“We are The Clash!” they sang on their final album. The artists below are not The Clash (even if one of them, in covering that very song, says they are). For the most part, they sound nothing like The Clash. It turns out, though, that Clash songs sound great in a wide array of styles, from trip-hop electronic to orchestral pop, olde-time a cappella to walking-bass lounge jazz.
Go straight to our clampdown—sorry, countdown—of the 30 best Clash covers on the next page.
Five Good Covers presents five cross-genre reinterpretations of an oft-covered song.
Johnette Napolitano knew she had something good, but she wasn’t ready to finish it. She had a boyfriend, Wall of Voodoo guitarist Marc Moreland, whose alcoholism made their relationship a trying one. She and her band, Concrete Blonde, had recorded a rough demo and “right away everybody reacted to it,” she later said. “There weren’t any lyrics, but there was something about the music that everybody really reacted to.”
The song was going to have lyrics, though – and they were going to be about Moreland. “I knew what I wanted to say, but I wasn’t looking forward to saying it,” Napolitano said. The music was ready, and the producer kept pushing her for the lyrics. She put him off and put him off until she had no other songs left to record. Finally, in the back of a cab on the way to the studio, she set down the words to “Joey,” which would become the band’s biggest hit.
“I was flooded with mail after ‘Joey,'” Napolitano said, “about everybody who had known that story, lost a buddy, or had a relationship with an alcoholic. It was a big lesson – the closer you get to the truth or are vulnerable with it and express it, the more universal it is.”
Five Good Covers presents five cross-genre reinterpretations of an oft-covered song.
“You Are My Sunshine” is an old warhorse of a song. It’s been around for so long and in so many forms as to, now, be quite beyond categorization. Until recently it has been unfairly parked under hokey old cornball music for old folk, even if the many cheesier versions out there have deserved and drawn such scorn. I know that I thought it dreadful old nonsense, until I was recently forced to accept and re-evaluate it as a song of some pathos and persuasion. You may still share my earlier view, so I put it to you: Can any of these covers shift that opinion?
If you were to look at the charts, the Beach Boys basically stopped having giant hits after 1966’s “Good Vibrations” (with the obvious exception of 1988’s “Kokomo”). They’re a singles band whose singles mostly dried up six years into their sixty-year career. They had a brief run of good-time hits about girls, cars, and surfing, then faded. They’re the band preserved forever in that cornball publicity photo up top.
But that’s not the story these covers tell.
The big hits are here, sure. “Surfer Girl” and “Fun Fun Fun” and “I Get Around” etc. But so are many now-iconic tunes that weren’t hits. “God Only Knows,” the Beach Boys’ most covered song, peaked at #39. By their standards, that’s a straight-up flop. Many other covered songs didn’t even make it that high. But “God Only Knows” has of course belatedly been recognized as one of the great pop songs of the 20th century. As has the album it came off of, Pet Sounds, itself a relative commercial failure.
Pet Sounds, of course, has long since been recognized as a classic. So some artists dig even deeper. “Lonely Sea” is an album cut off their 1963 album Surfin’ U.S.A. “Trader” comes off the 1973 album Holland. Three separate songs here originally came off Surf’s Up, now the go-to pick for artists who want to show they know more than Pet Sounds. Even a song not released until the ‘90s, “Still I Dream of It,” gets a killer cover.
You can trace the story of the Beach Boys’ reputation through these covers. A group once perceived as a lightweight singles act have been fully embraced as musical geniuses, all the way from the hits of the ’60s through the then-overlooked gems of the ‘70s and beyond. Some of these songs below you probably won’t know. Others you will know every single word of…but you’ve never heard them sung like this.
Black Country, New Road – Time to Pretend (MGMT cover)
If you’re expecting the “Time to Pretend” you knew and loved a decade ago, think again. UK post-punkers Black Country, New Road, one of the buzziest bands of the new year, deconstruct the song entirely. It starts pretty sane, then gradually veers off the tracks into chaos. By the end there’s a free-jazz sax solo leading a wall of noise only barely identifiable as this, or any, song.Continue reading »
‘The Best Ever’ series counts down our favorite covers of great artists.
To quote a Bruce song, this list has been a long time comin’. After all, twelve years ago we borrowed one of his song titles to name this site (a song that, surprisingly, doesn’t actually get covered very often). And over those twelve years, we’ve posted hundreds, maybe thousands, of Bruce covers: “Full Albums” tributes to Born in the U.S.A., Darkness at the Edge of Town, and Tunnel of Love; tributes to the tributes, honoring several classicBosstribute records; a spotlight on the best “Born to Run” covers; and a million news posts. It’s time to pull it all together.
Appropriately enough for a man whose concerts routinely top three hours, this list is long. Fifty covers long, and even then we still found ourselves left with dozens of killer bonus tracks for our Patreon supporters. The hits are all here, of course, but Bruce’s catalog runs deep. This list includes many covers of lesser-known cuts and more recent songs – even one from his just-released solo album Western Stars. Though he turns 70 today, the man is not slowing down, and neither are the artists paying tribute to him. As Bruce famously sang, he learned more from a three-minute record than ever learned in school. Well, here are fifty artists who learned something from his three-minute records.
