Daft Punk’s 2001 single “Harder, Better, Faster, Stronger” is most famous these days for providing the hook for Kanye West’s massive 2007 hit “Stronger.” The original was a fairly big hit in the UK, but nothing compared to the worldwide platinum-many-times-over Kanye hit. So it’s kind of surprising that the original that has been covered more.
Even all these years later, “Like a Virgin” remains one of Madonna’s most iconic songs. The lead-off single from the album of the same name, her second, it was her biggest hit to date and sold more copies than any of her songs until “Like a Prayer.” Everyone is familiar with the instantly recognizable synthesized bass line and the chorus that producer Nile Rodgers didn’t think was catchy enough.
Scary Pockets are a funk band who perform covers on YouTube with guest vocalists. For this version they enlisted Kenton Chen, of the a cappella TV competition The Sing Off and Postmodern Jukebox fame.
The band dispenses entirely with the famous bassline, replacing it with a funky bassline that skips a beat. Chen mostly sticks to the original melody in the verses. But the chorus is even less conventional, with both the band and Chen deviating from the original song.
About two minutes in there’s a breakdown and the song turns into an extended funk jam, with the van vamping on the groove and Chen improvising through the song’s famous hook as the song slowly fades out.
This version of “Virgin” is remarkably different. It may take a bit to get into, because of how distinct it is, but the song shortly reveals itself as a pretty great cover.
‘The Best Ever’ series counts down our favorite covers of great artists.
2020 marks a number of twenty-year anniversaries in music, but perhaps nothing as much as the extremely turn-of-the-millenium phenomenon of the boy band. At the start of the year, NSYNC set a first-week sales record with No Strings Attached. At the end of it, Backstreet Boys set their own sales record with Black & Blue. No one before or since sold CDs like boy bands sold CDs. Even the year’s other huge artists seemed defined in reaction to boy bands; Eminem dissed boy bands in seemingly half of his songs, while Limp Bizkit’s Fred Durst was constantly starting feuds with them. It was that kind of year.
Because boy bands had their detractors. Boy oh boy, did they have their detractors. I was a 13-year old in 2000, and I remember the arguments dominating middle school hallways. But whether you were a fanatic or a skeptic, it’s hard to argue that, stripped of the love-it-or-hate-it presentation, the songs were rock solid (melodically, if not always lyrically). I imagine every one of us has gotten some of these stuck in our head – even if we didn’t want them there.
So rather than picking just one artist, we decided to pay tribute to the entire genre. We didn’t limit it to songs from the year 2000, but we did limit it to the phenomenon that 2000 represents. Though you can make a fair argument that The Beatles and Jackson 5 were boy bands, including groups like that would render this list pretty meaningless. Every artist here fits a pretty strict definition of a boy band, even if they came just before the genre’s cultural peak (New Edition) or after it (One Direction).
So everybody, rock your body with the 25 best boy band covers ever.
– Ray Padgett
The list starts on Page 2.
Anderson .Paak – Old Town Road (Lil Nas X cover)
Given how thoroughly “Old Town Road” dominated the summer – the longest-reigning Billboard #1 in history, for those under-a-rock-dwellers among you – it seems shocking that it took until now for the first truly great cover to emerge. Less shocking: that it came from rapper/singer/drummer extraordinaire Anderson .Paak. Back in May, he performed a more straightforward version with Lil Nas X himself, but for BBC’s Live Lounge he and his band The Free Nationals reinvented it into a soul groove with shades of D’Angelo.
Five Good Covers presents five cross-genre reinterpretations of an oft-covered song.
The Human League created many hits throughout the ’80s and ’90s in the UK, but “Don’t You Want Me” is the one that most successfully gained popularity across the pond. Philip Oakey first recorded this song by himself, but he promoted backup vocalist, Susan Ann Sulley, to the role of co-lead, creating the duet we know and love.
To those less familiar with The Human League’s full discography, this song might be considered a one-hit wonder. However, the song has a wide influence, uniting music fans across genres and demographics. We have the ladies of The Human League to thank for inspiring Posh Spice to “wannabe” in a musical group. The song’s synthesizer pop style is so catchy, even Pitbull sampled it. Sports fans rally behind this song too; “Don’t You Want Me” enjoyed a resurgence in popularity in 2014 when fans of the Aberdeen Football Club made a push to get the song back on the UK Singles Chart.
It’s surprisingly hard to find covers that don’t start with the same intro synth beat as the original, but these five covers break from the mold.
Amaara – House of Cards (Radiohead cover)
We just posted the 45 best Radiohead covers ever, but there’s already a 46th. Unsurprising, really, considering how much this band gets covered. The musical project of actor Kaelen Amara Ohm, Amaara took on the In Rainbows gem “House of Cards.” Her cover carries echoes of the haunting original, but with a smoother electro-ambient sheen.
Chris Anderson – Eh-Hee / Digging in the Dirt (Dave Matthews / Peter Gabriel cover)
Composer Chris Anderson draws from some pretty deep wells of music knowledge on his new Song Cycle. He covers Laurie Anderson and John Cage and Tom Waits – twice. He covers Peter Gabriel twice too, on a beautiful “Mercy Street” and more subtly here, working bits of “Digging in the Dirt” into – of all things – a gospel Dave Matthews cover. “The addition of a choir was important to me to create the feeling of a ground-swell of support,” he writes in an email. “The fact that the song is about ‘knocking the devil to his knees’ made the gospel choir a natural choice.”