choppy delivery of “Back. Jack.” in the chorus. Most of us are more familiar with the radio edit, which shortens that intro and removes Fagen’s organ solo.
Eli Paperboy Reed is a New York-based soul singer who’s been active for about a decade and a half, receiving acclaim for his traditionalist approach. This cover of “Do It Again” was originally intended for use in Suits but was not used, so he has released it on Bandcamp instead. Inspired by fellow traveler Nick Waterhouse, Paperboy completely reinvents the song.Continue reading »
Full Albums features covers of every track off a classic album. Got an idea for a future pick? Leave a note in the comments!
Music Journalist: “What is the song ‘The Royal Scam’ about?”
Walter Becker: “About six-and-a-half minutes.”
Let’s get it out of the way: we have no answer to the question, What is ‘the royal scam,’ anyway? The music industry? The American dream? The pretense that Steely Dan was an actual band and not just two cynics named Walter Becker and Donald Fagen?
Only one thing is clear: Steely Dan’s The Royal Scam is a great album that lives in the shadow of the even greater album that followed it: Aja. Aja is certainly the band’s commercial peak, and it’s probably their artistic peak too. It seems to get all the attention. Therefore, we are bringing The Royal Scam out of the shadows today, and reviewing a masterful and varied set of songs as filtered through other artists’ imaginations. We’ll hear the glory, but through new ears. Continue reading »
Welcome to the third installment in our Best Cover Songs of Yesteryear countdown, where we act like we were compiling our usual year-end list from a year before we – or the internet – existed. Compared to the first two, this one has significantly less grunge than 1996 and less post-punk than 1987. It’s hard to have post-punk, after all, before you have punk, a new genre starting to hit its peak in 1978. And don’t forget the other big late-’70s sound: disco. Both genres were relatively new, and super divisive among music fans. Lucky for us, both genres were also big on covers.
Disco, in particular, generated some hilariously ill-advised cover songs. We won’t list them all here – this is the Best 1978 covers, not the Most 1978 covers. If you want a taste (and think carefully about whether you really do), this bonkers take on a Yardbirds classic serves as a perfect example of what a good portion of the year’s cover songs looked and sounded like:Continue reading »
They Say It’s Your Birthday celebrates an artist’s special day with other people singing his or her songs. Let others do the work for a while. Happy birthday!
“Don”. . . individualist. . . phys ed major . . . the thinker . . . journalist extraordinaire . . . jazz enthusiast . . . quotations for all occasions . . . “Harry the Horse.”
So said the 1965 South Brunswick High School yearbook (straight outta Monmouth Junction, NJ) about Donald Fagen. Over half a century later, it’s remarkable to see how much they got right. As half of Steely Dan, Fagen’s nonconformist ways were so counter to the culture that he couldn’t help building up a huge following of Others. His cerebral lyrics captured life moments in puzzling but definitive ways, and his jazz leanings put those musings across to the masses. And while his jock leanings and “Guys and Dolls” fandom may have taken a backseat, he’ll be quoted long after he’s gone, both by fans who don’t play music and fans who do. Continue reading »