As we all remain stuck inside, those of us with musical talent have been performing tons of live streams online. Some streams vanish into the ether as soon as they finish, but many remain archived online. And many include covers.
Last week we rounded up a batch of the best, and today we round up another. There are far too many happening to make any claims to a definitive list. These are just some that caught my ear. What other live-from-home covers have you enjoyed? Share some more recommendations for us all in the comments!Continue reading »
This marks the fourth year I’ve done a big anniversary countdown (after 1996, 1987, and 1978). It also proved to be the most challenging. There were a lot of covers released in 1969. In fact, according to covers-and-samples database WhoSampled, there were more than in any of the other years we’ve done. Their database lists 3,110 covers, which is surely still a small fraction.
The reason for the cover song’s proliferation seems clear to me after going through them all: Popular bands released a lot more music back then. Aretha Franklin released two albums in 1969. So did The Byrds, Elvis Presley, Joe Cocker, Johnny Cash, Johnny Winter, and Nina Simone. Creedence Clearwater Revival and Merle Haggard released three albums apiece. James Brown topped them all with four. To get that kind of output, artists would pad their albums with covers. Every 1969 album by every artist I just mentioned includes at least one cover. Many include several. A few are all covers. It adds up.
Impressively, many of those covers reinterpreted songs that had come out within the previous year. This entire list could easily have been “Hey Jude” covers. “Wichita Lineman” and “Light My Fire” came up constantly too (the latter song slightly older, but it had hit the charts again in 1968). Even songs from 1968’s soundtrack to Hair got covered endlessly in 1969.
Even beyond “Hey Jude,” Beatles covers dominated the year. I’m not going to go back through the entire 3,110 covers and count, but if you told me Beatles covers made up a full half of those, I wouldn’t be shocked. Add Bob Dylan covers to that side of the scale and it’s probably true. Beatles songs got covered in every conceivable genre for every conceivable audience. Jazz and swing and folk and proto-metal Beatles covers everywhere the eye can see. Plenty of people cover the Beatles these days, sure, but trust me: It’s nothing like it was in 1969.
So wheedling all those down to the top 50 proved incredibly difficult. But it means this is maybe the top-to-bottom strongest set thus far, and it killed me to leave some off (that’s why our Patreon supporters will get a set of 69 bonus tracks – so join now).
One note: I left off Woodstock performances. For one, we counted down the 50 best covers performed there last month. But more importantly, most people did not actually hear those covers until the movie and soundtrack came out in 1970. Jimi Hendrix performed his iconic Star-Spangled Banner – pretty much everyone’s top cover of the weekend – to a nearly empty field. Most of the audience had left before he punched in at 9 AM that Monday morning. That said, several of the classic covers performed at Woodstock were released as singles or on albums the same year – including Joe Cocker’s “With a Little Help from My Friends” – and those studio versions make this list.
Now, let the sunshine in with the 50 best covers of 1969.
“17 years after America lost WW2, the country is divided and controlled by Japan and Germany. From out of the lawless neutral zone comes The Man in the High Castle’s Resistance Radio, a secret network of pirate DJs broadcasting sounds of hope.”
That’s a cooler introduction than most musical compilations get. This incredible soundtrack for Amazon’s popular TV series The Man in the High Castle was produced by Danger Mouse and Sam Cohen, who adds his own musical talents to covers of “The House of the Rising Sun” and “Get Happy.” Cohen joins a high caliber line up of musicians including Beck, Karen O, The Shins, and Norah Jones as they imagine a world where the Axis has won and musicians have gone rogue.
The current trend seems to be a marked return to the golden age of music and this influx of nostalgic talent works perfectly for the producers of the soundtrack. On advanced tracks, Angel Olsen, Sharon Van Etten, and Benjamin Booker perform covers that are nearly identical to their predecessors.Continue reading »