Nov 042025
 
Outkast tribute albums

When Andre 3000 appeared on Questlove’s podcast, the host noted that he was on a tour bus when he heard the album Aquemini for the first time. As soon as he heard “SpottieOttieDopaliscious,” he knew that Outkast had conquered another musical genre, and that marching bands across the country would soon be playing the tune. He was right.

Outkast are a great hip-hop band, and they helped define a whole genre of Southern hip-hop, which survives and thrives today. But they also provided some of the great crossover pop songs of the past 30 years. One way of looking at success is how many musicians want to pay tribute to your canon. Covers, of course, and there are many of these for Atlanta’s finest, and the site has covered some of the greatest ones from Outkast here and here. Continue reading »

Jul 312025
 
Best Cover Songs
Benson Boone — Seventeen Going Under (Sam Fender cover)

Bruce Springsteen — Poor Side Of Town (Johnny Rivers cover)

Continue reading »

Apr 302024
 
best cover songs
The Dirty Nil — Total Eclipse of the Heart (Bonnie Tyler cover)

I’m honestly surprised there weren’t more “Total Eclipse” covers during this month’s total eclipse. Perhaps because our total eclipse was of the sun, rather than the heart. Or, more likely, because this song is hard as hell to sing. Best of the bunch came this garage-rocking version from Ontario trio The Dirty Nil. Gritty and raw, and singer Luke Bentham sells the hell out of it. Continue reading »

Feb 182022
 

Five Good Covers presents five cross-genre reinterpretations of an oft-covered song.

Hey Ya covers

Outkast has been hugely influential in the rap genre, and the duo has been innovating since their first album Southernplayalisticadillacmuzik was released in 1994. Big Boi and André 3000  began to crossover to pop with songs like “Ms. Jackson,” but the Speakerboxxx/The Love Below album quickly became the duo’s biggest commercial success. In this double album, Speakerboxxx represented Big Boi’s vision while The Love Below represented André 3000’s. The first two singles promoted one song of each: “The Way You Move” (which definitely deserves its own Cover Me post at some point) and “Hey Ya!”. Both became instant dance-floor classics.

“Hey Ya!” really has it all. A call-and-response, a coined dance move, and references to Beyoncé and Lucy Liu. Is it a happy song? Is it a sad song? Do we really care? The song topped FiveThirtyEight’s data-driven ultimate wedding playlist, and this checks out. I have personally been the one shaking it like a Polaroid picture on the wedding reception dance floor and wow, do I want to be doing that again. With the backlog of weddings postponed because of the pandemic, will 2022 finally see the resurgence of this essential rite of passage for a newly married couple? Time will tell. Until then let’s hear some others reimagine “Hey Ya!”

Continue reading »

May 112020
 

Cover Two reviewJoan Wasser started out as a violinist, performing in a variety of bands throughout the ’90s including The Dambuilders, Black Beatle, and Antony and the Johnsons. She eventually broke out on her own, assuming the stage name Joan As Police Woman (inspired by the TV show Police Woman) and releasing her first solo album in 2006. After two solo records of original material, Joan As Police Woman released a limited edition covers album in 2009 that included a variety of songs, from T.I. to David Bowie. Four albums and over a decade later, Joan is back with Cover Two, a similarly eclectic batch of cover songs.

Joan As Police Woman describes the process of creating this album: “I start with the question, ‘WHY, exactly, do I love this song?’ I take those elements and reform them, sometimes removing much of the remaining material to refocus them through new glasses.” Her process is evident in the sound of the album. Her covers are sparse, but still evocative.

Continue reading »

Aug 082019
 
david byrne cover songs

Talking Heads only ever recorded one cover, and when I talked to David Byrne about it for my book, he seemed to have mixed feelings on the subject. “There’s always a little bit of resistance to recording a cover like that because it’s kind of a crowd pleaser,” he told me. “I’d seen it happen before, where radio DJs who pick what they’re going to play will often pick a cover song… So then a band gets known for covering somebody else’s song as opposed to writing their own material. They have to go through a struggle for years to get identified with their own songs.”

Talking Heads recorded “Take Me to the River,” it became their biggest hit up to that point, and Byrne said: That’s it. No more covers. The band never followed it up with a second.

He’s relaxed the rules a bit more in his solo career, most recently covering Janelle Monae’s “Hell You Talmbout” on tour (he says he’s bringing the cover to Broadway, too). And clearly he’s been listening to covers. For his DB Radio show on his website, he just compiled a wonderfully eclectic mix of his favorite covers. The theme, he says, is artists doing the unexpected, from Sonic Youth covering The Carpenters to Miley Cyrus covering Nine Inch Nails. And when the song choice itself may not be surprising – Patti Smith covering the Rolling Stones, say – the arrangements are. Here’s what he wrote on his website: Continue reading »