Jun 212024
 

‘The Best Covers Ever’ series counts down our favorite covers of great artists.

The Kinks covers

If The Kinks had stopped after their first year, they’d still be legends. “You Really Got Me” and “All Day and All of the Night,” two of the all-time-great sixties rock singles, were both released in 1964. That’s more classics in one year than most bands have in decades (and their year gets even better if you slide in January 1965’s “Tired of Waiting for You,” recorded before “All Day Etc”).

But if The Kinks had stopped after their first year, this list certainly wouldn’t run 50 covers deep. Because, of course, they didn’t stop. They kept releasing hits, including Top 10s in both the ’70s (“Lola,” “Apeman”) and ’80s (“Come Dancing”). Maybe even more importantly, they kept creating, kept innovating, kept pushing forward, not settling into retreading their early garage-rock sound. That wide breadth gets reflected in the Kinks songs that artists covered. The big hits, of course, are well represented. But so are plenty of album cuts and singles that “flopped” at the time but were rediscovered years later.

Ray Davies turns 80 today. So today, we celebrate his birthday—and his ability to withstand decades of interviews about whether he and brother Dave will ever reunite—with our countdown of the 50 Best Kinks Covers Ever.

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Jul 152020
 

In Memoriam pays tribute to those who have left this world, and the songs they left us to remember them by.

Johnny Thunders covers

When you hear a Johnny Thunders guitar riff, you know it’s Johnny Thunders. The sloppy Chuck Berry meets Dick Dale with a sprained wrist guitar solos combined with a Keith Richards meets Ray Davies rhythm – always punctuated with slides down the neck and hammer-ons – is as distinctly Thunders as is his voice – sarcastic, sweet, taunting, and offensive in one disheveled package. No other guitarist – whether it be The Sex Pistols’ Steve Jones or Guns N’ Roses’ Izzy Stradlin – could replicate his sound no matter how hard they’ve tried.
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Aug 032018
 

In the Spotlight showcases a cross-section of an artist’s cover work. View past installments, then post suggestions for future picks in the comments!

A band that’s been in business for more than two decades can be expected to change their sound a few times. With Of Montreal, though, it’s about more than sounding different. It’s about seeing the world a whole new way. Kevin Barnes founded the band, and over the years has led a score of other musicians. Together, they’ve explored worlds of folk and psychedelia, theatrical and celestial, amusement and misery. They’ve done so with such purpose that it’s become a part of what draws their fans. Continue reading »

Apr 062018
 

Ethan Gold Bedroom ClosetWhen Ethan Gold began recording cover songs in his bedroom closet, they were more than his tributes to artists that mattered to him – they were therapy. Gold had sustained a head injury in a warehouse accident that left him unable to speak, let alone do the complex sound engineering his work required. He had also just been forced to leave the condemned residence that inspired his previous album, Songs from a Toxic Apartment. So these covers, one-take performances filmed for YouTube, were Gold’s road to recovery. Now they’ve been compiled and released as a digital-only album, Live Undead Bedroom Closet Covers, and it’s a pleasure to see that his recovery is complete.
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Nov 252014
 

If you are lucky enough to be in Chicago during the brutal winter season, know that there is one thing that is sure to cheer you up: The David Bowie Is retrospective currently on display at the Museum of Contemporary Art. Hardcore Ziggy Stardust fans and celebrities alike have been flocking to the retrospective to get take a glimpse at some of the most intimate moments of David Bowie‘s career. Recently, of Montreal‘s lead singer Kevin Barnes took to the stage at the MCA to celebrate Bowie as well. Continue reading »

Dec 192013
 

I’m not sure there were more great cover songs this year than any other. But there were more good ones.

What I mean by that is, the average quality of the covers we come across in the time we’ve been around has risen, rather dramatically. Whether they’re iTunes homepage singles or some guy emailing us his Bandcamp, more cover songs in 2013 avoid the old pitfalls than ever before. They don’t sound like they were recorded in a cereal box, substitute ear-bleeding volume for actual creativity, or – the worst cover sin of all – try to carbon-copying the original. With the ease of production and distribution available now, artists seemed to record covers only when they felt they had something to add, and do a halfway decent job committing those ideas to 1s and 0s. Continue reading »