Angel Olsen dropped two terrific covers this month. Her version of Dylan’s “One Too Many Mornings,” recorded for the TV show Shining Girls, features haunting electronic textures underpinning her voice. It’s a surprisingly un-folky cover of one of Bob’s early folk songs. Her version of Lucinda Williams’ Car Wheels on a Gravel Road standout “Greenville” is just as good, guitar echoing behind her mesmerizing double-tracked vocals.Continue reading »
For this month’s Best Covers Ever, we polled our Patreon supporters. Voting among five 2000s (ish), indie-rock (ish) bands they’d previously nominated – Arcade Fire, Bon Iver, The Decemberists, The Killers, Vampire Weekend – an underdog won by a single vote. Unless you scrolled so fast you missed the headline and photo, you already know who that underdog was: The Decemberists!
The Decemberists are arguably the least widely-known band of the bunch – they certainly don’t have Killers-level hits – but you wouldn’t know it from the depth and breadth of covers. Other musicians love the Decemberists, and have dug deep into their catalog to cover tracks from across their entire career. They lean a bit Americana on the whole, but some covers cross over into heavy metal, pop-punk, or even mariachi. Their songs have been covered by legends, sure – Patti Smith, Nick Cave – but even more often they get covered by under-the-radar bands, genuine fans who just happen to possess a heap of musical talent themselves.
As The Decemberists prepare to embark on their Covid-delayed 20th anniversary tour this summer, we salute their songs of crane wives and engine drivers, butchers and barrow boys, with thirty covers that were meant for the stage.
When he’s not busy picking fights with next-gen rockers, David Crosby continues to make singular, beautiful music. The folk rock legend has had a prolific run of five solo album releases since 2014, many of them in collaboration with a cadre of younger, progressive, genre-roving musicians — among them, members of Snarky Puppy, Becca Stevens, Cory Henry and his own son, producer James Raymond. Crosby pushes forth with an open mind and spirit (and another cross-generational collaboration) on his latest release: a stirring cover of Joni Mitchell’s “For Free,” featuring singer-songwriter Sarah Jarosz on duet vocals. Continue reading »
When we began our Best Covers Ever series a little over three years ago, Bob Dylan was about the first artist who came to mind. But we held off. We needed to work our way up to it. So we started with smaller artists to get our feet wet. You know, up-and-comers like The Rolling Stones and Nirvana, Beyoncé and Pink Floyd, Madonna and Queen.
We kid, obviously, but there’s a kernel of truth there. All those artists have been covered a million times, but in none of their stories do cover songs loom quote as large as they do in Bob Dylan’s. Every time one of his songs has topped the charts, it’s been via a cover. Most of his best-known songs, from “All Along the Watchtower” to “Knockin’ on Heaven’s Door,” didn’t get that way because of his recordings. In some cases fans of the songs don’t even realize they are Bob Dylan songs. That’s been happening since Peter, Paul, and Mary sang “Blowin’ in the Wind,” and it’s still happening almost sixty years later – just look at the number of YouTube videos titled “Make You Feel My Love (cover of Adele)”.
So needless to say, there was a lot of competition for this list. We finally narrowed it down to 100 covers – our biggest list ever, but still only a drop in the bucket of rain. Many of the most famous Dylan covers are on here. Many of them aren’t. The only criteria for inclusion was, whether iconic or obscure, whether the cover reinvented, reimagined, and reinterpreted a Dylan song in a new voice.
With a list like this, and maybe especially with this list in particular, there’s an incentive to jump straight to number one. If you need to do that to assuage your curiosity, fine. But then come back to the start. Even the 100th best Dylan cover is superlative. Making it on this list at all marks a hell of a feat considering the competition. (In fact, Patreon supporters will get several hundred bonus covers, the honorable mentions it killed us to cut.)
In a 2006 interview with Jonathan Lethem, Dylan himself put it well: “My old songs, they’ve got something—I agree, they’ve got something! I think my songs have been covered—maybe not as much as ‘White Christmas’ or ‘Stardust,’ but there’s a list of over 5,000 recordings. That’s a lot of people covering your songs, they must have something. If I was me, I’d cover my songs too.”
U2’s songs, especially in the ’80s, are distinguished by their wall of sound, with numerous Edge guitars creating an unmistakable signature. For 1987’s acclaimed The Joshua Tree, they added the sounds of American roots music to this stew. “I Still Haven’t Found What I’m Looking For” captures this fusion about as well as any song they did around this time – with The Edge’s trademark ringing guitar plus Bono’s gospel-inspired vocals and the backing vocals mimicking a church choir. Some slide guitar at the end adds an unmistakably American sound to the Irish band.Continue reading »