In July of 1958, a Prince was created. That was the month Charles became Prince of Wales. Earlier this month he was officially crowned King.
In June of 1958, another Prince was created. He died seven years before Charles’ coronation, but he had long before passed beyond the arena of royalty into the field of the celestial.
Prince was, if not a god, a divine presence, more felt than understood. That he was a musical genius was almost taken for granted; his prolific recording, his tremendous work ethic, his mysterious appearances where you least expected him (On Muppets Tonight?? Making fun of Hee Haw???)–all served to make him more myth than man, and now he’s less man than legend.
Prince famously told George Lopez that “covering the music means your version doesn’t exist anymore,” but that’s not quite so. Prince may not (or may) be immortal, but his music definitely is, and the covers that continue to roll in are all the proof you need. This post offers some of the evidence. (Certainly not all of it – more nominations missed the cut than made it, and the great majority of them were very worthy.)
Before we begin: to qualify, a Prince song needed to have been officially released before the cover version. Sadly, this means the Bangles’ “Manic Monday,” Sheila E’s “The Belle of St. Mark,” Celine Dion’s “With This Tear,” and others didn’t get considered.
And now for our selections. And don’t worry, Charles–it’s good to be King. It’s just more magical to be Prince.
Some covers are more equal than others. Good, Better, Best looks at three covers and decides who takes home the gold, the silver, and the bronze.
In today’s musical environment, which more often than not comprises manufactured stars singing over-produced, Autotuned, formulaic pop tunes, it’s easy to forget that for many classic artists, fame came neither quickly nor easily. It’s almost a cliché to think about rock and rollers struggling through the most challenging and meager of circumstances, waiting for that elusive big break. For some artists, adversity is destructive; for Macon, Georgia’s Allman Brothers Band, it was formative. The band’s hardships drove them closer together, cementing their commitments to each other and to success. Their persistence paid off. They were awarded multiple gold and platinum albums, inducted into the Rock and Roll Hall of Fame, and ranked #52 on Rolling Stone’s list of the 100 Greatest Artists of All Time.
If you’re looking for a signature song that represents the legacy of these elder statesmen of Southern Rock, “Midnight Rider” is, arguably, the best choice. It was a concert mainstay since it was first recorded in 1970 and, according to Secondhand Songs, has been covered nearly twice as many times as “Whipping Post,” and over three times more often than “Ramblin’ Man.”
While many great versions of “Midnight Rider” are out there, many of them sound overly similar to each other. Dozens of solo acoustic covers and numerous country versions exist; far fewer take the song in a different direction. We’ve selected three of those departures here. Three distinct versions, each one adding its own little bit to the legacy of the Allman Brothers Band. Of these three outstanding versions… Continue reading »
Warren Haynes’ band Gov’t Mule have made a tradition of epic New Years Eve shows at New York’s Beacon Theatre. Last year they did three full sets of covers of other artists (as “Grateful Mule”, “The AllMule Brothers,” and “The Mule” [The Band]). And for 2016, they paid tribute to the long list of musician who left us this year, covering Leonard Cohen, Prince, David Bowie, Leon Russell, Sharon Jones and the Dap-Kings, Merle Haggard, The Eagles (for Glenn Frey), Parliament Funkadelic (Bernie Worrell), Earth, Wind & Fire (Maurice White), The Black Crowes (Eddie Harsch), and Emerson Lake and Palmer (Keith Emerson and Greg Lake). Whew!Continue reading »
Follow all our Best of 2016 coverage (along with previous year-end lists) here.
2016 in music will be most remembered for one thing: death. It seemed like an unprecedented list of major musical figures left us this year: David Bowie, Prince, Merle Haggard, Leonard Cohen. The list, sadly, goes on and on.
Prominent passings affect many aspects of the music world, but the impact is particularly clear in the world of cover songs: When an artist dies, a lot of people cover his or her songs. The world was hardly hurting for Prince covers before April 21, but afterwards, to paraphrase the man himself, we went crazy. Bruce Springsteen alone became a one-man tribute machine, covering Bowie, Prince, The Eagles’ Glenn Frey, and Suicide’s Alan Vega after they died (it’s a shame his tour ended before Cohen passed because he’d do a great “Everybody Knows”). Our list this year features a number of these tribute covers – though both the Cohen covers listed were actually released before his death, proving there’s no need to wait to honor one of the greats.
Our list also features fantastic final covers by the recently departed, brilliant song-interpreters like Sharon Jones and Allen Toussaint. The fact that they died may add extra meaning to these new songs, but they’d make the list regardless. Whether they performed wonderful covers or wrote wonderful songs for others to cover, we miss these artists because they were great. They don’t need any “death bump.”
The year wasn’t all dire though. Our list features many covers by and of artists who are alive in every sense of the word. Kendrick Lamar and Drake represent the new world of hip-hop, Kacey Musgraves and Sturgill Simpson in country, Animal Collective and Joyce Manor in indie rock, and in too many other genres to name. Jason Isbell currently holds a streak here, making his third consecutive appearance this year.
We also have plenty of artists whose names I won’t highlight here, because you probably won’t have heard of them…yet. We’re not in the business of predicting fame – the music industry is far too fickle for that – but some of our past best-cover winners have gone on to big things this year, like Chance the Rapper (2014 winner) and The Weeknd (2012 winner). Hell, Sturgill (#3 in 2014) just got an Album of the Year Grammy nomination!
Those early covers may have helped kick off such success. A revelatory cover song can help a musician attract early attention. When I interviewed Mark Mothersbaugh recently, he said no one understood what Devo was doing until they covered “Satisfaction.” A familiar song done Devo-style finally made the connection for people. “Whip It” and other original hits would not be far behind.
Maybe some of this year’s under-the-radar names will go on to Weeknd-level superstardom. But even if they don’t, all these covers, by household names and Garageband geeks alike, deserve recognition. We’ll miss all the great musicians who left us this year, but it’s gratifying to see so many promising younger artists coming in to fill their shoes.
– Ray Padgett, Editor in Chief
(Illustration by Sarah Parkinson)
PS. Last year in this space, I mentioned I’m writing a book about cover songs. Well, Cover Me (the book, that is) is finished and will be out next year! In addition to the aforementioned Mothersbaugh, I interviewed Roger Daltrey about “Summertime Blues,” David Byrne about “Take Me to the River,” and many more. Follow our Facebook for updates on preorder, etc. Now, on to the countdown…
Welcome to Cover Me Q&A, where we take your questions about cover songs and answer them to the best of our ability.
Here at Cover Me Q&A, we’ll be taking questions about cover songs and giving as many different answers as we can. This will give us a chance to hold forth on covers we might not otherwise get to talk about, to give Cover Me readers a chance to learn more about individual staffers’ tastes and writing styles, and to provide an opportunity for some back-and-forth, as we’ll be taking requests (learn how to do so at feature’s end).
As you know, Prince unexpectedly passed away last week. As you may also know, in the last decade or so before he passed, he had a contentious relationship with cover songs. He was famously litigious about getting covers of his songs pulled off blogs and YouTube, and regularly questioned in interviews whether an artist should be allowed to cover another artist’s song without getting the original artist’s permissions. We even wrote a defense of covers to Prince five years to the day before his death (spooky). We loved Prince, but Prince didn’t necessarily love us – or anyone else who recorded or shared covers of his songs.
So today’s staff/reader question arises from that same debate, what specific cover might be the one to convince Prince that covers of his songs were a good thing. Our picks are below, add your own in the comments.
Today’s Question: If you could have introduced Prince to a Prince cover, what would it be?