In Memoriam pays tribute to those who have left this world, and the songs they left us to remember them by.
Merle Haggard died on April 6th, his 79th birthday. On another April 6th, eleven years earlier, he celebrated his birthday in Chicago, opening the spring run of Bob Dylan’s “Never Ending Tour.”
I don’t know what he did for most of that 66th birthday, but I do know how five minutes or so was spent. He was standing outside his tour bus, listening to a handful of Dylan obsessives sing “Happy Birthday” to him. I was one of them.Continue reading »
Follow all our Best of 2015 coverage (along with previous year-end lists) here.
Everywhere but here, the world of cover and tribute albums tends to be a sleepy one. Most years our “Best Cover Albums” list is composed of records that either flew totally under the radar or, at best, earned a few news posts on music blogs. There’s the “all star” tribute albums that make a brief mark before being largely forgotten. And there’s the big-name artists whose cover albums get seen as a side project before their next “real” albums. That’s just the lot you sign up for when you release an album of cover songs most years.
Last year, when Ryan Adams released “Gimme Something Good,” the first single from his self-titled album, my first thought was this: That chorus sounds a LOT like “Mine” by Taylor Swift.
Even though they do sound similar, the thought of Ryan Adams – a guy known for intense genre-hopping, releasing albums like a song factory, and being an all around cool guy – being a Taylor Swift fan seemed unlikely.
Apparently, he’s a fan. Enough of a fan to cover her newest record, 1989, in its entirety. Continue reading »
Follow all our Best of 2014 coverage (along with previous year-end lists) here.
A few months ago, I read an interesting interview with an artist named Nouela. You probably haven’t heard of her, but you may have heard her music. She’s become a specialist in a weird but growing niche: covers recorded for movie and television trailers. Whether doing a piano “Sound of Silence” to promote a new HBO show or a brooding “Black Hole Sun” to promote Liam Neeson punching people, she’s found a quickly-growing way of getting her covers out there.
It struck me as part of a growing trend we’ve seen. More and more great covers seem to come from unexpected places. Sure, you’ve got still your standby sources, your b-sides, tribute albums, and radio shows. But new avenues for covers have increasingly crept in. This year saw a Sam Smith cover that is only available to hear under Grey’s Anatomy dialog (thankfully he’s recorded a few live versions too) and a whole covers album recorded to plug a Canadian TV show. Brands have fully embraced covers too, most recently My Morning Jacket’s “This Land Is Your Land” recorded for North Face ads, or Charli XCX and Bleachers trading covers for Kia.
We don’t care where they originated when we make our year-end lists, though, and we would up with some of everything. In our top five alone, we’ve got a live radio session, a deluxe-edition bonus track, and a cover hiding in plain sight on one of the most acclaimed country records of the year. You have to keep an eye on more places than ever to spot the best covers these days. Wherever they come from, we’re glad to have ’em.
Click on over to page two to begin our countdown, and thanks for reading.
“Wharf Rat” is an interesting song within the vast canon of the Grateful Dead. First performed in 1971 and included on numerous live recordings, it was never released as a studio track. The lyrics recount the tale of the singer meeting an old man, down and out, who then becomes the storyteller. This storyteller approach was later used by lyricist Robert Hunter in the multipart “Terrapin Station.” Musically, the song is not complex, but it features different sections and tempos, abandoning conventional verse and chorus format.Continue reading »
They Say It’s Your Birthday celebrates an artist’s special day with other people singing his or her songs. Let others do the work for a while. Happy birthday!
A quarter of a century has gone by since Husker Du’s final drumbeat, and Bob Mould has spent those twenty-five years repeatedly disproving F. Scott Fitzgerald’s famous quote about there being no second acts in American lives. To recount: his band Sugar marked his most commercially successful period of his career; he dabbled in acoustic and electronica; he worked as a live DJ; he wrote scripts in professional wrestling; he wrote a well-received autobiography, See a Little Light; he wrote the theme to The Daily Show. Best of all, he never stopped being Bob Mould. Continue reading »