Dec 092025
 

I am not sure how much traction (The) Sam Chase elicits in his home state of California, but over here in Blighty, courtesy a magnificent little festival called Maverick, he is always guaranteed a welcome. He, and his band, The Untraditional, cut quite the rug with his hoarse holler, belting out songs of a country hue, a punk attitude and a sometimes chamber-folk setting. This all makes for a beguiling combination, a rich mix of sandpaper and silk. Over the years he has worked solo, as a trio and now with his a 7 piece band behind him. That’s a lot, but, with cello, violin and trumpet, augmenting the more familiar guitar, keys, bass and drums, flickering remembrances of Van Morrison’s Caledonia Soul Orchestra wouldn’t be that far off point. And, yes, all seem present for Covered:, endeavoring to both compete with and comfort his foghorn fusillade.

To be fair, Chase’s voice gets dialed down a tad across most the selections here, culled from a bevy of the usual suspects: a Dylan, a Prine, a couple of Waits, balanced with CCR, Nirvana and one from the pirate cabaret of The Crux. The overall effect is strangely chameleonic, as he affects to occupy the persona of each individual singer, in character if not always sound. The difference comes largely from the arrangements, which tend toward the dusty roadhouse of amplified acoustica with drums. This renders a fluency to the flow of Covered:, a congruency that makes for a set that is all his own, however familiar the songs may or may not be.
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Sep 302025
 
Best Cover Songs
Benson Boone — When We Were Young (Adele cover)

Benson Boone gets clowned on, but dude can sing (and, yes, backflip). “When We Were Young” is not exactly an easy song to nail. But, at a tour stop in Columbus, he did just that—one of many covers he’s been doing on the road.

BRAINSTORM — The Boys Of Summer (Don Henley cover)

Every summer comes, inevitably, more “Boys of Summer” covers. This metal-ish version comes from German power-metal vets BRAINSTORM (all caps so you know they’re serious). Singer Andy B. Franck says: “Even though ‘The Boys Of Summer’ deals with rather nostalgic themes of ‘summer love’ and the memory of a past relationship, for me – at the time a 13-year-old – it was, beyond the metal anthems of the 80s, a great song that I associated with summer, girls and the corresponding feeling for many, many years…Even today, this song still evokes great memories for me, and since it’s also a song about questioning the past, this track fits perfectly into our times.” Continue reading »

Jun 042025
 
matt berninger

Matt Berninger of The National is currently on his first solo tour. The same day his new album, Get Sunk, was released, he covered New Order’s “Blue Monday,” adding to the repertoire of covers he’s been doing on the road. Just last we watched him tackle Nirvana, Tom Waits, and Radiohead. Continue reading »

May 292025
 
matt berninger

Matt Berninger, best known as the lead singer for The National, is currently out on his first solo tour and is adding some covers into the set pretty much every night.

In the past week of shows, Berninger has performed “Kid A” by Radiohead and “All Apologies” by Nirvana. The songs have been performed alongside Julia Laws (better known as Ronboy). This is not the first collaboration for the two; they released a cover of Tom Petty’s “Only a Broken Heart” a few years earlier. (They also performed this song this past Sunday in Toronto.)

At Saturday’s show in Chicago, they performed, fittingly, Tom Waits‘ “The Heart of Saturday Night.”

Watch videos of all four below.

Apr 232025
 
fontaines dc in heaven

Just before heading out on their most recent tour, Fontaines DC have released a deluxe version of their 2024 album, with a few additional songs, including one cover. The band’s take on the late David Lynch’s “In Heaven,” is a mash-up, fitting in quite nicely with the band’s own “Starburster.” Continue reading »

Apr 112025
 

Post Malone Tribute Nirvana
Post Malone has triumphed as a rapper, a rocker, a pop star, and a country artist. If there’s a solid core within this multiplicity, it’s that Malone is, in essence, a Kurt Cobain fanatic.

It’s literally written on his face: the Nirvana song title “Stay Away” is inked into his forehead. A portrait of Cobain occupies Post’s upper arm. “WHATEVER” is tattooed across his left palm, “NEVERMIND” across the right. If the world needs a celebration of the iconic grunge band, Malone’s the man to bring it.

Post Malone: A Tribute to Nirvana makes its debut on Record Store Day 2025. But the only thing new about the release is its yellow vinyl format. The album’s 14 songs are drawn from Malone’s COVID-19 lockdown performance in April, 2020. That show was a live-streamed fundraiser for COVID victims; the new album is likewise a benefit, with all proceeds going to the nonprofit organization MusiCares. (Specifically, the donation goes to the Addiction Recovery/Mental Health arm of MusiCares, which is in itself a nod to Cobain.)

Joining Malone for the all-Nirvana set were Brian Lee on bass, Nick Mac on rhythm guitar, and Travis Barker of blink-182 fame on drums. And what a set it was! With a righteous cause and a hard-hitting band, Malone seemed large and in charge. On top of his vocalist/guitarist frontman duties, he emceed the fund-raising operation; between songs Post gave shout-outs to the more generous donors, and kept one eye on the chat window for any big names signing in. (Both Courtney Love and Krist Novoselic entered the chat at different points.) Host Malone did it all, and he did it in a dress (yet another bow to his hero). All this without forgetting a single word or chord in the hour-long set.

For the album release, of course, we get only the songs themselves, not the party-down atmosphere, the banter, the beer breaks, the false starts. But that’s kinda the bad news: an electrifying show, a sense of something happening, doesn’t always get encoded into the record grooves. Songs can lose their juice when taken from their context. The livestream raised over $4 million in donations–a huge success–but A Tribute to Nirvana, the record, amounts to little more than a solid if somewhat perfunctory outing.
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