Nov 302020
 
best cover songs november
Ashley McBryde – You’re Lookin’ at Country (Loretta Lynn cover)

The Country Music Hall of Fame recently presented a video series called Big Night at the Museum, getting modern country and Americana artists to cover Hall of Famers. Lucinda Williams did Johnny Cash, Miranda Lambert did John Prine, and a bunch more. Best by a blonde-streaked hair was Ashley McBryde, a performer who skirts the line between country, Americana, and brawny rock, proving her bona fides on Loretta Lynn’s “You’re Lookin’ at Country.” Continue reading »

Nov 132020
 

MarikaMarika Hackman kicks off Covers with a rendition of Radiohead‘s “You Never Wash Up After Yourself,” a pretty clear indication that the album is born from the ennui of lockdown. We hear flies buzzing, and a slow intake of breath, before Hackman languidly sings over a sparse synth soundscape:

I must get out once in a while

Everything is starting to die

The dust settles, the worms dig

The spiders crawl over the bed.

With her multi-tracked harmonies, Hackman brings an intimate, desolate beauty to this short and simple song of hopelessness. And she makes you wonder where the hell she is headed.
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Oct 012020
 

Five Good Covers presents five cross-genre reinterpretations of an oft-covered song.

Everything in Its Right Place coversIt’s 20 years today since Radiohead first perplexed us with the lyrical mantras, “Everything in its right place,” “Yesterday I woke up sucking a lemon,” and, of course, “There are two colors in my head.” It’s a significant anniversary, as who could forget the first time they heard track 1 of Kid A?

“Everything in Its Right Place” was, in the absence of a single to promote the fourth Radiohead album, the initial indication that the most revered British rock band of the ’90s had not only downgraded coherent lyrics, but also guitars, traditional song structures, crescendos, and anything, really, that might sound good in the car with the windows down. Now they were hellbent on something altogether different. Something introspective, hypnotic, and electronic. Something composer Steve Reich and cover artists from Frightened Rabbit to Robert Glasper would demonstrate to be not so much rock, as minimalism, indie-folk, and jazz.

The song has traveled a rocky road to classic status as a result of its unclassifiable nature, while spawning in the region of 25 cross-genre reinterpretations. To the multitudes previously won over by “Paranoid Android,” “Karma Police,” and the whole angsty, proggy majesty of 1997’s OK Computer, it was a shock. To adherents of the band’s earlier, surging, arena-friendly hits like “High and Dry,” “Just,” “Fake Plastic Trees,” and particularly “Creep,” it was a kick in the teeth. For while there was nothing new in witnessing a rock group go nuts from the pressure of huge commercial success and fame, as had Nirvana on the brutal In Utero opener “Serve the Servants” in 1993, none had appeared to cast off their fairweather friends by dropping practically all of their most powerful musical weapons. None had sought to express what they really felt by taking up synthesizers, adopting a strange time signature, and singing about sucking lemons.

“Everything” alone divided the critics in 2000, who quite reasonably assumed it to be a Thom Yorke affair rather than a group project, with the singer indulging a new love for digital technology in collaboration with producer Nigel Godrich. It’s a “weirdly hymnal dreamscape of ambient keys,” said one reviewer (a good thing, I think). Another asked, “Whose crackling old keyboards were those?” (bad). Then there was the accusation that it was a “messy and inconsequential doodle” (definitely bad). But once the furor died down, it was obvious that Yorke and co. had set a new bar with the song, having instilled it with plenty of meaning and significance, thank you very much.
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Sep 302020
 
cover songs september 2020
Amigo the Devil – Before He Cheats (Carrie Underwood cover)

When we last heard Amigo the Devil, he was stripping down a Tom Jones song to create a haunting murder ballad. Now he does the same to another highly polished pop song – but a much more recent one. “[The original is] this very confidence-boosting, really good-feeling, power-infusing song,” Amigo’s Danny Kiranos told Rolling Stone. “I was curious what it would sound like if you took away the positive nature of it and kept the lyrics, essentially the emotions they are portraying.” Continue reading »

Jun 232020
 
Hilgegard von Blingin'

“Creep” is the song that made Radiohead. It didn’t happen overnight, as it went only to #78 in the UK when it was originally released. But it soon became a hit in other countries – including the US, where it is still their biggest hit – and was re-released in the UK, this time going to #7. There are still people out there who think Radiohead are the “Creep” band.

There have been a lot of acoustic covers of “Creep,” especially lately. In June 2020 alone there have been at least three prominent covers. Whether it’s the pandemic, or whether it’s because “Creep” is really a ballad, it’s become a staple.

Hildegard von Blingin’ seeks to change that. A “bardcore” artist who has sprung up on YouTube just recently, she covers pop hits of the last few decades as Medieval music. (The name is a reference to Saint Hildegard of Bingen, often recognized as the first major composer of European music.)
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Jun 082020
 
quarantine covers
Angelique Kidjo – Beds Are Burning (Midnight Oil cover)

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