Jan 262026
 

Were he still alive, Warren Zevon would be on a roll, scarcely able to believe the belated acclaim coming his way. Of course, plaudits came his way in life, but Zevon was the epitome of a cult artist, beloved more by critics and other musicians than necessarily a buying public. It’s fair to say his songs tended more to niche listeners, with a taste for the left field. That sure describes a lot of us here at Cover Me, and we have endeavored to keep his flame alight, in our own small way.

“Mr. Zevon had a pulp-fiction imagination,” said the New York Times, and they weren’t wrong. If his most celebrated song was about werewolves, that was not unique, as other songs were to celebrate, if that is the right word, child serial killers and headless mercenaries. With a penchant for the dark side, Zevon was unafraid to tackle the most unusual of inspirations, while at the same time being able to pen some of the tenderest and gentlest of love songs. Truly a paradox.

Now here is Keep Me In Your Heart, a double album containing a wide selection of his songs, covered by a large cast of peers and acolytes. Curated by Long Island record label Paradiddle Records, this set is populated more by jobbing musicians on that local circuit, rather than the bigger names that gathered for a tribute concert in L.A. last fall, or indeed, the ones on his earlier tribute album, 2004’s Enjoy Every Sandwich. As such there is allowed a greater scrutiny of the song and the performance, over any recognition of already established voices and styles. Having said, there are a few higher profiles present also, a memento of how well appreciated was Zevon as a writer, by his colleagues and contemporaries.
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Dec 072012
 

Cover Classics takes a closer look at all-cover albums of the past, their genesis, and their legacy.

Harry Nilsson’s two best-known songs, both of which won Grammys, were cover songs – “Everybody’s Talkin'” came from Fred Neil, and “Without You” was originally Badfinger’s. Meanwhile, his peers knew that as talented a singer as he was, he was an even greater songwriter. For the Love of Harry: Everybody Sings Nilsson, released a year after his 1994 passing, shone a light on nearly two dozen of his compositions and showed the esteem two generations of musicians held him in. Continue reading »

Jun 282011
 

Take one part punk, mix in one part glam, one part heavy metal and a whole lot of teenage sass and you get the perfect rock’n’roll band: The Runaways. Remarkably young – the oldest members of the band were 17 upon the release of their eponymous first record – the band dissolved amongst a haze of drug abuse and musical differences after four studio albums. Joan Jett continued to hold the punk torch post-breakup, building a successful career backed by the Blackhearts. Now indie rock’n’punk connoisseurs Main Man Records have compiled an extensive two-disc tribute celebrating the music of the Runaways.

The release is not without controversy. Jett and singer Cherie Currie have sued to block the release complaining that the label has used their names to promote the album without permission. Somewhat fitting given that in their time the stories that swirled around the band often overshadowed the music they made. Continue reading »