Mar 032026
 
Sombr
Asher White — Casper (Jessica Pratt cover)


Why does Asher White have a record titled Jessica Pratt? Because, as it turns out, it is a full-length cover of singer-songwriter Jessica Pratt’s 2012 debut record—which happens to be self-titled. Pratt herself approves: “White’s curiously inventive renditions took me by surprise,” she said in a press release. “A broad sweep stylistically and production-wise. Not just homage, but a record in its own right.”

The Belair Lip Bombs — Happiness (The 1975 cover)

“It was the first single that came out of their latest record and I just listened to it for like two years straight,” singer Maisie Everett said of the 1975 song the band covered on Like a Version. “I still do.” Continue reading »

Feb 232026
 
gogol bordello in dreams cover

Roy Orbison‘s “In Dreams” is notable for being the rare Top 10 hit single that is through-composed, i.e. no sections of the song repeat. And of course it’s also notable for Orbison’s bravura vocal performance.

Legendary gypsy punks Gogol Bordello encountered the song, like many, through its appearance in David Lynch’s Blue Velvet, a film that reintroduced the public to the power of Orbison’s songs and voice. It was arguably “In Dreams” appearance in that film that helped launch Orbison’s brief career renaissance in the late ’80s before his untimely death at 52. Continue reading »

Jul 242025
 
Dhani Harrison and ELO

The live career of Jeff Lynne and Electric Light Orchestra unfortunately ended with a whimper instead of a bang, when Lynne had to cancel the final two concerts because of illness. So the July 9th show in Manchester ended up being the final bow of ELO. But, at least that night featured two great covers.

Dhani Harrison, the opening act for the final shows, joined Lynne and his band mates for covers of two Traveling Wilburys classics. Harrison’s father, George, was part of the super group. The other members included Lynne as well as Bob Dylan, Tom Petty and, on the first album, Roy Orbison.

Harrison (Dhani, not George) joined Lynne for “End of the Line,” which is a pretty fitting song to wrap up a career as a live act. The two also played “Handle with Care.” The songs were pretty close to the original (given in no small part to the fact that Harrison’s singing voice sounds a lot like his dad) and you can clearly tell the audience was thrilled and having a great time, given the number of voices joining in the choruses of both songs.

Both songs were from Traveling Wilburys, vol 1. The 1988 album started as a recording session for a B-side to a single from George Harrison’s Cloud 9 album, which was produced by Lynne. Below is the video for “End of the Line,” from the July 9th show. The performance of “Handle with Care” comes from the July 6th show in Birmingham.

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Dec 182024
 

The name Brigid Mae Power may be unfamiliar, as well may be many of the songs on her newest album, Songs for You. At least in these iterations. Those already familiar with Ms. Power will need no such prompting, mind, and may just need a pointer towards Songs for You‘s existence.

A quick bio for the novices: Of London Irish stock, Power’s family relocated back home to Kilkenny when she was 11. She produced a ream of self-released EPs between 2010 and 2014, catching the ear of the Irish media, who found her ethereal vocal style possessed a “spiritual resonance.” After meeting Peter Broderick, the US roots singer and multi-instrumentalist, at a gig, he took her to his home studio in Portland, OR, and he produced her international debut, following which a further three albums have appeared, each gathering increasing acclaim. She has since married. But Songs for You has a special extra resonance, in that it is dedicated to the memory of her father.

Anyone attending shows or festivals in the UK over the last 40 years, particularly in London, will be familiar with the name Vince Power, the sometimes controversial figure who opened the Mean Fiddler venue in 1982. With ambition to celebrate both Americana and folk music, particularly Irish, he certainly achieved that. His fiefdom swiftly expanded, as a welter of other clubs opened, and before long his eyes were on the burgeoning festival circuit. In his time he had responsibility for an astonishing roster that included turning around the fortunes of Reading and Leeds, having a say in Glastonbury and setting up his own Phoenix and Hop Farm festivals, amongst many, many others. This included the “chain” of Fleadh festivals worldwide, devoted to a celebration of the Irish in music. Quite a fella, he died in March of this year, remembered to many as the “Godfather of gigs.”

Now his daughter has picked artists that her father held in regard, guaranteeing their ongoing presence on a world stage via his promotions. Largely playing solo, with some bass and drums from Shahzad Ismaily and Ryan Jewell respectively, it makes for both a fitting tribute to her dad and a further introduction to her own haunting vocal style.
Continue reading »

Aug 252022
 

‘The Best Covers Ever’ series counts down our favorite covers of great artists.

Elvis Costello Covers

When Elvis Costello first appeared on the scene, the press fell over themselves not only to praise him, but to pigeonhole him. He was a punk. He was a new waver. He was a nerd, what with his glasses and gawky suits (Dave Marsh memorably said that “Elvis Costello looks like Buddy Holly after drinking a can of STP Oil Treatment”). Most commonly, he was lumped in with Graham Parker, Joe Jackson, Billy Joel, and others as an Angry Young Man. “I’m not angry,” Costello protested on My Aim Is True, and everyone nodded and smiled and patted his head.

Costello wasn’t interested in living on that particular cul-de-sac. He began expanding his musical palette, making more complex songs with more complex rhymes. He delved into other genres, starting with country & western (to the dismay of both Costello fans and C&W fans, and to the pleasant surprise of music fans) and moving on to blues, jazz, orchestral, classical pop, and more. As he became a greater student, he became a greater teacher, giving credit in word and action to his influences, penning a well-received autobiography, and hosting the talk/music show Spectacle, where he interviewed and played with his peers. He continues to record – his most recent album, The Boy Named If, was released earlier this year – and has settled into the role of elder statesman that his talent earned him long ago.

Costello turns one year elder today, his 68th birthday. We’re celebrating with a collection of the fifty best Elvis Costello covers we could get our hands on. They reflect his wide range of styles, revel in his literacy, plumb his depths. Most of all, they reveal his heart, showing over and over again how his love of song can lift, wrench, open up the people who listen to him and to his music. We hope you find this list as worthy of celebration as Elvis Costello is.

– Patrick Robbins, Features Editor

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Nov 152021
 
underground youth linda carbone

Throughout this pandemic, many artists have come together (while remaining apart) to record new music. The Underground Youth and Laura Carbone have teamed up and recorded an EP of Roy Orbison covers titled In Dreams, out now. Both artists recording their parts separately before adding them together, or as they put it: “Heartfelt home recordings in a time of isolation and distance. Brought together in the digital space to sound like a union.” Continue reading »