Five Good Covers presents five cross-genre reinterpretations of an oft-covered song.
It’s hard to remember where 1980 Ozzy Osbourne was (even if you’re not Ozzy Osbourne). When he released his first solo album, Blizzard of Ozz, expectations could not have been much lower. His last few albums with Black Sabbath saw him flabby and uninspired, vocally and otherwise. He was drinking and drugging at a literally unbelievable rate (the discovery that he’s a genetic mutant was still years away), and Black Sabbath had just cause to fire him. But he still knew how to put together a band. And when he found a five-foot-seven, 105-pound genius of a guitarist in Randy Rhoads, he assured that his own star would shine for a few decades more.
“Crazy Train” features not one but two hall of fame riffs from Rhoads, and Osbourne singing lyrics that could have made him sound like a hippie in another context (“Maybe it’s not too late / To learn how to love and forget how to hate”). But ohhhhh, that context! Bob Daisley, who played bass and claims lyrical credit, said, “As a child, I remember the feeling of fear. I knew Ozzy would like that [concept] because he felt like that, too, having been through it himself. He was kind of frightened about the threat of World War III and how we, as young people, had inherited these troubles, influenced by the threat of nuclear holocaust throughout our lives.” Years later, Ozzy would elaborate: “To me the ultimate sin is nuclear weapons. This is the ultimate sin. I don’t know about Ozzy Osbourne being crazy. Don’t you think these lunatics are crazier, building these bombs to blow us all [up]?” Continue reading »
In the Spotlight showcases a cross-section of an artist’s cover work. View past installments, then post suggestions for future picks in the comments!
Summer 2023 saw the kick-off of Foreigner’s farewell tour, and it rolls on through the end of this year, with a bonus few summer 2025 shows on the books. The performers are not the original members, and Mick Jones, the only original member still involved with the band, is no longer able to perform on this tour due to his Parkinson’s disease diagnosis, but the songs are still the ones we know and love.
Foreigner is one of the great bands of the arena rock era where everything was just big and in your face. If you think you don’t know any Foreigner songs, my guess is that by the end of this post you’ll have said “oh, I know that one” at least once. Their hits are myriad and ubiquitous, so much so that I couldn’t just pick a few to highlight in this post. In honor of the band’s induction into the Rock and Roll Hall of Fame this year, we present covers of the setlist of this farewell tour. This way we get to reminisce about hits across multiple albums and hear a fuller span of the band’s work.
These won’t be the only Foreigner covers to cross your path in the near future. During the induction ceremony itself, we’ll hear plenty more. The band is in luck getting Kelly Clarkson to be part of their induction. Clarkson is a whiz with covers and is sure to give us some new takes on the hits that will keep Foreigner in our heads in the weeks following the ceremony.
Cover Classics takes a closer look at all-cover albums of the past, their genesis, and their legacy.
Not many people have covered A Tribe Called Quest. That’s not entirely surprising. You see that a lot in hip-hop—a genre where the coin of the realm is the remixes and sample more than the cover—and especially so in lyrically and musically dense acts like Tribe, without big crossover hits and giant pop hooks. The Tribe entries in the various cover-song database look pretty barren.
But the few artists that do cover Tribe go deep. There have been two full-length Tribe tribute albums, and both are excellent. True to the sampling spirit of the original group, they take the source material as fodder to build on, veering far afield from the originals in some cases.Continue reading »
In the Spotlight showcases a cross-section of an artist’s cover work. View past installments, then post suggestions for future picks in the comments!
For those that celebrate, the closing gigs to The Dave Matthews Band’s Summer Tour, titled Labor Dave Weekend, are an annual highlight. Three days of raucous fandom mark the transition to Fall in the Gorge, Washington State. Those in The Pit had an extra thing to celebrate this year. After a fan movement failed to get the band into the Rock and Roll Hall of Fame in 2020, the band was elected this year and their enthronement takes place this weekend. Those fans will have had just enough time to recover from the weekend to get to Cleveland!
The Dave Matthews Band is an American phenomenon, in several ways. Across nearly 3500 live shows that the band and their spinoffs have played, not much more than 100 DMB events have occurred outside North America, and these shows are often populated by American fans on pilgrimage to the host country. Their seven consecutive number-one albums in the US includes records that never touched a single chart overseas. They have, of course, generated a billion dollars of concert ticket sales off the back of legendary, epic live shows. Their presence on the list of highest-grossing touring artists ever is a testament to the energy they can generate.
Almost everything in DMB’s world is vociferously debated somewhere. The role of cover music in the sets is one of those matters. They have included hundreds of cover versions in their sets over the years, demonstrating a vast knowledge and appreciation of popular and not-so-popular music. When you have a world-class, jazz-infused drummer, a rock bassist, a roots-minded guitarist and a vocalist born overseas, not to mention touring musicians with decades of experience, you are going to have a lot to draw on.
Still, there are a group of people who get agitated every time a cover is included in one of their sets. The argument seems to be that, with a vast back catalog of their own, why do they need to play the music of others? That is understandable in some ways. If you made out with someone hot in your college dorm to a DMB song back in the ’90s, and that song doesn’t get played in the set, you miss the chance to fully relive that moment, perhaps even if you are at that concert with the hot person. Every set is different, but your memories stay the same. The covers that the band have played over the years have a rich heritage and history, and the band are not going to stop playing them, and Matthews himself is going to announce and perform them with enthusiasm regardless. Continue reading »
In the Spotlight showcases a cross-section of an artist’s cover work. View past installments, then post suggestions for future picks in the comments!
