Mar 312023
 

‘The Best Covers Ever’ series counts down our favorite covers of great artists.

Tom Waits covers

“Downtown Train.” “Ol ’55.” “Jersey Girl.” These are just three of the Tom Waits songs better known for their covers (respectively: Rod, Eagles, Bruce) than for Waits’ own performances.

It probably doesn’t need saying that Tom’s recordings are, in the best way possible, idiosyncratic. So it makes sense that, like Dylan, like Cohen, his songs often become more popular when more “traditional” voices sing them. Many of the best covers, though, keep some of that strangeness. No, they don’t do “the Tom Waits voice” – most people wouldn’t be able to talk for a week after attempting that. But they don’t sand off the strangeness.

Tom’s debut album Closing Time came out 50 years ago this month; he’s doing a reissue to celebrate. It, and its successor The Heart of Saturday Night, are in some ways his least representative albums, though. The songwriting is already strong on these, but it comes in – if you can believe it – a fairly conventional package. His voice hasn’t revealed its true character (to pick one among many memorable descriptions: “a voice like it was soaked in a vat of bourbon, left hanging in the smokehouse for a few months, and then taken outside and run over with a car”), and he hadn’t discovered that hitting a dumpster with a two-by-four makes great percussion.

Some of those very early songs get covered in our list below. But his later, weirder, songs abound, too. Tom’s wife Kathleen Brennan, his musical co-conspirator for decades now, said her husband has two types of songs: “Grim Reapers” and “Grand Weepers”. On his Orphans box set, Tom divided them up another way: Brawlers, Ballers, and Bastards. You’ll find some of all flavors below. (And, if you want more new writing on Tom Waits music, subscribe to a newsletter called Every Tom Waits Song that – full disclosure – I also run).

– Ray Padgett

PS. Find Spotify and Apple Music playlists of this list, and all our other monthly Best Covers Ever lists, at Patreon.

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Oct 282022
 
Puddles Pity Party

It’s easy to dismiss the Puddles Pity Party phenomenon as a bit of a gimmick. He’s a sad clown and he sings sad songs. And he mugs for the camera. But there’s some serious musicality underlying Puddles’ shtick, and he often reveals new things about songs through these seemingly goofy performances.

I can tell you that when I saw he covered Black Sabbath‘s classic “War Pigs” I was extremely skeptical. I didn’t think it would work. Even though the song has anti-war lyrics that could fit a Puddles version, I just didn’t think he would pull it off. But he mostly did. Continue reading »

Jan 312022
 
best cover songs january 2022
Butcher Brown ft. Alex Isley – Best Friend (Brandy cover)

Virginia jazz collective Butcher Brown throws it back to ’90s R&B with this cover of Brandy’s 1994 slow jam “Best Friend.” Though it’s a little out of their usual wheelhouse – for one, it has a singer, Ernie Isley’s daughter no less – they ably blend their own leanings with the retro soul-pop feel. If you like this, don’t miss their rooftop NPR Tiny Desk Concert.

Kate Clover – These Boots Are Made for Walkin’ (Nancy Sinatra cover)

“If Suicide produced a Nancy Sinatra and Lee Hazelwood song” is a hell of a tag line, and Kate Clover’s “These Boots” delivers on that premise. The menacing guitar seems pulled straight from “Frankie Teardrop,” while Clover’s vocals channel Sinatra’s swagger. Bonus points for the fun Twin Peaks-esque video. Continue reading »

Jul 292020
 

‘The Best Covers Ever’ series counts down our favorite covers of great artists.

bee gees covers

Despite the fact that Barry, Robin, and Maurice Gibb have sold upwards of 120 million records, they can sometimes seem oddly underrated. They aren’t regarded with the reverence afforded to other artists that emerged during roughly the same era, like The Rolling Stones or The Who. They haven’t generated the same level of dramatic intrigue as Elton John or Queen. And discovering their music was never part of some traditional teenage rite of passage like Pink Floyd or Led Zeppelin. But while they don’t seem to receive near the same level of acclaim as the aforementioned artists, their music has remained as utterly ubiquitous as just about all of them. There are few other artists as essential to documenting the sound of an era as The Bee Gees were to the late ’70s.

