Jan 182013
 

Cover Classics takes a closer look at all-cover albums of the past, their genesis, and their legacy.

I heard the music as if for the first time. I listened all the way through in one sitting and was struck by how beautiful a lot of the music was. Petra’s approach is so tender and generous. I adore it. – Pete Townshend

It’s unlikely that the ringing in Pete Townshend’s ears was ever louder than the ringing endorsement he gave Petra Haden Sings: The Who Sell Out. An a cappella recreation of the entire 1967 album, it features Haden’s vocals and more of Haden’s vocals, not only singing the lyrics, not only the between-song jingles, but all the instrumental passages. What can’t be perfectly duplicated (people have enough trouble capturing Keith Moon’s sound with a full drum kit) is suggested; Haden gets the feel of the album and gets it across to the listener. The masterful result brought plaudits from Townshend (“I felt like I’d received something better than a Grammy”) and critics alike. Not bad for someone who’d never heard the album before she began recording it. Continue reading »

May 102011
 

In just the past few months, we’ve heard an unprecedented number of Foo Fighters covers. We had “Floaty” by a violinist (Petra Haden). European choir Scala and Kolacny Brothers took on an old favorite, “Everlong.” We even heard a rumor that William Shatner will be recording a metal cover of “Learn to Fly.” With this latest reimagining of Foo Fighters’ new hit off of their April release Wasting Light, the Foos continue their streak of being one of the most covered bands we write about! Continue reading »

Apr 112011
 

Under the Radar shines a light on lesser-known cover artists. If you’re not listening to these folks, you should. Catch up on past installments here.

Even if you haven’t heard of her, there’s a pretty good chance that Petra Haden’s been lurking around some of the music you like. In 2005 she toured with indie rock extraordinaires The Decemberists. The year after that she accompanied the Foo Fighters on their unplugged tour. In both cases she added texture to those bands’ songs with her impressive violin skills and unique voice. Green Day even employed her to contribute violin to their 1997 Nimrod album. What would “Hitchin’ a Ride” or “Good Riddance” be without that sweet string sound? Continue reading »