On their 1985 hit “King of Rock,” the future Reverend Run declared: “As one def rapper, I know I can hang/I’m Run from Run-DMC, like Kool from Kool & the Gang.” In retrospect, it seems only fitting that the group that helped bring rap to the mainstream would namecheck Kool & the Gang on one of their biggest hits. Kool & the Gang’s multi-instrumental fusion of rock, pop, R&B, funk and disco, provided the backbone for modern rap. As of this writing, the website WhoSampled.com lists 2053 known samples of their music, and the number will only keep growing.
But I’m getting ahead of myself. If you went to a party, dance or club in the ‘70s and ‘80s, odds are that Kool & the Gang was booming through the speakers. Whether you were from New York or Hollywood and wanted to “Celebrate and have a good time,” “Get down on it,” “Get up with the get down,” “Go dancin’,” or perhaps “Reggae dancin’,” they had a song for seemingly every type of occasion. Even today, it’s rare to attend any life milestone event (wedding, bar mitzvah, etc.) and not hear their good-time anthem “Celebration.”
Though the group has not recorded many covers throughout their long career, cover songs were an important part of the band’s origin story. The band was founded in the mid-‘60s in Jersey City, New Jersey by a group of child jazz prodigies that included brothers Ronald and Robert “Kool” Bell. Performing under various names, they got their start playing bars, clubs and events throughout New Jersey in the ‘60s as teenagers. In a 2023 interview with Questlove, drummer George Brown said that would often perform the hits of the day to win over the crowd. It’s a not-uncommon story for many of the world’s greatest rockers.
One can hear elements of these origins on their early albums. Singing with Dee-Lite Records in 1969, the band included a handful of covers on their first few releases. Listening to these songs now, on the eve of the band’s long-overdue induction into the Rock & Roll Hall of Fame, provides a fascinating glimpse into their virtuosity as musicians. One can hear elements of just about every style of popular music from the late ‘60s and early ‘70s. It’s easy to imagine them as members of the house bands at Motown or Muscle Shoals.
In their early years, the band were masters at emulating other people’s music, even if they had not quite found the sound that would make them superstars. Listen to their past, and you’ll hear why their future was indeed a “celebration to last throughout the years.”
Author’s Note: The group would later release a Christmas album in 2013 that contained several covers, but we’ll save that for another time and instead focus solely on the early years.
In June of 2022, Kate Bush’s “Running Up That Hill (A Deal With God)” was used to soundtrack the Netflix series Stranger Things. Upon exposure to the 37-year-old tune, a shockingly huge portion of the world’s teenage population, who seemingly hadn’t known of Bush’s existence prior to this, went absolutely, uncontrollably berserk. Their sudden, overwhelmingly intense lust for “RUTH” (let’s just call it) propelled the song to the top of the pop charts the whole world over and led to the track being streamed over a billion times (and counting). A billion! And just like that, Kate Bush, one of pop’s most popular cult artists, became a global phenomenon.
This was a mixed blessing for the hardcore Kate Bush fanbase. On the one hand, they were happy for their girl Kate (who herself was thrilled that teenagers were hyperventilating over “Running Up That Hill”). But at the same time, as evidenced by multitudes of posts on social media, they also felt a sense of proprietary “ownership” over the Bush legacy and didn’t care for this flaky, flighty fandom and how it came to be.
The “old fan vs new fan”/ “we were here first” argument is silly and petty…but with Kate Bush, it was also oddly understandable. Part of what made her special was that some people didn’t get it, that regular folk found her songs a little too eccentric and “out there” and thought her voice was weird. Those previously existing Kate fans didn’t quite know how to take this newfound popularity. Because to them, Kate Bush was not merely one song; she was a magnificently mad, beautiful, all-consuming pop religion. Trip-hop hero and unabashed Kate fan, Tricky, alluded to this feeling in an interview with MOJO magazine back in 2003:
“Some of the greatest singers in the world…you can spot their influences. But Kate Bush has no mother or father. I’d be an average musician, like everyone else if it wasn’t for her. I don’t believe in God, but if I did, her music would be my bible. Her music sounds religious to me. She should be treasured more than The Beatles”.
Kate Bush made adventurous, beautiful, funny, weird, and heartbreaking music that sounded like no one else’s, all while delivering a hard kick to the nuts of musical convention. She celebrated her most personal, idiosyncratic obsessions and shared them proudly and loudly with everyone. From shockingly illicit kisses to sensuous snowmen. From rain-making machines to being lost at sea. From washing machines to Joan of Arc. She didn’t chase airplay, she just followed her cast of muses wherever they led and surrounded their stories with a staggering sense of melody.
We have arrived at a point where a pretty fine “30 Best RUTH Covers Ever” feature could be assembled. The story of its unlikely, incredible ascent has become a truly iconic, modern-day pop tale and will be recounted for years to come. And as cynical as it seems, it’s clear that the “RUTH” phenomenon was a deciding factor when it came to Kate Bush’s induction this weekend into the Rock and Roll Hall of Fame. But Kate Bush the artist was not born in June of 2022. Her career has spanned six decades during which she’s released ten studio albums that house multitudes of wondrous tunes. (By the way, if you wanna read a completely deranged breakdown of Kate’s LPs, I wrote one here.)
Within our list of “The Best Kate Covers Ever” you will not only discover several head-turning, heart-squeezing “Running Up That Hill” covers (of course), but a plethora of equally fabulous deep cuts, b-sides, and cult classics. “It’s in the trees! It’s coming!”
