Full Albums features covers of every track off a classic album. Got an idea for a future pick? Leave a note in the comments!
I should probably start this with a pop music true confession: the first Joni Mitchell album I ever bought and listened to in full was 1974’s Court And Spark, and the sole reason I purchased it was because I’d heard Prince, whom I was obsessed with (this was the early ’80s), say that he loved it and thought she was a genius (or something to that effect). Basically, if the person who made my #1 favorite album (Purple Rain) with my # 1 favorite song (“I Would Die 4 U”) loved her, there had to be a reason, and I needed to know what that reason was. I bought the album, and by the time I’d finished playing it, like most humans upon exposure to Joni, I’d been transformed into a complete devotee, snarfing up every album and playing them endlessly forever. That Prince, he knew what he was talking about. Continue reading »
Joni Mitchell is 75 and won’t be with us forever. She suffered an aneurysm in 2015, and she’s coping with the little-understood Morgellons disease. She has difficulty walking, and has not spoken publicly in years. But if her place on earth is tenuous, her place in the heavens is secure; millions of people already look up to her every day.
Joni Mitchell’s songs are famous for being intensely personal, a deep expression of her self that people nevertheless relate to. Those who aspire to her voice become near-slavish devotees. There’s a great New Yorker piece about a small show of Joni’s that a drunken Chrissie Hynde gets overly caught up in (“That’s a REAL singer up there!”), and Hynde’s not alone. Mitchell isn’t just a real singer, though. She’s a real songwriter, a real painter, a real guitarist, a real follower of her muse – a real artist, one of the realest of the past hundred years. That authenticity is what continues to bring people into her circle on a daily basis.
In an excellent essay for NPR, Ann Powers wrote: “Like her prime compatriots Bob Dylan and Leonard Cohen and her favorite protégé Prince, no one can adequately echo her; even great singers, taking on her songbook, admit they can only hope to achieve proximity.” Indeed, a Joni Mitchell cover is never just a tribute – it’s an assertion, an artist coming forth to pick up a gauntlet she lay down decades ago.
We found 30 covers that show the artists doing an especially good job at matching their talents to Joni’s, creating new works of art that, no matter how novel or innovative they may be, never set out to eradicate the original artist’s signature. May her art continue to open eyes, whether through her own performances or those of others, for centuries to come.
Well, it has been quite a week in politics. President Trump got sworn in Friday, then on Saturday hundreds of thousands of protesters marched across the country. We don’t need to go into the many (many) controversies and debates the first few days of the Trump administration have already brought us. You know them, and that’s not really our beat anyway.
What is our beat is cover songs, and a whole lot of politically-minded covers came out in the past week. Some are explicitly covers of songs with political lyrics, like Neko Case, kd lang, and Laura Veirs covering Patti Smith’s “People Have the Power” and OK Go covering Morrissey’s “Interesting Drug” (opening lines: “There are some bad people on the rise / They’re saving their own skins by ruining other people’s lives”).
To all reports, Ewan MacColl was a difficult man. It’s perhaps hard to believe that a man who could write as sensitive a song as “The First Time Ever I Saw Your Face” (for Peggy Seeger, Pete’s half-sister and MacColl’s third wife), the song made into a cross-genre standard by Roberta Flack in 1972, could be so uniformly feared and vilified, yet still admired. I guess it’s the usual case of ignoring the man and embracing the music, and this man, who arguably invented the UK folk boom of the late 1950s and early ’60s, had little interest in embracing any of the young acolytes drawn to his flame – he called Bob Dylan’s work “tenth-rate drivel.”
Born James Miller in Manchester, his life was a series of reinventions, as he became a communist rabble-rouser in his teens, then a George Bernard Shaw-admired playwright and, in his mid-30’s, self-acclaimed champion of a fiercely curated folk idiom, wherein such modern anachronisms as make-up for women (and possibly women in general) were decried and denied, while Dylan, Paul Simon, and others of those young acolytes were freely liberating the repertoire into their own. Continue reading »
Easily recognized as something intended to be silly, let us all admit that we would listen to a full-length album of Wainwright singing chewing gum jingles. Rufus quickly summarizes his accomplishments at the beginning of the sketch, perhaps the funniest being “written an opera,” which he says with a slight head shake, implying his prowess as a musician is really that articulate and that literary and probably tantamount to genius.Continue reading »
Back in September, we heard Scarlett Johansson’s contribution to the new Serge Gainsbourg tribute From Gainsbourg to Lulu. The full album is now out in Europe and you can stream some choice cuts below. Though Lulu himself takes about half the tracks, the guests he bring in range from the obvious (Rufus Wainwright) to the mildly startling (Shane MacGowan). Heck, there’s even a few more actors (Johnny Depp and Vanessa Paradis) for those who loved the ScarJo vibe.Continue reading »