Adia Victoria recorded this powerful Badu cover for the National Suicide Prevention Lifeline. She said of the time she discovered the song, “I was looking for something that was bigger and deeper and felt more warm than the idea of a Christian God. And I dove into my imagination. And the first time I heard ‘on and on’ it felt like Erykah Badu was waiting for me to be her there.”Continue reading »
Al Green – Before the Next Teardrop Falls (Freddy Fender cover)
Sorry, Beyoncé; the biggest surprise release of the year might be Al Green’s sudden return after a decade away. Well, not totally away; he still conducts weekly services at his Memphis church and, when I attended, was liberally sprinkling quotes from “Love and Happiness” and “Take Me to the River” into his sermons. Best of all: This Freddy Fender cover sounds like Al hasn’t lost a step. It’s apparently a one-off, but hopefully recording it will whet his appetite to do more.Continue reading »
In Pick Five, great artists pick five cover songs that matter to them.
Two years ago, Whitehorse, the Canadian husband-and-wife duo made up of Luke Doucet and Melissa McClelland, made our Best of 2016 list with their covers EP The Northern South, Vol. 1. Well, a volume one demands a volume two (someone remind Bob Dylan), and that finally arrives in January. On The Northern South, Vol. 2, the pair cover blues legends like Jimmy Reed and Slim Harpo, but not in the bar-band-choogler fashion you most often hear these songs performed. Get a taste with the first single, a version of Howlin’ Wolf’s “Who’s Been Talkin'” that sounds like Chess Records via Muscle Shoals:
You have to wait until January to hear more – unless you’re in Nashville this week, where the duo have two shows at AmericanaFest on Thursday: 4pm @ The Local (WMOT) and 10pm @ The Basement (I’ve seen them live, and can confirm they are not to be missed). Doucet and McClelland took some time out from rehearsing their own covers to tell us about their favorite cover songs. Though their music often gets pegged as bluesy Americana, their tastes span the genre gamut. They also, consciously or not, seem drawn to other bands with “horse” in the name.Continue reading »
Coming in at 40 tracks, our third ‘Best Ever’ countdown is our longest yet. This feels appropriate; Pink Floyd’s songs tend to be a whole lot longer than Talking Heads’ or Fleetwood Mac’s. A band whose default length was set at “epic” deserves a list just as winding.
Luckily, the covers community has obliged, allowing us a list as discursive as Pink Floyd itself. A band that, for better or worse, can get pigeonholed into a specific sound and era, gets transformed into a whole host of other genres and moods. Psychedelic rock is represented here, of course, but so is bluegrass, soul, and disco. One cover even includes a “featuring Tupac Shakur” credit, which is probably not what Gilmour or Waters envisioned. Though the latter would certainly appreciate the walls being torn down.
Twenty-minute tracks that might seem intimidating to some don’t phase these artists. Some turn them into tight four-minute pop songs. Others, if you can believe it, extend the songs further. So strap in, and set the controls for the heart of the cover…Continue reading »
In the Spotlight showcases a cross-section of an artist’s cover work. View past installments, then post suggestions for future picks in the comments!
Mark Linkous was a genius. A sensitive, fragile, damaged genius who created haunting, lo-fi musical tapestries as Sparklehorse. Linkous, a Virginia Gentleman whose pop band, Dancing Hoods, was chewed up and spit out by the corporate machine in the 1980s, reinvented himself in the ‘90s. There would be four full Sparklehorse releases, and an EP, as well as a couple collaborations: one with Christian Fennesz, and last year’s Dark Night of the Soul with Danger Mouse and David Lynch. Depression, drug overdoses and legal issues would lead to an uneven timeline of Sparklehorse releases over a 15 year period. Sparklehorse is an acquired taste…a complex bottle of blended malt Scotch that has been aging in a cask for decades; its harsh bite and smoky, burning finish a barrier to the three-chord Lite Beer crowd. Linkous’s vocals have a lot to do with Sparklehorse’s sometimes inaccessibility. He doesn’t so much sing as release his breath into the path of a song – the way that one spirit might summon another in your dream. Or nightmare.Continue reading »
Although artsy Brooklyn denizen and Jealous Girlfriends frontwoman Holly Miranda hasn’t released any new original material since 2010’s The Magician’s Private Library, she has kept herself busy recording covers. Now she’s posted a large collection of both live and studio-recorded covers for your listening pleasure. Miranda has received critical praise from the likes of Kanye West and Scarlett Johansson, and it’s easy to see why.Continue reading »