Some covers are more equal than others. Good, Better, Best looks at three covers and decides who takes home the gold, the silver, and the bronze.
Liverpool band The La’s were famously not happy with the version of “There She Goes” that became a UK #13 single for them in November 1990, especially not the singing La’ who wrote it, Lee Mavers. They were not happy, either, with the numerous other versions of the song they recorded for Go! Discs during 12 expensive sessions, with a string of different producers, over the preceding three years: The Bob Andrews version, the Mike Hedges version, the John Leckie version… They complained bitterly that they hadn’t nailed the song, or indeed any of the songs that appeared on their debut album, with Mavers memorably telling the NME in October 1990 that they sounded “all fucked up like a snake with a broken back.”
So what chance do other artists have in getting “There She Goes” right? Continue reading »
Who was the first band you felt truly understood you? The one who seemed to verbalize your every inexpressible thought with such pinpoint precision, who from the moment you first heard them made every other band that previously occupied your heart cease to matter? If you happened to have come of age in the ’80s, there was only one band in the entire universe that truly understood your pining and suffering. They were called The Smiths, and they totally got you.
The Smiths weren’t like the other (’80s) boys whose blonde highlights, synthesizers, and colorfully androgynous sartorial choices were dominating the pop charts and MTV. While Duran Duran and Wham! swanned on glamorous beaches and aimed themselves straight at your, uh, parts, The Smiths actively avoided the sun and made a beeline for your heart, mind, and bookcase. They didn’t care to make silly videos to promote their wares. Their metaphorical MTV was the music press and Morrissey’s eminently quotable interviews were the key pieces of catnip used to promote the band.
Of course, for all the intellect on display in the magazines, Morrissey was still an immaculately-coiffed heartthrob who knew how to work it in the pictures (Did I write him an unanswered fan letter in 1984 to tell him I loved him? Yes). But the music required no hard selling. Morrissey’s lyrics were revelatory, a magical mix of misery, humor, bitterness, and the embarrassing truth. Who among us hasn’t suffered at some point from “a shyness that is criminally vulgar” or had a “murderous desire for love” or wanted to “hang the DJ”? The union of Morrissey’s immaculate words with Johnny Marr’s chiming guitar melodies made rejection, frustration, and self-loathing sound positively majestic.
Over the years, The Smiths have become something of a code word used to describe the first band that became your friend, the first that looked you straight in your misty eyes, clutched both your hands to their chest, and said “I feel the same way.” This is why the band continues to be covered at such a relentless clip by artists old and new. And it’s why the songs being chosen to cover aren’t confined to the usual cluster of greatest hits. When it comes to The Smiths, it’s just a little more personal.
The Smiths are never, ever getting back together. The years of inter-band sniping far exceed the number that the band was actually together. Hell, as we were finalizing this list this week yet another Moz-Marr dustup occurred. But that’s okay. We don’t need more than they’ve already given. Let’s just celebrate the good times. We now present the 40 most triumphant and charming Smiths covers in the universe. Ready, handsome devils? Let us begin…
Five Good Covers presents five cross-genre reinterpretations of an oft-covered song.
Crowded House, harking from the land down under, formed in the mid-80s. Their first album, self-titled, took a little bit of time to catch on, but its fourth single, “Don’t Dream It’s Over” became a hit internationally. The band, with a changing line-up, has been making music off and on ever since. Neil Finn has even taken on quite a side project, joining Fleetwood Mac after Lindsey Buckingham’s departure.
The band, in its current form, was supposed to tour in 2020, but the pandemic required a postponement. However, there is a silver lining to the lockdown; a new Crowded House album is being promised this year. Until then, we can revisit this song that started it all. Cover Me’s own Jordan Becker talks about the original tune, and we’ve discussed a cover in the past, but the more covers, the merrier. Here’s five more! Continue reading »
Welcome to Cover Me Q&A, where we take your questions about cover songs and answer them to the best of our ability.
Here at Cover Me Q&A, we’ll be taking questions about cover songs and giving as many different answers as we can. This will give us a chance to hold forth on covers we might not otherwise get to talk about, to give Cover Me readers a chance to learn more about individual staffers’ tastes and writing styles, and to provide an opportunity for some back-and-forth, as we’ll be taking requests (learn how to do so at feature’s end).
Today’s question: What cover song would you like to have played at your funeral? Continue reading »
The first of a couple Beatles covers this month, AURORA’s “Across the Universe” doesn’t reinvent the wheel, it just removes a few spokes. The Norwegian singer-songwriter strips everything away but keys and a bunch of voices (there’s a guitarist too, though barely audible). It’s all the song needs.Continue reading »
Mikal Cronin, a member of several acts including Ty Segall’s live band, is known for his garage, fuzzy, beach rock sensibility. Who knew the nonstop musician was such a softy at heart? As a way of staying connected with his girlfriend while touring, he has recorded two soft, almost too-adorable covers: “I’m Gonna Be” by Proclaimers and “Kiss Me” by Sixpence None The Richer.Continue reading »