A few days ago at a show in Los Angeles, Pearl Jam covered the Foo Fighters in a tribute to Taylor Hawkin’s passing. They picked a relative deep cut too: “Cold Day in the Sun” is a classic-rock feeling song from the Foo Fighters album In Your Honor. In the original, which he wrote, drummer Hawkins took the lead by singing and playing, while Dave Grohl manned the drums.
In this cover, Matt Cameron leads with guitar and vocals. In addition to the full band, Chad Smith (from the Red Hot Chili Peppers) also joins in, adding in a bit of tambourine. The brightness of the lead guitar almost gives this cover a southern flair, while Cameron keeps his vocal timbre eerily similar to Hawkin’s own tone. The richness of the song really begins to shine in the chorus, when new vocal harmonies are added in. However, the drumbeat and instrumentation have been kept nearly identical to the original.Continue reading »
Andrew VanWyngarden – Dance Monkey (Tones and I cover)
One of the biggest one-hit wonders of the last few years, pop singer Tones and I’s “Dance Monkey” emerged out of seeming nowhere to top charts across the world last year. In her home country of Australia, it is the longest chart-topper ever, breaking a record held by Bing Crosby’s “White Christmas”! Despite its ubiquity, however, major covers have been sparse (perhaps because many people find the song, you know, annoying). Never one to shy away from putting off his audience, though, MGMT frontman Andrew VanWyngarden gave it a trippy psychedelic-folk cover as part of a radio station fundraising challenge.Continue reading »
As regular readers know, every year, at the end of the year, we do a big year-end covers list. This tradition started in 2007 and will continue in a couple months with the best covers of 2021.
But there are so many years before 2007 where we weren’t doing year-end covers lists (and, as far as I’m aware, no one else was either). So once a year, we do a big anniversary post tackling the best covers of a year before Cover Me was born. So far we’ve done 1969, 1978, 1987, 1996, and, last year, 2000.
And for 2021, we look back thirty years, to the heady days of 1991. The days of grunge and acid house, of parachute pants and ripped denim, of The Gulf War and Home Alone. Country music and hip-hop increased their cultural dominance (or really just making their existing dominance known; 1991 is also the year Soundscan made the Billboard charts more authoritative). In a single day, Nirvana released Nevermind, Red Hot Chili Peppers released Blood Sugar Sex Magik, and A Tribe Called Quest released The Low End Theory. Think that’s a fluke? The week before saw massive albums from Mariah Carey, Hole, and Guns ‘n’ Roses (two albums, no less). The week before that came Garth Brooks, Talk Talk, and Saint Etienne.
All of those trends are reflected in the list below. Many of these covers scream “1991!” LL Cool J raps Disney. Courtney Love shrieks Joni. Aretha Franklin tries to new jack swing. A spate of early tribute albums (in fact, last year I wrote a 33 1/3 book about a 1991 tribute album). Other covers are more timeless, from veteran artists doing great work several decades into their careers, or way-underground artists who never even approached the mainstream. The only criteria was quality. Thirty years later, these 50 covers Hole-d up the best.
Check out the list starting on Page 2, and stay tuned for the best covers of this year coming in December.
In 2020, Miley Cyrus has spent lockdown reinventing herself, unleashing new old-school rockstar personal on her recent performances on MTV Unplugged and the Save our Stages Festival on Youtube. She covered a whopping seven songs over both performances – five in Unplugged and two in the SOS performance, her choices signaling her current touchstones.Continue reading »
Five Good Covers presents five cross-genre reinterpretations of an oft-covered song.
Midnight Oil had many huge hits in their native Australia, but only one song made an appearance on the U.S. Top 40: the 1987 classic “Beds Are Burning.” In a way, it’s surprising this song was their international breakthrough, given how specific the lyrics are to their native land – a protest song advocating for giving Australian lands back to Aboriginal group the Pintupi. Not subject matter guaranteed to register internationally when you take into account all the desert oak and cockatoo references (how many non-Australians can even pronounce “Yuendemu”?).
In another way, though, it’s no surprise at all this song connected wildly. I mean, ignore the lyrics (as no doubt many listeners did) and just listen to it:
The song has not been covered an enormous amount, but a few dozen versions exist. Many Australian bands have covers in their back pockets. In other cases, big touring bands like Pearl Jam and Imagine Dragons might prepare a version when touring down under.Continue reading »