Mar 272026
 

‘The Best Covers Ever’ series counts down our favorite covers of great artists.

Led Zeppelin

Jimmy Page and John Paul Jones were veteran session musicians. Robert Plant and John Bonham hadn’t turned 21 yet. The first time the four of them got together, they played “Train Kept A-Rollin’,” and in Jones’s words, “the room just exploded, we could see the grins spreading, and we said, ‘Right. We’re on, this is it, this is going to work!'”

Eleven years and change later, the band released a statement: “We wish it to be known that the loss of our dear friend and the deep respect we have for his family, together with the sense of undivided harmony felt by ourselves and our manager, have led us to decide that we could not continue as we were.”

In between, the band that someone predicted would go over like the world’s biggest lead balloon became the biggest band in the world. Led Zeppelin were pioneers in so many ways. Hard rock, AOR, studio wizardry, stadium touring, album cover design – all saw the band at the forefront. Most importantly, their music was what brought people to them, and what kept them there. All the members were among the best in the world at what they did, and together their alchemy made their songs, whether loud or soft, catch in their listener’s minds and hearts.

When Francis Malofiy called Led Zeppelin “the greatest cover band in all of history,” he didn’t mean it as a compliment. Malofiy was the attorney suing Zeppelin for stealing “Stairway to Heaven”‘s opening riff from the Spirit song “Taurus,” and he certainly wasn’t the first to take the band to court to get songwriting credit. But whether the greatest cover band in all of history synthesized, swiped, or supplanted their influences, the cover bands that came after them were given deep, deep cupboards to plunder, and plunder they did.

We’ve come up with thirty-five top covers of Led Zeppelin songs. Like the band, they branch into blues, country, reggae, folk, and hard rock (and, unlike the band, even jazz). Like the band, they take something great and make it greater. And like Robert, Jimmy, John and John, once you hear it working, your grin is going to spread.

–Patrick Robbins, Features Editor

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Dec 022024
 
julien baker belle and sebastian

The Red Hot Organization’s new TRANSA project may have started small, but it was probably always going to end as something epic. Intended as a “spiritual journey celebrating trans people” it features over 100 artists coming forward with new material (including the first new work from Sade in many years) and new interpretations. For a cover of Belle and Sebastian’s “Get Me Away from Here I Am Dying,” Julien Baker has assembled a genre and ocean-spanning group featuring Calvin Lauber, Northern Irish folk artist Soak and Alaskan singer-songwriter Quinn Christopherson. Continue reading »

Sep 062019
 
Revolution Girl Style Now

This post brings our week of riot grrrl to a close. Although not everyone featured in these posts may even explicitly identify with the riot grrrl movement, and certainly not everyone who does identify with the movement could be featured, I hope that these posts have given a brief overview of the era and given enough additional references to allow interested readers to further explore on their own.

Although I missed the original riot grrrl movement, I felt it was important to learn its lessons myself through the writing of these posts and embark on my own year of the riot grrrl. Maybe, dear reader, you will feel called to do the same. The riot grrrl movement remains relevant today, not just politically, but musically. The often brutally honest lyrics and the powerful instrumentals have inspired another wave of musicians. It’s no wonder that riot grrrl anthems have been revitalized through covers. Did I miss a cover of a riot grrrl song that really speaks to you? Share in a comment!

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Jul 312019
 

Check out the best covers of past months here.

best new cover songs july
Anais Mitchell & The Staves – Strong Enough (Sheryl Crow cover)

For a few years now, long-running French video company La Blogothèque has been filming a series they call “One to One” at Bon Iver’s various European festivals. They blindfold one audience member and bring them into a private room for a concert for one. Bon Iver did one, and Damien Rice’s is a must-watch. Personally, that experience sounds more awkward than enjoyable – especially with all the cameras in your face – so I’d rather just watch someone else’s personal concert on video. This one is a gem, feature The Staves with Anais Mitchell delivering a gorgeously-harmonized Sheryl Crow cover. Continue reading »

Apr 232019
 
soak 1975

Last year, Pitchfork caused a small stir on music Twitter by naming the 1975’s sprawling pop hit “Love It If We Made It” their song of the year. One musician who agreed is Irish singer SOAK, who recently covered the song for the BBC.

“I think it’s the best song of this year,” she said on air. “They’re such an incredible band anyways, but this song stood out to me so much. It’s like one huge breath, the whole song, where they just voice their frustrations at the state of the modern world. It doesn’t give up.” Continue reading »

Nov 132015
 

Full Albums features covers of every track off a classic album. Got an idea for a future pick? Leave a note in the comments!

lz3

When Led Zeppelin III was released 45 years ago, it seemed destined to disappoint both the fans who wanted “Whole Lotta More Love” and the critics who weren’t all that keen on the band to begin with. Oh, sure, “Immigrant Song” was an instant hard-rock classic, and “Since I’ve Been Loving You” was blues as slow and heavy as you could hope for, but this album’s heart and soul lay with its acoustic numbers on what was then called Side Two. This wouldn’t do – hadn’t these guys already set up camp in the heavy metal slums? How dare they pretend to be other than what they were?

Of course, time has proven Zeppelin the wiser. III proved them capable of expanding their palette, showing more sides and more shades than the wannabes who were only capable of following one set of Zep’s footprints. The critics have come around, taking note of the bucolic dimension Jimmy Page and Robert Plant brought to their songwriting after a recharging stay in a quiet cottage in Wales named Bron-Yr-Aur. And the fans? Well, Led Zeppelin was never going to lose their fans.
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