Apr 012024
best cover songs
Aoife O’Donovan — The Lonesome Death of Hattie Carroll (Bob Dylan cover)

Bartees Strange — You Always Hurt The Ones You Love (Mills Brothers cover)

Beyoncé — Blackbird (The Beatles cover)

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Mar 202024
mitski coyote my little brother

“Coyote, My Little Brother” is often attributed to Pete Seeger, and while the American folk artist did popularize the song, it was actually written by Peter La Farge in 1963. Though it’s no wonder why Seeger’s version is more popular; his vocal delivery was more deep and reliable than that of the original artist. From the composition’s near-yodel jump to the falsetto high note down to the rich country-ish lows, this was certainly an unexpected choice for the artist Mitski to undertake on her latest Spotify single.

In Mitski’s hands, the environmentalist ballad is haunting yet placid, gentle but rich, and definitely indie-folk. She kept the instrumentation bare-bones, just like La Farge and Seeger’s versions, adding just two instruments. Mitski recorded the song with a double bassist (Jeni Magana) and a guitarist (Patrick Hyland). The sage words “Don’t poison the sky, don’t poison the sky…” never sounded so hauntingly sweet.

Mar 232020

In Defense takes a second look at a much maligned cover artist or album and asks, “Was it really as bad as all that?”

Dylan is Bob Dylan‘s first break-up album. Out of print for decades before eventually being issued on CD in 2013, the LP was a result of Bob’s defection from Columbia Records to the fledgling Asylum Records in early 1973. While the split ultimately proved to be a temporary separation, it appeared at the time to be a permanent divorce.

The resulting album is often framed as an act of revenge on Columbia’s part, a collection of poor-quality outtakes specifically designed to reduce Dylan’s stock with record buyers. However, this theory doesn’t add up. Columbia still owned Bob’s valuable back catalogue, which they presumably intended to continue profiting from, and releasing an intentionally substandard Dylan album would have been counterproductive. What was probably going on, as Jon Landau suggested in his review for Rolling Stone, was that Dylan would have been the first in a series of “new” Bob Dylan albums comprised of outtakes from previous Columbia sessions. Decca Records was concurrently doing the same thing with their trove of unreleased recordings by The Rolling Stones.

But why these recordings? The track selection on Dylan is perplexing, especially since Columbia already possessed much of the material that would later surface on the successful Bootleg Series. A likely explanation is that whoever compiled the album (possibly Mark Spector, who assembled an abandoned early version) was under pressure to get the record out before Dylan’s first release for Asylum – which was being recorded at that very moment – and therefore had no choice but to simply grab some of the most recent tapes off the top of the pile. The tapes in question, as it happened, were from the sessions for Dylan’s 1970 albums Self Portrait and New Morning.

Columbia’s ploy worked. Dylan reached No.17 on the Billboard chart and was certified gold, despite overwhelmingly negative reviews. Were the critics right? Let’s take another look.
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