In Memoriam pays tribute to those who have left this world, and the songs they left us to remember them by.
Singer/songwriter and multi-instrumentalist Judy Dyble occupies a unique place in music history. Dyble, who passed away in July at the age of 71, played a role in the origin stories of two long-running British musical institutions. She was a founding member of the folk-rock outfit Fairport Convention, and she sang with a band called Giles, Giles and Fripp; they would go on to morph into the legendary prog-rock group King Crimson.
Dyble’s music career spanned five decades. Whether it’s on her early recordings from the ‘60s or her albums from the 2010s, the quiet power of her voice resonates like a haunting echo from the past, carrying nearly every song she sang. Throughout her life and career, she performed many excellent cover songs, proving herself as a powerful interpreter of other artists’ music. Continue reading »
Last year, Rob Sheffield called 1999 “the year music exploded, the year when nothing made any damn sense, the year fans had to throw out any old-school rules for how pop worked.” If that’s true, then 2000 was the year when those new trends became the accepted norm. Back in January, we looked at covers of one of the year’s defining phenomenons – boy bands – and this month was tackle another: Britney, a pop supernova so massive she didn’t need a last name.
Her sophomore album Oops!… I Did It Again came out 20 years ago today, setting the record for the highest debut-week album sales by a female artist (it held for 15 years, until Adele’s 25). Though Spears was primarily a singles artist, her albums sold so much that even the deep cuts wormed their way into millions of teenage brains. When we compiled this list, I was pleasantly surprised it wasn’t just the half-dozen biggest hits being covered. Those songs got covered plenty, and still do (our number-four best cover of 2019 was a “Baby One More Time” – not a bad lifespan for a song written by a Swede whose grasp of English was a little rough), but musicians also dig into the album tracks and the singles that flopped.
Spears has shifted into the Vegas-residency stage of her career in recent years (not to mention Instagram star and cause-celebre hashtag). But even if she doesn’t have any more world-conquering hits in her, other artists are keeping her songs alive. Of the thousands of covers out there, here are the 25 best.
Welcome to Cover Me Q&A, where we take your questions about cover songs and answer them to the best of our ability.
Here at Cover Me Q&A, we’ll be taking questions about cover songs and giving as many different answers as we can. This will give us a chance to hold forth on covers we might not otherwise get to talk about, to give Cover Me readers a chance to learn more about individual staffers’ tastes and writing styles, and to provide an opportunity for some back-and-forth, as we’ll be taking requests (learn how to do so at feature’s end).
Today’s question, from staffer Jordan Becker: What’s a great cover of a cover? Continue reading »
Mose Allison is possibly best known these days through his association with Van Morrison, who released Tell Me Something: The Songs of Mose Allison in 1996. Morrison probably gave Allison’s career a late boost, presenting him as a somewhat kindred spirit, albeit having a few more years on him, and hopefully a more benign presence than Van the Man, if even harder to classify.
I had always filed Allison under jazz, though blues was probably closer to his idiom, yet here we have If You’re Going to the City: A Tribute to Mose Allison, which sees him being covered by a slew of largely rock music gentry from the past few decades. Listening to this selection, it becomes easier to see that blues is at least the template to Allison’s songs. Not necessarily a version familiar to the backstreet bars of Chicago, this is a more polished version of the blues, with echoes of both supper club and Tin Pan Alley – though in Allison’s hands and voice, they sound perhaps a shade less archaic. These are fine songs and, if these covers succeed in pointing attention back to the originals, then at least part of the work of this collection has been done. Continue reading »
Joni Mitchell is 75 and won’t be with us forever. She suffered an aneurysm in 2015, and she’s coping with the little-understood Morgellons disease. She has difficulty walking, and has not spoken publicly in years. But if her place on earth is tenuous, her place in the heavens is secure; millions of people already look up to her every day.
Joni Mitchell’s songs are famous for being intensely personal, a deep expression of her self that people nevertheless relate to. Those who aspire to her voice become near-slavish devotees. There’s a great New Yorker piece about a small show of Joni’s that a drunken Chrissie Hynde gets overly caught up in (“That’s a REAL singer up there!”), and Hynde’s not alone. Mitchell isn’t just a real singer, though. She’s a real songwriter, a real painter, a real guitarist, a real follower of her muse – a real artist, one of the realest of the past hundred years. That authenticity is what continues to bring people into her circle on a daily basis.
In an excellent essay for NPR, Ann Powers wrote: “Like her prime compatriots Bob Dylan and Leonard Cohen and her favorite protégé Prince, no one can adequately echo her; even great singers, taking on her songbook, admit they can only hope to achieve proximity.” Indeed, a Joni Mitchell cover is never just a tribute – it’s an assertion, an artist coming forth to pick up a gauntlet she lay down decades ago.
We found 30 covers that show the artists doing an especially good job at matching their talents to Joni’s, creating new works of art that, no matter how novel or innovative they may be, never set out to eradicate the original artist’s signature. May her art continue to open eyes, whether through her own performances or those of others, for centuries to come.
Frank Sinatra’s granddaughter covers Frank Sinatra. You think you know where this story ends: fawning nepotism. But despite familial loyalty, A.J. Lambert isn’t afraid to twist “Lush Life,” adding a Lynchian undercurrent of menace. More of an overcurrent in the crawling, nose-bleeding video.
Amy Shark – Teenage Dirtbag (Wheatus cover)
Every month, one or two of these selections invariably hail from Spotify’s terrific new cover-sessions series. My only gripe is that they came with no information, the sort a band would write in the YouTube description or press release announcing a new cover, or say on stage before performing one live. That’s now solved with Spotify’s new “Under Cover” podcast, in which the artists performing the covers talk about them. We learn that Amy Shark tried to make “Teenage Dirtbag” a Pixies song, and that she considered the song her anthem when she was young. She says: “The first time I heard ‘Teenage Dirtbag,’ I was in high school. I was crazy obsessed with it to the point where it was in my head every day all day. I would sing it in all day in school. Even teachers would say, ‘Amy, please listen to something else.'”Continue reading »