Feb 142023
 
new beach boys covers

Four days after the Grammy Awards, the Recording Academy returns to the Dolby Theatre in LA to stage an all-star tribute to The Beach Boys. All surviving bandmembers were present to watch a host of A-list artists tackle their hits and, occasionally, deeper cuts. The proceedings were filmed for A Grammy Salute To The Beach Boys, which will air later this year, but for now you can preview it with audience footage that landed on YouTube.

Below, find videos of Beach Boys covers from Mumford & Sons, St. Vincent, Beck, My Morning Jacket, Weezer, LeAnn Rimes, Brandi Carlile, Fall Out Boy, Little Big Town, Charlie Puth, Norah Jones, Pentatonix, and Hanson, along with a couple cool duets among the artists performing: Beck and Jim James of My Morning Jacket doing “Good Vibrations,” Carlile and Legend doing “God Only Knows” (pictured above), and Luke Spiller of The Struts & Taylor Momsen of The Pretty Reckless doing a medley of “Surfin’ USA” and “Fun Fun Fun.”

It’s a little hard to compare them all since sound quality is inconsistent, but three performances that stand out here at Mumford & Sons collaborating with Sam Gendel on a strange jazzy “I Know There’s an Answer,” St. Vincent crooning “You Still Believe in Me,” and LeAnn Rimes singing the hell out of “Caroline No.” And Weezer, of course, who were made to do crunchy power-pop covers of Beach Boys hits. (I couldn’t find any video of three performers from this show: Andy Grammer, Lady A, and Take 6).

Mumford & Sons – I Know There’s an Answer

St. Vincent – You Still Believe in Me

Beck – Sloop John B

My Morning Jacket – I Get Around

Beck & Jim James – Good Vibrations

Weezer – California Girls

LeAnn Rimes – Caroline No

Brandi Carlile – In My Room

John Legend – Sail On Sailor

Brandi Carlile & John Legend – God Only Knows

Fall Out Boy – Do You Wanna Dance [5th slide]

Little Big Town – Help Me Rhonda

Charlie Puth – Wouldn’t It Be Nice

Foster the People – Do It Again

Norah Jones – Warmth of the Sun

Pentatonix – Heroes and Villains

Luke Spiller & Taylor Momsen – Surfin’ USA / Fun Fun Fun

Hanson – Barbara Ann [4th slide]

Aug 312022
 
Eddie Vedder – Long Shadow (Joe Strummer cover)

This month, Joe Strummer would have turned 70. In a few weeks, Dark Horse Records will release the compilation Joe Strummer 002: The Mescaleros Years. To promote it, director Lance Bangs filmed a video of Eddie Vedder covering the posthumously-released Mescaleros track “Long Shadow.” It’s a simple fireside performance, similar to Vedder buddy Neil Young’s lockdown videos, and hopefully will bring more attention to a lesser known non-Clash track from the Strummer catalog. Continue reading »

Aug 012022
 
best cover songs of july 2022
Brett Eldredge – Cold Heart (Elton John, Dua Lipa cover)

Against all odds for a rocker of his generation, Elton John had a genuine hit with a single he released just last year, at age 74: “Cold Heart.” It topped the chart in the UK – his first song to do so in 16 years. It did nearly as well in the States, reaching number 7 and topping a number of secondary charts. Having current pop hitmaker Dua Lipa on board no doubt helped, as did releasing it as a remix by Pnau (“Hot Dance/Electronic Songs” was one of those secondary U.S. charts). It also fairly shameless incorporates bits of earlier hit singles “Rocket Man” and “Sacrifice” as well as deeper Elton cuts “Kiss the Bride” and “Where’s the Shoorah?” In country star Brett Eldridge’s live cover, though, it all blends together seamlessly. Continue reading »

Sep 282021
 

i'll be your mirror tributeI love the old chestnut that everybody who ever saw the Velvet Underground started a band. Certainly, were that the case, their shows must have been jampacked with underage punters, with children, even, since most of those in bands and who most keenly rate them and cite their influence would have been far too young. Many would have been in the wrong country, likewise. But, hey, it’s a great tale and, who knows, had they all actually been there, the band may have been a lot bigger and more successful in their lifetime.