Throw the Here At Last…Bee Gees… Live album from 1977 on the turntable or queue up the stream. You will be confronted with a veritable assembly line of perfectly constructed, exquisitely performed pop songs. Take a step back and really listen. The outlandish songwriting gift on display is nothing short of mind-blowing, You might think, how is it even possible to have written this many incredible songs? And those are just 20 or so selected tracks Barry, Robin, and Maurice had done up to that point – before Saturday Night Fever! There were dozens more to come.

We were overwhelmed by the number of incredible covers of both Bee Gees classics and deep cuts and their glorious diversity. But we really shouldn’t have been surprised. Despite the band itself not always getting its due, the Bee Gees’ songs remain for everyone and forever.

Hope Silverman

The list begins on Page 2.

Nov 092018
 

Five Good Covers presents five cross-genre reinterpretations of an oft-covered song.

The Smiths

If you Google “perfect Smiths song,” you’ll find a lot of different titles – “The Boy with the Thorn in his Side,” “How Soon Is Now,” “I Won’t Share You,” “Half a Person,” and “There Is a Light That Never Goes Out,” just to name the results on the first page. But some opinions are bigger than others, and in lead singer Morrissey’s opinion, the perfect Smiths song – or at least, in his words, “very close indeed” – was “Please Please Please Let Me Get What I Want.” Allmusic.com calls it “a minimal yet lush two minutes of almost otherworldly beauty… Almost impenetrably sad, [it’s] a masterpiece both musically and emotionally.”

Starting life as a Johnny Marr instrumental called “The Irish Waltz,” the song became something more once Morrissey sang his lyrics of longing in a voice far gentler and quieter than his usual melodramatic croon. “Please Please Please” turned into a hymn to the art of pining and yearning, the anthem of the unrequited lover, cf. Duckie in Pretty in Pink. And it did so in a minute and fifty seconds, making it the shortest Smiths song ever. Why so short? Morrissey explained:

When we first played it to Rough Trade, they kept asking, “where’s the rest of the song?” But to me, it’s like a very brief punch in the face. Lengthening the song would, to my mind, have simply been explaining the blindingly obvious.

Continue reading »

Dec 152017
 

Follow all our Best of 2017 coverage (along with previous year-end lists) here.

best covers 2017

Year-end lists are a time to look back. That’s something we’ve been doing a lot of this year.

See, we turned ten years old in 2017 – practically ancient in internet-blog terms – so we’ve indulged in what we feel is well-earned nostalgia. At the beginning of the year, each of our writers picked the ten most important covers in their life (see them here and here and here and here and here and here and here and here and here and here). We even listed the ten most important covers in Cover Me‘s life, from the song that inspired the site to our very first Best of the Year winner.

Then, to cap things off, in October we commissioned a 25-track tribute to the cover song itself – which you can still download for free. We love the covers everyone contributed so much, incidentally, that we didn’t consider them for this list. It’d be like picking favorite children – if you had 25 of ’em.

Oh, and have I mentioned I wrote a book? … What’s that you say? I mentioned that constantly? Well, I’m quite proud of it. It’s called Cover Me: The Stories Behind the Greatest Cover Songs of All Time and it makes a great Christmas gift and – ok, ok, I’ll stop. You can find plenty more about it elsewhere.

Suffice to say, there’s been a lot of looking back this year. And we hope you’ll indulge us this one last glance rearward before we leap into 2018. Because if it’s been a hell of a year for us, it’s certainly also been a hell of a year for the cover song in general. Some of this year’s list ranks among the best covers we’ve ever heard, period. So dig in, and thanks for your support this past decade.

– Ray Padgett
Editor-in-Chief

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