This coming November, a new tribute album to Pogues‘ lead singer and songwriter Shane MacGowan will be released. And to announce the album, a new recording featuring Bruce Springsteen‘s take on The Pogues’ “A Rainy Night in Soho” has been released. Springsteen’s version is a little slower than the original, and opens quieter, with just a piano, but a full band comes in, adding a lilting sound to the song, which sees it through the end. No matter the rearranged instrumentation, the melancholy, which makes the original so memorable, remains.Continue reading »
As regular readers know, every year, at the end of the year, we do a big year-end covers list. This tradition started in 2007 and will continue in a couple months with the best covers of 2021.
But there are so many years before 2007 where we weren’t doing year-end covers lists (and, as far as I’m aware, no one else was either). So once a year, we do a big anniversary post tackling the best covers of a year before Cover Me was born. So far we’ve done 1969, 1978, 1987, 1996, and, last year, 2000.
And for 2021, we look back thirty years, to the heady days of 1991. The days of grunge and acid house, of parachute pants and ripped denim, of The Gulf War and Home Alone. Country music and hip-hop increased their cultural dominance (or really just making their existing dominance known; 1991 is also the year Soundscan made the Billboard charts more authoritative). In a single day, Nirvana released Nevermind, Red Hot Chili Peppers released Blood Sugar Sex Magik, and A Tribe Called Quest released The Low End Theory. Think that’s a fluke? The week before saw massive albums from Mariah Carey, Hole, and Guns ‘n’ Roses (two albums, no less). The week before that came Garth Brooks, Talk Talk, and Saint Etienne.
All of those trends are reflected in the list below. Many of these covers scream “1991!” LL Cool J raps Disney. Courtney Love shrieks Joni. Aretha Franklin tries to new jack swing. A spate of early tribute albums (in fact, last year I wrote a 33 1/3 book about a 1991 tribute album). Other covers are more timeless, from veteran artists doing great work several decades into their careers, or way-underground artists who never even approached the mainstream. The only criteria was quality. Thirty years later, these 50 covers Hole-d up the best.
Check out the list starting on Page 2, and stay tuned for the best covers of this year coming in December.
Cover Classics takes a closer look at all-cover albums of the past, their genesis, and their legacy.
When is a cover not a cover? If a song is written but never committed to any released format, what counts as the original version? Both questions that might raise askance of this set, a set that I believe can, and indeed should, pass muster for these august pages. After all, if it’s good enough for Woody Guthrie…
Jeffrey Lee Pierce is a name known more by association, I guess, than in his own right, popping up in the alongside others plowing the same vein. Literally. Whilst his lifetime recorded output, predominantly under the Gun Club soubriquet, may have been prodigious, he left enough unfinished and discarded songs to provide the bulk of the material in these three (so far) recordings. Continue reading »
They Say It’s Your Birthday celebrates an artist’s special day with covers of his or her songs. Let someone else do the work for a while. Happy birthday!
Nancy Sinatra, ‘60s pop icon and elder daughter of Frank Sinatra, celebrates her eightieth birthday today! To celebrate, we’ll swing, baby, through some of her biggest hits. But before we dig in, let’s take a look at the impact she’s made as an artist in her own right.
Sure, it helped being the daughter of the most famous entertainer of all time, but Nancy’s bona fides are legitimate. She charted 21 Billboard Hot 100 singles between 1965-72 and added multiple high-ranking exposures for many of those songs on Adult Contemporary and Country charts; one of those coming as late as 1981. Along the way, she became the epitome of feminine cool by co-starring in films with Elvis Presley and Peter Fonda, singing a Bond theme, even appearing in Playboy as a 50-something. Although her music output has slowed, she continues to consistently release new and remixed material. For the past 13 years she’s heard weekly on SiriusXM’s “Nancy For Frank” show with 3-hour episodes on the Siriusly Sinatra channel.
But it was in early 1966 when Nancy, and eventual longtime collaborators Lee Hazlelwood and Billy Strange (now both deceased), really cemented her pop legacy. “These Boots Are Made for Walkin” (included on her debut studio album “Boots”) went to #1 on US, UK, and worldwide charts. The song – supported with one of the earliest examples of a music video – has been credited with ushering in the era of woman in rock & roll. And for nearly 55 years, the prevalent themes of independence and free thinking – which never seems to wane – have sustained its popularity in pop culture!
So, with that… are you ready, boots? On this birthday, let’s start walking–right over to Nancy’s biggest hits…