For, undoubtedly, their imprint on rock music has been hugely out of proportion to their actual footprint. I forget, maybe it was all those who bought their first album started a band, but again, the numbers don’t really stack up until you collate the cumulative sales, decade on decade after the initial release. (Ed: It was, in fact, no less than Brian Eno who made this assertion, in 1982.) Hampered by a brace of lawsuits, relating to the copyright of some of the cover photos, the album limped out in 1967, taking some time to ratchet up many sales at all, trashed by critics and ignored by the record label publicity machine. Lyrics about sado-masochism, IV drugs and prostitution were seen as anathema to the mores of the day, and the linkage to Andy Warhol, then enfant terrible of the American art-house film movement, will have hardly have warmed them to any mainstream audience. But maybe that was the point. Be that as it may, in the half century plus since, the star of this still sometimes difficult record has shone ever more brightly. That first album was, to give it its full title, The Velvet Underground and Nico, with the iconic banana logo, and it is this record that is here recreated and revisioned, revalidated and recalibrated. Continue reading »

Jul 302021
 
best cover songs july
Alex Cameron ft. Roan Yellowthorn – Islands in the Stream (Kenny Rogers / Dolly Parton cover)


For a new single, Australian singer Alex Cameron, who has worked with everyone from The Killers to Foxygen, decided to take on two Kenny Rogers tunes written by Barry Gibb. One, “Midsummer Nights,” is comparatively obscure. The other – the one above – is not. Playing the Dolly Parton role to Alex’s Kenny is Roan Yellowthorn aka Jackie McLean, daughter of “American Pie” singer Don McLean.

Annie – Just Like Honey (Jesus and Mary Chain cover)


Norwegian pop musician Annie doesn’t release much music – 2020 saw her first album in 11 years – but she’s got a new EP out in September, Neon Nights. It features some originals and covers. One is the Dirty Dancing song “She’s Like The Wind.” Another is this discofied, but still shoegazy in a more electronic way, take on the Jesus and Mary Chain’s most often-covered song. Continue reading »

Jul 022021
 

‘The Best Covers Ever’ series counts down our favorite covers of great artists.

girl group covers

The matching outfits. The perfectly coiffed hair. The synchronized finger-snapping. The beautiful faces. And, of course, the angelic voices. Just saying the phrase “Girl Groups” conjures images of these well-styled ladies from the past singing their hearts out, dreaming of those young boys they hoped to marry.

Many of the group names are legendary. The Supremes, The Ronettes, The Crystals, The Shirelles, and Martha and the Vandellas have been fixtures of “oldies” format radio for decades. Leading these groups were great frontwomen like Diana Ross, Ronnie Spector, and Martha Reeves, as well as Darlene Love, who sang for multiple groups unbeknownst to the record buying public. There were also countless ladies who did not become household names, such as Arlene Smith, lead singer of the Chantels, who belted out the group’s classic “Maybe.”

For the purposes of this list, we decided to focus on the period known as the “Golden Age of Girl Groups.” Though we’re calling it ’60s in the headline, it really spanned from roughly 1955 to 1970. In this era, the music was transported from the street corners and dance halls to the radio, which broadcast it into living rooms across the country. The songs blended elements of doo-wop, early rock ‘n’ roll, pop, gospel, and rhythm & blues. When melded together, it created a sound as fresh and new as the 45s and transistor radios that blasted out the music.

Most of the best-known girl groups were women of color (with a few notable exceptions, such as the Shangri-Las). These women not only topped the charts, they broke down barriers as they helped to integrate segregated audiences across the country, including the Deep South.

Behind the scenes were equally legendary songwriters, musicians and producers. You know their names, too: tunesmiths such as Carole King and Gerry Goffin, and the Motown song and production trio Holland/Dozier/Holland (Lamont Dozier and brothers Brian and Eddie Holland).

Such a shiny veneer had a dark side, though, in the form of the notorious Phil Spector. He was a brilliant producer who presided over many of the era’s biggest hits, but he was also a truly terrible human being who physically and emotionally abused his charges, including his ex-wife Ronnie Spector. He would eventually be convicted of murder and died in prison earlier this year.

The music has continued to inspire covers by both male and female artists – or boys and girls, in the parlance of the genre. Our list features covers by everyone from Aerosmith to Amy Winehouse, the Beatles to Bananarama (a girl group of another era), as well as ska bands, punk bands, indie bands, and countless Rock and Roll Hall of Famers who have covered tracks from the era.

That’s probably because the songs were so darn powerful. Love songs that captured the ecstasy and agony of teenage emotions like “Will You Love Me Tomorrow,” “Please Mr. Postman” and “You Can’t Hurry Love.” Party favorites such as “Dancing in the Streets” and “Heat Wave.” And songs that dealt with more complex social issues such as “Love Child,” and the disturbing “He Hit Me (And It Felt Like a Kiss).” Such great songs inspire great artists to record fantastic covers. Here’s a selection of our favorites.

– Curtis Zimmermann

The list begins on Page 2.