Mar 132015
 

In the Spotlight showcases a cross-section of an artist’s cover work. View past installments, then post suggestions for future picks in the comments!

When you consider their longevity, the sheer number and variety of their live performances, and influences as diverse as bluegrass, country, soul, rock, psychedelia, blues, and jazz, it is likely that the Grateful Dead may have recorded and/or performed more covers than any other band that is best known for its original songs. (There’s probably a wedding band out there that has a bigger songbook, but that’s not really the point.) Grateful Dead fans have been trading and cataloging their favorite band’s performances since long before the idea of digital music and the Internet even existed, and now there are numerous databases available online — one of which shows 343 separate covers performed by the band (and solo projects and offshoots), including soundchecks and performances with guests.

Therefore, it is somewhat surprising that Cover Me has never turned its lovelight directly on the Grateful Dead. We have written numerous times about covers of Dead songs, but a quick review of the archives indicates that only three covers by the band have been featured—Bob Dylan’s “Desolation Row” and Merle Haggard’s “Okie From Muskogee” and “Mama Tried.” So, that leaves us a mere 340 to choose from today. To make this project (inspired in part by Phil Lesh’s 75th birthday this Sunday and by the recent announcement of the band’s 50th anniversary shows in Chicago this summer) somewhat less insane, we will limit ourselves only to recordings or performances by the Grateful Dead, proper — no solo projects or anything from after the death of Jerry Garcia.
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Dec 022014
 

In Defense takes a second look at a much-maligned cover artist or album and asks, “Was it really as bad as all that?”

Defense? I never knew Linda Ronstadt was under attack. OK, not true, I’ve known she tends to get many a sneery put-down from “real” musos, dissing both her voice and her choices of material, citing that “real” artists have way more credibility (and way fewer sales.) Beautiful but soulless, they call her and her voice, short on originality and innovation. A famous early putdown was around her being merely a competent backing singer, the irony being that ability potentially defines far greater technique than the relative ease of a solo performance, as those who have sung with her (Neil Young, Emmylou Harris, and legions more) have been more than happy to testify. I guess it stems down to generalizations around any successful artist, particularly if blessed also with photogenicity and famous boyfriends.
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Aug 242012
 

Cover Classics takes a closer look at all-cover albums of the past, their genesis, and their legacy.

It must have been a real drag to be young and watch the whole love and peace era go down the drain. JFK, dead. MLK, dead. Paul McCartney, dead. The music of the turn-on-tune-in-drop-out generation had become so absorbed with its own self-importance that the weight was too much to carry, especially with the early ’70s promising no bright future “comin’ up around the bend.” Bryan Ferry‘s These Foolish Things, one of two all-covers albums released in October 1973 (David Bowie‘s Pin-Ups was the other), served as a healthy reminder that these hippie anthems and cultural touchstones are, after all, pop songs. Continue reading »

Oct 072011
 

This Week on Bandcamp rounds up our favorite covers to hit the site in the past seven days.

An all-new set of artists gets the Bandcamp spotlight today. From old-school blues to new-school Disney, from bleep-bloop chiptune to traditional folk balladry, we expect you’ll find something here to take you through the weekend. Continue reading »

Mar 082011
 

This March, we pit 64 Beatles covers against each other in what we call Moptop Madness.

Yesterday’s winners: Bob Dylan, “Something” and Spiers & Boden, “Run for Your Life”

Some strong contenders today, folks. First, it’s a battle of beauty when Smokey Robinson’s voice in “And I Love Her” takes on Jake Shimabukuro’s ukulele in “While My Guitar Gently Weeps.” Then, things get uglier as Neil Young’s roaring “A Day in the Life” butts heads with Cotton Mather’s trippy “Don’t Bother Me.”

Listen to each pairing below, then vote for your favorite. For added sway, try to convince others to vote your way in the comments. Voting closes in 24 hours. Continue reading »

Dec 242008
 

Last year’s Christmas post (here) was prefaced with an apology about jumping on the Christmas post bandwagon. No excuses this year though, I’ll come out and say it: I like Christmas music. Not the schlock you hear at Macy’s of course, but in better contexts those songs can really groove and, in a culture of indie emo, some holiday joy can never be a bad thing. So as my little present to you, here’s the 12 Covers of Christmas.

Yo La Tengo – Rock’ n’ Roll Santa (Jan Terri)
The Ramones with heavier distortion and singing ability. [Buy]

The Beach Boys – Santa Claus Is Coming to Town (Coots/Gillespie)
Brian Wilson and the Boys combine their trademark harmonies with a lively beat, but the big surprise here is the blaring horn section that forces its way through. [Buy]

Joy Electric – What Child Is This? (Dix)
Like a slow-motion rave, this hymn works shockingly well as an electronic jam. [Buy]

The Raveonettes – Christmas (Baby Please Come Home) (Darlene Love)
One of my favorite bands of the year, The Raveonettes released a Christmas EP was a true holiday present, and their fifties fuzz brings a thumping urgency to this desperate plea. [Buy]

Pedro the Lion – I Heard the Bells on Christmas Day (Longfellow/Marks)
Electronic organ is all Dan Bazan uses, and it’s all he needs. This meandering delivery is so slow you wonder if he’s dozing off, but are glad he doesn’t as he slowly draws you into his world. [Buy]

Sufjan Stevens – Angels We Have Heard On High (Chadwick/Barnes/Trad.)
Sufjan sent his eighth Christmas album (!) to friends only, but luckily one risked a place on his naughty list by leaking it for all to hear. Stevens’ trademark off-pop bliss is here, but with an extra shot of adrenaline that keeps it from being too cute. [Buy]

Smokey Robinson and the Miracles – Jingle Bells (Pierpont)
It’s a song I couldn’t be more sick of, but Smokey sings it like it’s just the greatest thing he’s ever heard, and it’s hard not to get caught up in his joy. [Buy]

Patti Smith – We Three Kings (Hopkins)
It’s a well-known fact that I will smack anyone who says Patti Smith is not a genius, and this track is just further evidence of my conviction. Over a reverb background that sounds like quiet rage, she recited the scripture while sings the melody. Who else could make the Bible sound so badass? [Buy]

Bright Eyes – Oh Little Town of Bethlehem (Brooks/Redner)
Slow and ponderous, Coner Oberst’s take on Christmas would be depressing if it wasn’t so beautiful. Reverence and loneliness have never sounded so similar. [Buy]

Pilate – Fairytale of New York (The Pogues)
They don’t drastically reinvent the tune here, and to be honest it kind of makes me want to hear the original, but this song is so good I’ll take as many versions as I can. [Buy]

The Flaming Lips – White Christmas (Irving Berlin)
The Lips attempting covers is truly a hit or miss affair, as their quirky freak-orchestra sound is…unique. All bets would say that White Christmas would truly be a terrible choice for them, but their bizarrely sung interpretation works. I think. [Buy]

Weezer – O Holy Night (Adam/Cappeau)
Christmas With Weezer did not get a proper release, showcased only on an iPhone game. Luckily some clever fan figured out a way to snag the tracks, and this plucked power-pop pearl shows that, Red Album aside, Rivers has still got it. [Buy]

Merry Christmas.