Benson Boone gets clowned on, but dude can sing (and, yes, backflip). “When We Were Young” is not exactly an easy song to nail. But, at a tour stop in Columbus, he did just that—one of many covers he’s been doing on the road.
BRAINSTORM — The Boys Of Summer (Don Henley cover)
Every summer comes, inevitably, more “Boys of Summer” covers. This metal-ish version comes from German power-metal vets BRAINSTORM (all caps so you know they’re serious). Singer Andy B. Franck says: “Even though ‘The Boys Of Summer’ deals with rather nostalgic themes of ‘summer love’ and the memory of a past relationship, for me – at the time a 13-year-old – it was, beyond the metal anthems of the 80s, a great song that I associated with summer, girls and the corresponding feeling for many, many years…Even today, this song still evokes great memories for me, and since it’s also a song about questioning the past, this track fits perfectly into our times.”Continue reading »
Many artists have stepped up in the past few months to help raise money for the people affected by the LA wildfires. This past Sunday was yet another, gathering up performers to help support the community. This concert, dubbed “Let’s Get L.Aid,” was subtitled “a night of comedy and music.” Headliner “Weird” Al Yankovic, whose work covers both of those descriptions, wrapped up the show with a special performance of Tom Petty‘s “Free Fallin'”. (Petty was a long-time Los Angeles resident.) Yankovic brought out Puddles Pity Party and Tim Hedecker to join in the song. Continue reading »
“Downtown Train.” “Ol ’55.” “Jersey Girl.” These are just three of the Tom Waits songs better known for their covers (respectively: Rod, Eagles, Bruce) than for Waits’ own performances.
It probably doesn’t need saying that Tom’s recordings are, in the best way possible, idiosyncratic. So it makes sense that, like Dylan, like Cohen, his songs often become more popular when more “traditional” voices sing them. Many of the best covers, though, keep some of that strangeness. No, they don’t do “the Tom Waits voice” – most people wouldn’t be able to talk for a week after attempting that. But they don’t sand off the strangeness.
Tom’s debut album Closing Time came out 50 years ago this month; he’s doing a reissue to celebrate. It, and its successor The Heart of Saturday Night, are in some ways his least representative albums, though. The songwriting is already strong on these, but it comes in – if you can believe it – a fairly conventional package. His voice hasn’t revealed its true character (to pick one among many memorable descriptions: “a voice like it was soaked in a vat of bourbon, left hanging in the smokehouse for a few months, and then taken outside and run over with a car”), and he hadn’t discovered that hitting a dumpster with a two-by-four makes great percussion.
Some of those very early songs get covered in our list below. But his later, weirder, songs abound, too. Tom’s wife Kathleen Brennan, his musical co-conspirator for decades now, said her husband has two types of songs: “Grim Reapers” and “Grand Weepers”. On his Orphans box set, Tom divided them up another way: Brawlers, Ballers, and Bastards. You’ll find some of all flavors below. (And, if you want more new writing on Tom Waits music, subscribe to a newsletter called Every Tom Waits Song that – full disclosure – I also run).
– Ray Padgett
PS. Find Spotify and Apple Music playlists of this list, and all our other monthly Best Covers Ever lists, at Patreon.
It’s easy to dismiss the Puddles Pity Party phenomenon as a bit of a gimmick. He’s a sad clown and he sings sad songs. And he mugs for the camera. But there’s some serious musicality underlying Puddles’ shtick, and he often reveals new things about songs through these seemingly goofy performances.
I can tell you that when I saw he covered Black Sabbath‘s classic “War Pigs” I was extremely skeptical. I didn’t think it would work. Even though the song has anti-war lyrics that could fit a Puddles version, I just didn’t think he would pull it off. But he mostly did.Continue reading »
Butcher Brown ft. Alex Isley – Best Friend (Brandy cover)
Virginia jazz collective Butcher Brown throws it back to ’90s R&B with this cover of Brandy’s 1994 slow jam “Best Friend.” Though it’s a little out of their usual wheelhouse – for one, it has a singer, Ernie Isley’s daughter no less – they ably blend their own leanings with the retro soul-pop feel. If you like this, don’t miss their rooftop NPR Tiny Desk Concert.
Kate Clover – These Boots Are Made for Walkin’ (Nancy Sinatra cover)
“If Suicide produced a Nancy Sinatra and Lee Hazelwood song” is a hell of a tag line, and Kate Clover’s “These Boots” delivers on that premise. The menacing guitar seems pulled straight from “Frankie Teardrop,” while Clover’s vocals channel Sinatra’s swagger. Bonus points for the fun Twin Peaks-esque video.Continue reading »
Despite the fact that Barry, Robin, and Maurice Gibb have sold upwards of 120 million records, they can sometimes seem oddly underrated. They aren’t regarded with the reverence afforded to other artists that emerged during roughly the same era, like The Rolling Stones or The Who. They haven’t generated the same level of dramatic intrigue as Elton John or Queen. And discovering their music was never part of some traditional teenage rite of passage like Pink Floyd or Led Zeppelin. But while they don’t seem to receive near the same level of acclaim as the aforementioned artists, their music has remained as utterly ubiquitous as just about all of them. There are few other artists as essential to documenting the sound of an era as The Bee Gees were to the late ’70s.
Throw the Here At Last…Bee Gees… Live album from 1977 on the turntable or queue up the stream. You will be confronted with a veritable assembly line of perfectly constructed, exquisitely performed pop songs. Take a step back and really listen. The outlandish songwriting gift on display is nothing short of mind-blowing, You might think, how is it even possible to have written this many incredible songs? And those are just 20 or so selected tracks Barry, Robin, and Maurice had done up to that point – before Saturday Night Fever! There were dozens more to come.
We were overwhelmed by the number of incredible covers of both Bee Gees classics and deep cuts and their glorious diversity. But we really shouldn’t have been surprised. Despite the band itself not always getting its due, the Bee Gees’ songs remain for everyone and forever.
