Under the Radar shines a light on lesser-known cover artists. If you’re not listening to these folks, you should. Catch up on past installments here.
Paola Bennet uploaded her first cover to YouTube in 2010. Since then, she has posted over 60 videos of covers and original songs. The videos themselves are nothing fancy; they have a simple background and feature Bennet and her acoustic guitar. However, the sound that the videos showcase is of much higher quality than your typical self-made acoustic guitar cover appearing on YouTube. Her voice has an impressive range and she wields it with sure control.
Bennet self-identifies her music as living in the “sadgirl folk” genre, which is extremely relatable. What better way to welcome the sunshine during quarantine than to listen to some nostalgic, acoustic guitar covers, executed with poise and grace? In this post we’ll showcase a sample of Bennet’s covers throughout the years.
Angie McMahon – Knowing Me, Knowing You (ABBA cover)
It comes too late for our Best ABBA Covers countdown, but Angie McMahon’s low-simmer version of “Knowing Me, Knowing You” would make a worthy addition. Though it comes coated in a layer of rock grit, the band’s vocal harmonies stand up to the Swedes. And just wait for Angie McMahon’s cover-closing holler.
Beck – Tarantula (Colourbox cover)
Few expected the movie Roma to be as big a hit as it was (it’s tied for the most Oscar nominations). Even Sony must not have, as they’re just getting around to releasing a soundtrack two months after release – and as Music Inspired By The Film Roma, i.e. must that doesn’t actually appear in the film. But Beck’s beautiful cover of 4AD group Colourbox arrives better late than never. Accompanied by an orchestra and Leslie Feist on backing vocals, he’s never sounded more like Peter Gabriel.
Andrew Combs – Reptila (The Strokes cover)
The Strokes’ Is This It songs have been covered to death, so musicians are digging deeper. We heard a killer Angles cover in April from Billie Eilish (more on her in a minute), and now singer-songwriter Andrew Combs takes on this Room on Fire track. His own music leans Nashville Americana, but from the crazy horns here, sounds like he’s been spending time in New Orleans.
With the exception of a small-minded baker in Colorado with a penchant for litigation, the wedding-service industry has mostly welcomed the legalization of gay marriage in the U.S. because of the new business it brings. Same-sex couples strutting down the aisle in greater numbers presents another hot-button cultural issue: how to find the perfect song for that first dance? Despite the fact that pop music has been loosening its collar since Elvis first shook his pelvis, when it comes to gender roles, mainstream songs tend to be as heteronormative as a ‘50s sitcom, no matter how suggestive the lyrics may be.
To address this issue, and no doubt tap into a lucrative commercial market, MGM Resorts sponsored a six-track EP called Universal Love. The collection features reworked versions of popular love songs with altered pronouns to celebrate same-sex love. The company must be betting big as they tapped serious star power, namely Bob Dylan, St. Vincent, Kele Okereke (lead singer of Bloc Party), Valerie June, Benjamin Gibbard (lead vocalist of Death Cab for Cutie) and Kesha.