May 132025
 
Louisa Stancioff

The fourth single from R.E.M.’s ninth album Monster, “Strange Currencies,” is a little bit “Everybody Hurts 2.” It’s an atypical ballad driven by an arpeggio guitar part – almost soul – the time signature is the same, and the band almost dropped it from the album because of how similar it was to “Everybody Hurts.” It’s grungy like the rest of the album, but it’s still so similar in vibe. Maybe that’s one reason “Strange Currencies” didn’t do as well on the charts (except in the UK for some reason): it’s just too similar to casual fans.

Louisa Stancioff is a singer-songwriter from Maine who has been releasing songs for a couple of years and who put out her debut album a year ago. Now she’s covered this less-covered R.E.M. tune. Continue reading »

Apr 182025
 

You can’t get a more direct than Covers, Kathleen Edwards’ newest short LP/long EP. It lets you know exactly what you got, even before you press play. That is commendable, but then Edwards has never been much for one to conceal her thoughts or her situation. This Canadian singer supreme has had a rocky old trail over the past decade or two, since electing to step away from critical acclaim in 2014, after four well-received albums of polished country and roots-derived songmanship.

The Ottawa coffee shop Edwards subsequently opened and ran was called “Quitters.” That might have been a self-deprecating jibe in name, but it was only later she revealed her then battle with depression had led to her tactical withdrawal from the music business. She returned to music in 2020, we all know what then came along to wreak worldwide havoc. This is her second release since her return, and her first since COVID lockdown and her eventual sale of Quitters.

The eight songs on Covers are a good mix of the likely and the unexpected, broadly drawn from Edwards’ fellow ranks of singer-songwriters. Springsteen, Petty and Pride are among the former, but songs from The Flaming Lips and Supertramp get a turn also. With backing of electric guitars, keyboards, occasional strings and a rhythm section, Edwards sings and plays acoustic. Greg Leisz and Scott Thurston are two of the accompaniments dropping by, on guitars and bass, respectively, each a sign of her esteem amongst peers.
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Feb 282025
 

These Quiet FriendsThea Gilmore has been on quite a journey these past few years, and, against the odds, has shown herself to be a survivor, when the odds were more she may barely wash up. One of those artists seemingly around for ever, it is a shock to realize she is still only in her mid-40s, despite a staggering catalog of over 20 albums, starting in 1998.

Whilst her own writing is sharp and incisive, she is neither a stranger to covering the work of other artists. That’s how we know her here, with her 2011 track-by-track recreation of Dylan’s John Wesley Harding meeting with no small approval. Prior to that she had issued 2004’s Loft Music, a diverse set that ranged from Creedence Clearwater Revival through to Phil Ochs, via the Ramones and Neil Young. On Don’t Stop Singing (also in 2011), she was gifted the opportunity to put music to a set of posthumous orphan lyrics written by Sandy Denny. (The fact that UK Denny tributers the Sandy Denny Project have covered one such song, “London,” is a wry testament.)

Anyhoo, here we are in 2025, and here is These Quiet Friends, a second set of disparate covers. The mood is here more consistent than the earlier set, that mood being generally low key and pensive, perhaps given away by the album title. An impression is that these songs helped sustain her over the brick wall her personal life crashed into, back in 2021. The details aren’t for here, but rather than a career-put-on-hold stalling release, this set provides a companion to Gilmore’s new material, which continues, her muse anything other than consumed by circumstance.
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Jan 222025
 
Michael Shannon and Jason Narducy

Michael Shannon and Jason Narducy continued their promotional tour for their upcoming tour where they’ll be performing R.E.M.’s Fables of the Reconstruction in its entirety. The duo, along with bandmate Dag Juhlin, took to the stage of WGN Chicago’s morning show to perform “Swan Swan H,” which, it should be noted, appears not on Fables, but on Lifes Rich Pageant . Continue reading »