Sabrina Carpenter’s Short n’ Sweet Tour just kicked off, and every night, Carpenter tries to keep things fresh by adding a cover into a ‘spin-the-bottle’ segment during the show. When Carpenter played Toronto on September 25th, she made sure this segment had a Canadian feel by covering Ontario native Shania Twain’s “That Don’t Impress Me Much.” Fan-shot video has been posted on YouTube. Continue reading »
As a part of a recent appearance on BBC Radio 1, folk-pop supergroup boygenius performed a cover of the Shania Twain‘s classic “You’re Still The One.”
All of the trademark boygenius sounds are here. Soaring harmonies, gentle finger-picked guitars, and a melodic mandolin. Each of the band members’ individual voices—that’s Julien Baker, Phoebe Bridgers, and Lucy Dacus—are highlighted to devastating effect, adding a sense of yearning and deep reflection to the track.
Check out the cover below.
This month, Austin City Limits held its eighth annual ACL Hall of Fame ceremony. The inductees were Joe Ely and Sheryl Crow. The latter was covered by, among others, Brandi Carlile, who also delivered Crow’s induction speech. It will surprise no one who’s ever seen Carlile perform on an award show before that she crushes it. (Find another Crow cover from the ceremony, by Jason Isbell, in the Best of the Rest below.) Continue reading »
“You’re Still the One” is probably Shania Twain’s most covered song though it’s not her absolute biggest hit. That likely has something to do with how classic the melody seems. And the song seems to attract a certain type of performer and performance. Only a few months ago, we were talking about one stripped-down version of this ballad. And now we’ve got another one for you.
Maple Glider is the pseudonym for Australia’s Tori Zietsch, who released her debut album in 2021. On her new version, Zietsch starts out with a subdued, sedate approach. There are actually more instruments here – drums, bass, organ, backing vocals, one or more guitars – than it sounds like at first, but the song has that stripped-down feel because of the mix and aesthetic. Zietch’s voice is right up front and more than once everything but her voice and her guitar drop out. Continue reading »
According to Spotify, ‘90s-era country music has been enjoying a resurgence among fans young fans. Since 2018, streams of the platform’s ‘90s Country playlist have gone up 150%, with a 70% increase among Gen-Z listeners (i.e. people born between the late ‘90s and early 2010s). To them, the music of the ‘90s is a product of a by-gone era.
To celebrate (or capitalize) on this trend, the Spotify Singles series released covers of three of the biggest country hits from the decade, all recorded by artists who were born in the ‘90s. Separately, an American Idol alum released her own cover of a track from the era on Instagram. Here’s a breakdown of the four covers, boots and spurs not included: Continue reading »
Shania Twain wrote “You’re Still the One,” the biggest hit yet of her career, about her then-husband/producer Robert “Mutt” Lange. (They divorced many years later, so it just goes to show you that even a massive pop hit can’t guarantee success in marriage.) Lange being Lange, the original song has tons of instruments and backing vocals (including Lange’s) on it. It’s a typical ’90s country pop ballad with a little too much shine and sparkle for the simplicity of the message.
We last met former Driftwood Singers singer-songwriter Christian Lee Hutson on the Saving for a Custom Van tribute Adam Schlesinger tribute. Hutson is an indie folk singer with three LPs and three EPs under his belt. For his cover of “You’re Still the One” he’s joined by Australian singer Julia Jacklin, a regular here at Cover Me.
From the beginning, Hutson plays it more restrained; there is only a ringing guitar or two, Hutson’s double-tracked vocal, and drums. Jacklin joins him on backing vocals for the chorus, as does what sounds like a marimba. (An interesting choice to be sure.) For the second verse, Jacklin takes the lead, turning it into a proper duet.
It’s a nice, restrained take on one of Shania’s best songs. Check it out below: