“Different” was one word applied to McCartney III upon its release in December 2020 (a good thing or a bad thing? I’m not sure). But other descriptors were, quite rightly, “fresh,” “adventurous,” “surprising,” and “chameleonic.” Never “dull.” The album was, accordingly, a UK #1 and US #2 success, elevated by its poppy first single, “Find My Way,” and its much-touted availability on a hierarchy of exclusive colored vinyl: yellow, blue, white, black, and numbered red, or, if you were ludicrously quick off the mark, yellow with black dots.
With or without the brightly hued grooves, it was impossible to resist the sheer versatility on display on McCartney III, with its plethora of highlights. Album-opener “Long Tailed Winter Bird” impressed as an inspired, near-instrumental slice of acoustic blues that built unpredictably from a stunning guitar riff. “Slidin'” hit home as a supremely dirty rocker, “Deep Down” a groovy, soulful joy, and “Women and Wives” a poignant ballad touching upon the questions of mortality and personal legacy. And they were all, of course, written and performed almost entirely by Paul McCartney of Liverpool, in the fine DIY tradition of 1970’s McCartney I and 1980’s McCartney II, but with added Covid restrictions.
So now comes, well, what is it? A covers album? A remix album? A tribute album? Let’s just go with the catch-all term “album of reworkings,” particularly as some of its tracks feature the great man himself, and some don’t. It’s made up, according to the promo material, of “an A-List assortment of friends, fans and brand new acquaintances, each covering and/or reimagining their favorite ‘McCartney III’ moments in their own signature styles.” It also emanates puns galore in the aftermath of “recorded in Rockdown,” which serve to enhance its experimental, melting-pot vibe: “III-imagined,” “What’s Your Take On It?” etc. You see, the songs aren’t set in stone, man! They aren’t limited to one viewpoint, or subject to boundaries and rules. Roll the dice for different results!