I’ve wanted to do a “Full Albums” on Patti Smith’s Horses for years. But it, and she, gets covered less than you’d think. This beautiful piano “Redondo Beach” gets me one step closer. Though, admittedly, I already had Courtney Barnett’s recent cover for that slot. Someone cover “Break It Up” already!Continue reading »
The story goes that Bob Dylan called Smokey Robinson “America’s greatest living poet.” Not so, it turns out, but it sure seems like something he would say – it sounds a note of contrariness, but it also has the ring of truth.
Smokey Robinson turned 80 this month, and his legacy as one of the architects of the Motown sound has long been assured. Not only did he have a silken falsetto that conveyed sunshine and rain with equal ease, he also wielded a pen with a similar level of genius. Whether writing for The Miracles, the band that he led throughout the sixties, or the other members of the Motown stable, he came up with songs that became not just a part of music history, but a part of our nation’s history. As Smokey said, the Motown slogan was not “The Sound of Black America,” but “The Sound of Young America,” and that sound has rung down through the corridors of time as surely as the sound of the Liberty Bell.
No further proof is needed than the number of covers of Smokey’s songs – covers of his own recordings or covers of the original recordings by The Temptations or Marvin Gaye or the many other singers who benefited from his pen. His voice has spoken to other artists for decades, and when those artists tell us what he told them, those songs are just as fresh as they were the day he first set them down. We found thirty superlative covers of songs that Smokey wrote and/or sang, but, as we could have found thirty great recordings of “My Girl” alone, we know we’ve missed a few along the way. Whether you’re steamed at what we missed, or excited to discover what we found, we can agree on one thing: Smokey Robinson is one of the all-time greats, and we’re fortunate to have the privilege to listen to the songs he wrote for the rest of our lives.
Last week, R.E.M. released a 25th anniversary expanded reissue of their 1994 album Monster. Unlike many of their albums, Monster was not an obvious candidate for a splashy box set. Practically every new review has noted that Monster was, as Salon succinctly put it, “a notorious staple of dollar bins everywhere.” But, as tends to happen with such reissues, the celebrated albums get celebrated again and the less-loved albums get a critical reappraisal. Sure enough, everyone loves Monster all of a sudden.
So perhaps an avalanche of Monster covers is forthcoming – because there certainly aren’t many now. Despite that being the ostensible news peg for this list, no songs from that album appear on it. But, in a band with as rich a discography as R.E.M.’s, there was a lot of competition. Sure, the obvious hits get covered as much as you think, but many artists delve deeper. The song at the very top of the list, for instance, originally appeared on 1998’s Up, an album that might have an even worse reputation than Monster.
Luckily we don’t need to wait four more years for the reappraisal of that, or of any of the other songs on our list. These 25 covers reappraise R.E.M. deep cuts you didn’t know and reimagine the hits you’ve heard a million times.
Talking Heads only ever recorded one cover, and when I talked to David Byrne about it for my book, he seemed to have mixed feelings on the subject. “There’s always a little bit of resistance to recording a cover like that because it’s kind of a crowd pleaser,” he told me. “I’d seen it happen before, where radio DJs who pick what they’re going to play will often pick a cover song… So then a band gets known for covering somebody else’s song as opposed to writing their own material. They have to go through a struggle for years to get identified with their own songs.”
Talking Heads recorded “Take Me to the River,” it became their biggest hit up to that point, and Byrne said: That’s it. No more covers. The band never followed it up with a second.
He’s relaxed the rules a bit more in his solo career, most recently covering Janelle Monae’s “Hell You Talmbout” on tour (he says he’s bringing the cover to Broadway, too). And clearly he’s been listening to covers. For his DB Radio show on his website, he just compiled a wonderfully eclectic mix of his favorite covers. The theme, he says, is artists doing the unexpected, from Sonic Youth covering The Carpenters to Miley Cyrus covering Nine Inch Nails. And when the song choice itself may not be surprising – Patti Smith covering the Rolling Stones, say – the arrangements are. Here’s what he wrote on his website:Continue reading »
Five Good Covers presents five cross-genre reinterpretations of an oft-covered song.
Midnight Oil had many huge hits in their native Australia, but only one song made an appearance on the U.S. Top 40: the 1987 classic “Beds Are Burning.” In a way, it’s surprising this song was their international breakthrough, given how specific the lyrics are to their native land – a protest song advocating for giving Australian lands back to Aboriginal group the Pintupi. Not subject matter guaranteed to register internationally when you take into account all the desert oak and cockatoo references (how many non-Australians can even pronounce “Yuendemu”?).
In another way, though, it’s no surprise at all this song connected wildly. I mean, ignore the lyrics (as no doubt many listeners did) and just listen to it:
The song has not been covered an enormous amount, but a few dozen versions exist. Many Australian bands have covers in their back pockets. In other cases, big touring bands like Pearl Jam and Imagine Dragons might prepare a version when touring down under.Continue reading »
Patti Smith made cover-song headlines a couple years ago stepping in for an unwilling Bob Dylan to perform “A Hard Rain’s a-Gonna Fall” at his Nobel Prize ceremony. More recently, she’s quietly slipped another old protest song into her setlist: Midnight Oil’s 1987 hit “Beds Are Burning.”Continue reading »