Oct 282021
 

‘The Best Covers Ever’ series counts down our favorite covers of great artists.

metallica covers

It all started forty years ago today. On October 28, 1981, in Los Angeles, a Danish tennis player turned drummer by the name of Lars Ulrich met with guitarist James Hetfield for the first time. The two formed the basis for the band that would become Metallica.

In the ‘80s, the thrash metal quartet released four of arguably the greatest metal albums of all time: Kill ‘Em All, Ride the Lightning, Master of Puppets, and …And Justice for All. That was just a warmup.

In 1991, the band released a self-titled album that would change their entire destiny, not to mention the history of metal. Dubbed simply Metallica, but otherwise known as The Black Album, the record became one of the best-selling hard rock albums in history. The record earned the band legions of new fans. It also triggered countless old ones, who were perturbed that the ultimate purveyors of thrash had gone “soft.” The record transformed Metallica into one of the biggest rock bands in the world. It’s a moniker they’ve carried ever since, even if their pace of album releases has slowed considerably.

Over the years, the band’s music has inspired numerous cover songs across multiple genres. Jazz, pop, rock, country, bluegrass, and numerous classical artists (not to mention countless metal bands) have taken on Metallica’s tracks. Adding more fuel to the proverbial cover fire, this year, to mark the 30th anniversary of The Black Album, the band commissioned an extensive tribute record dubbed The Metallica Blacklist. The album features cover songs by the likes of Elton John, Yo-Yo Ma, Darius Rucker, Miley Cyrus, My Morning Jacket, and Kamasi Washington.

So why has Metallica’s music inspired so many covers? Underneath the layers of distortion, hard-pounding double bass drums, and barbaric yowls, the band’s music and songwriting are strikingly complex. Listening to their original recordings, one can hear classical-style melodies, virtuosic guitar solos, and extended jams, as well as elements of classic, punk, and prog rock.

With the lyrics, one finds the band tapping into a deeper universe as well, exploring the lines between life, death, and spirituality. Their songs are filled with numerous biblical and religious references. Perhaps most famously, on “Enter Sandman,” the band quotes the prayer “Now I Lay Me Down to Sleep,” turning a child’s plea for salvation into a rumination on the horrors of the night.

Since their inception, Metallica has always been striving for something more profound. Many artists have heard the bells of inspiration toll. Here’s a list of 40 of the best Metallica covers from the last 40 years. – Curtis Zimmermann

The list begins on Page 2.

Jul 162019
 

In Defense takes a second look at a much maligned cover artist or album and asks, “Was it really as bad as all that?”

Pat Boone

Reasons abound for maligning Pat Boone’s career in popular music. The catalyst for his career was a string of covers of R&B tunes by black artists for whom the legacy of segregation never afforded the same amount of wealth. White artists made substantially more than their counterpart artists of color. Major record labels had larger distribution chains, promotional budgets, and stronger connections to radio and television networks to advantage their artists. By contrast, black musicians on “race records” benefited from none of these privileges. While artists like Little Richard, Big Joe Turner, and Fats Domino have enjoyed staying power and wide acclaim for being architects of rock music, in the early decades of that genre, white covers were commercially more successful. Added to this was the exploitative nature of covers on larger labels that made more money than the originals while paying out no royalties to the black originators. Boone was unapologetic that his career benefited from this exploitation.

It is also noteworthy that Boone’s performance and lyricism of some of rock’s first generation of are a case study in the sanitized tastes of the burgeoning white middle class in the 1950s. His smooth vocal delivery was reminiscent of crooners rather than the raspy, full-throated yowl of Little Richard. And the lyrical changes on “Tutti Frutti” were a nod to teenage infatuation stripped of any of the sexuality in Little Richard’s original.

Despite Boone representing the residuals of white privilege while Jim Crow reigned supreme, there is a note of appreciation to be made for Boone and contemporaries Elvis Presley and Bill Haley in helping to extend the reach of rock music to new audiences at a critical juncture in that genre’s history.
Continue reading »

Nov 222010
 

Five Good Covers presents five cross-genre reinterpretations of an oft-covered song.

crazy train covers

When Ozzy Osbourne released “Crazy Train” in 1980 he sent a message to the rock music world. No longer did he need ’70s metal juggernauts Black Sabbath behind him. He could make music his own way, unencumbered by the democratic process of a group with which he had ceased to see eye-to-eye. If people thought he was foolish to leave Sabbath behind, they soon learned otherwise; “Crazy Train” quickly made itself a hit on the Billboard charts and has since become one of heavy metal’s signature songs.

It’s no surprise, then, that scads of metal singers and bar bands have paid tribute to this ’80s classic. However, at Cover Me we strive to find takes on popular songs that are a little more off-the-beaten-path. With that in mind, here are five versions of “Crazy Train” that rock’s Prince of Darkness might not have anticipated. Continue reading »