In Pick Five, great artists pick five cover songs that matter to them.
Last year, we said Stars’ version of “This Charming Man” was the best cover of the song ever. You know who agreed with us? Smiths drummer Mike Joyce (he called it the best Smiths cover period). You know who else? Prince.
Stars frontman Torquil Campbell (he’s on the right in that photo) tells the full story below in his Pick Five entry. And he’s a man who knows his covers. In 2016, Stars launched a monthly covers series, tackling everyone from Bob Dylan to a pre-MAGA Kanye West. Not only were the covers great individually, but the disparate source material fit together perfectly under the Canadian collective’s signature indie-pop umbrella. Here are some highlights:Continue reading »
Last year I did a roundup of the Best Cover Songs of 1996. It was a fun project to retroactively compile one of our year-end lists for a year before Cover Me was born. I wanted to do it again this year, but continuing the twentieth-anniversary theme with 1997 seemed a little boring. Turns out 1997 also featured a bunch of Afghan Whigs covers.
So to mix it up, I decided to go a decade further back and look at 1987. Needless to say, the landscape looked very different for covers. For one, far more of that year’s biggest hits were covers than we saw for 1996. The year had #1 cover hits in Heart’s “Alone,” the Bangles’ “Hazy Shade of Winter,” Los Lobos’ “La Bamba,” Tiffany’s “I Think We’re Alone Now,” Club Nouveau’s “Lean on Me,” and Kim Wilde’s “You Keep Me Hangin’ On.” Plus ubiquitous hits that didn’t quite top the charts, but remain staples of the songs-you-didn’t-know-were-covers lists, Buster Poindexter’s “Hot Hot Hot” and George Harrison’s “Got My Mind Set On You.”Continue reading »
Full Albums features covers of every track off a classic album. Got an idea for a future pick? Leave a note in the comments!
There’s a cartoon circulating on social media mocking U2 for a penchant for nostalgia. And, on its face, it’s pretty funny:
It doesn’t hold up to scrutiny, though. U2 is entirely the wrong group to pick for this joke. “World’s laziest band”? If anything, they have the opposite problem, endlessly hustling and trend-chasing in pursuit of their next hit. Their current Joshua Tree tour is just about the first nostalgia-trip moneygrab in a forty-year career. Unlike just about every other major band from the ’70s and ’80s, they generally avoid the greatest-hits summer tours and Oldchella combos the comic rightly lampoons.
The band is, however, indulging a rare back-pat on their current stadium tour by playing The Joshua Tree from start to finish. It’s one of the front-loaded albums of all time, an insane run of hits on side one followed by relative obscurities on the flip (including “Red Hill Mining Town,” which they’d never played live until this year). Which sounds like it might make for odd concert pacing, but early reviews have been great.
So if it’s good enough for them, it’s good enough for us. As U2 celebrates thirty years of The Joshua Tree, we will too, with covers of every song on the album.Continue reading »
Ever since I started this site, friends and readers have suggested that I should write a book about cover songs (surprisingly, a comprehensive book doesn’t really exist). For years, I resisted. “That’s like saying ‘I’m going to write a book about original songs’,” I’d snarkily reply – i.e., that’s a stupid idea. Cover songs seemed too broad a category. There’s no grand unifying theory of cover songs to fit tidily between two book covers; it’s too big and messy and wonderful a tent for that.
After years of saying no, I finally came up with the solution. I wouldn’t write a book about cover songs – instead, I would write a book about twenty specific cover songs, and through those twenty covers, a broader narrative would emerge.
The story of covers as traced in Cover Me involves artistic triumphs and music-industry shenanigans. It touches on trends in record-making, music videos, and the internet’s impact on music (did you know the first viral song was a cover?). There are beautiful moments of unlikely artists coming together, and some uglier instances of exploitation and racism. Every major change in the music industry since the advent of rock and roll finds some expression in the world of cover songs.Continue reading »
Follow all our Best of 2014 coverage (along with previous year-end lists) here.
A few months ago, I read an interesting interview with an artist named Nouela. You probably haven’t heard of her, but you may have heard her music. She’s become a specialist in a weird but growing niche: covers recorded for movie and television trailers. Whether doing a piano “Sound of Silence” to promote a new HBO show or a brooding “Black Hole Sun” to promote Liam Neeson punching people, she’s found a quickly-growing way of getting her covers out there.
It struck me as part of a growing trend we’ve seen. More and more great covers seem to come from unexpected places. Sure, you’ve got still your standby sources, your b-sides, tribute albums, and radio shows. But new avenues for covers have increasingly crept in. This year saw a Sam Smith cover that is only available to hear under Grey’s Anatomy dialog (thankfully he’s recorded a few live versions too) and a whole covers album recorded to plug a Canadian TV show. Brands have fully embraced covers too, most recently My Morning Jacket’s “This Land Is Your Land” recorded for North Face ads, or Charli XCX and Bleachers trading covers for Kia.
We don’t care where they originated when we make our year-end lists, though, and we would up with some of everything. In our top five alone, we’ve got a live radio session, a deluxe-edition bonus track, and a cover hiding in plain sight on one of the most acclaimed country records of the year. You have to keep an eye on more places than ever to spot the best covers these days. Wherever they come from, we’re glad to have ’em.
Click on over to page two to begin our countdown, and thanks for reading.