May 312024
 

‘The Best Covers Ever’ series counts down our favorite covers of great artists.

Sisters of Mercy

As regular readers know, here at Cover Me we put together a Best Covers Ever list every month for a celebrated artist. We’ve recently done the Pet Shop Boys and Sheryl Crow. And before them we did the biggie – The Beatles – and before them, Bob Dylan! But every now and again, there’s a particular genre that’s crying out for the Best Covers Ever treatment – and this month it’s the Dark Genre. It’s goth!

So why now, you ask? Are goth covers really a thing? And why don’t Alien Sex Fiend or Fields of the Nephilim have their own Best Covers Ever features?

Fair questions, all. First off, goth music is everywhere right now. It may have emerged out of the UK post-punk scene and enjoyed its most innovative period from 1980 to 1982, but it’s now the reason we have Whitby Goth Weekends in April and November (well, that and Count Dracula), World Goth Day on May 22, and goth nights down the Hatchet Inn in Bristol most nights, particularly Thursday. It’s also why we have heaps of goth books on the market right now, from John Robb’s The Art of Darkness to Lol Tolhurst’s Goth: A History and Cathi Unsworth’s Season of the Witch, all trying to explain goth’s lasting influence as a musical subculture: the fixation with death, the dark theatricality, the Victorian melodrama, the leather, the thick black eyeliner, the fishnet tights, the deviance, the sex, the deviant sex, and, of course, spiders. Continue reading »

May 302018
 

‘The Best Ever’ series counts down our favorite covers of great artists.

pink floyd covers

Coming in at 40 tracks, our third ‘Best Ever’ countdown is our longest yet. This feels appropriate; Pink Floyd’s songs tend to be a whole lot longer than Talking Heads’ or Fleetwood Mac’s. A band whose default length was set at “epic” deserves a list just as winding.

Luckily, the covers community has obliged, allowing us a list as discursive as Pink Floyd itself. A band that, for better or worse, can get pigeonholed into a specific sound and era, gets transformed into a whole host of other genres and moods. Psychedelic rock is represented here, of course, but so is bluegrass, soul, and disco. One cover even includes a “featuring Tupac Shakur” credit, which is probably not what Gilmour or Waters envisioned. Though the latter would certainly appreciate the walls being torn down.

Twenty-minute tracks that might seem intimidating to some don’t phase these artists. Some turn them into tight four-minute pop songs. Others, if you can believe it, extend the songs further. So strap in, and set the controls for the heart of the cover… Continue reading »

Jan 232018
 

review dr demento covered in punkLet’s be blunt: No one needs novelty songs.

Loosely defined as “a satirical or comedic parody of popular music,” most people instinctively leave the room – or the house – at the first whiff.

Or do they? What, then, explains the enduring popularity of Dr. Demento, querulous-voiced prankster and legitimate, if puzzling, cultural icon? A rock ’n roll writer, label A&R man, and sometime roadie, he began broadcasting a rock and oldies show at Pasadena station KPPC in 1970. He quickly found that the novelty songs he slipped in – notably Nervous Norvus’ “Transfusion,” a truly demented tale about reckless driving, and a precursor to the Cramps’ psychobilly – were what his listeners really wanted to hear.

Now 76, Dr. Demento – a.k.a. Barret Eugene Hansen – ceased terrestrial radio broadcast in 2010, though his program persists online. And now we’re treated to Dr. Demento Covered in Punk, by some counts his 15th official album release. If you’re already hooked on the good doctor’s offbeat charms, you’re likely not in need of encouragement to purchase this collection of supposedly “punk” covers (more on that later) interspersed with the Doctor’s commentary. But can we rightfully recommend this 2+ hour compilation to the rest of the record-buying public? The answer, surprisingly, is: “Yes!” Sort of.

Continue reading »

Oct 092017
 
american girl covers

On Friday, we rounded up the best Tom Petty covers to come since his passing. And today, we begin to dig deeper into the archives for a series of Petty tributes featuring older covers.

Petty tended to write songs more crisp and economical than many of his peers – no Dylanesque word salad or proggy flights of weird instrumentation – which lent themselves to abundant covers. You could play any number of Petty songs within a few months of picking up a guitar (being able to solo like Mike Campbell – well, that might take a little longer).

There are many amazing Petty deep cuts to mine. Why, just in the past year we’ve heard two fantastic covers of songs from his obscure 2006 solo album Highway Companion (by Jane Kramer and The National). But we figured we’d start with a classic, a song so obvious I was frankly surprised to dig through the archives and discover we hadn’t given it the Five Good Covers treatment years ago. Well, better late than never. Rest in peace, Tom. Continue reading »

Sep 302016
 
Fugees

They say nostalgia works in 20-year cycles, and this year the music of 1996 has been in the media a lot. And if you believe the music blogs, it turns out 1996 was a truly groundbreaking year for every possible genre. Over at SPIN: “The 96 Best Alternative Rock Songs Of 1996.” Complex: “Best Rap Songs of 1996.” Junkee: “Ten reasons 1996 was a great year for dance music”. Loudwire: “10 Best Metal Albums of 1996.” Red Bull Music: “1996: Why it was a great year for pop”. Suck it, 1995! (Kidding; similar articles were of course written last year too.)

We’ll be honest: 1996 was not some magical, pioneering year for cover songs. It was also not a terrible year. It was just, you know, another year. There’s no overarching theorem of 1996’s cover songs that wasn’t true in ’95 or ’97. But even so, Cover Me wasn’t around in 1996, so we never made a Best Cover Songs of 1996 list (our first year-end list came in 2009, with the Kings of Convenience’s “It’s My Party” topping it, and you can catch up on all the lists here). So we decided, before the year ends and we take our look at the best covers songs this year, why not take a nostalgic rewind and do 1996 just for fun, twenty years too late. Continue reading »

Jan 102014
 

Under the Radar shines a light on lesser-known cover artists. If you’re not listening to these folks, you should. Catch up on past installments here.

Rasputina are number one in a field of one (unless you know of other steampunk cellist trios), but the territory they carved out for themselves has proven to be a touchstone for any artists who want to marry goth to chamber-pop. Melora Creager is the band’s sole constant, and she and her compatriots have been donning Victorian duds and partying like it’s 1799 for over two decades now.
Continue reading »