Nirvana Archives - Cover Me

Review: UV and the Rays’ “Rayos”

Posted by Riley Haas at 10:00 am No Responses »

May 252026

The surf-rock cover is not quite as popular as the pop-punk cover or the slow piano cover, but it still a tradition with a long, rich lineage. And that tradition brings certain expectations. Toronto surf trio UV and the Rays both honor and subvert that tradition on their latest EP, Rayos, their second.

On their first record, UV and the Rays mostly stuck to a single time period, taking almost all of the material from the 1970s, with one track from the ’60s and one mash-up. This time, they’ve gone a little further afield, tackling everything from Johnny Cash to ’90s Cher, though they still include two (diverse) songs from the ’70s. And, much like the first record, they conclude things with an unexpected mashup.
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The Best Cover Songs of April 2026

Posted by Ray Padgett at 12:00 pm No Responses »

May 012026

Arlo Parks — Yukon (Justin Bieber cover)

The talk of Coachella this year was Justin Bieber—specifically, his controversial headlining set that featured, in part, him singing along karaoke-style to videos of himself he pulled up on YouTube. Plus, Geese debuted their old “Baby” cover live (while Sabrina Carpenter watched sidestage no less). But maybe the best Bieber happening this month was this great lo-fi cover by Arlo Parks.

Jamey Johnson – Pretty When It’s New (Merle Haggard)

Merle Haggard’s birthday saw two new covers drop. One’s in the next section. This first one’s even better though. Country singer Jamey Johnson dug deep—and late—for this pick. The song comes off one of Haggard’s final albums, 2010’s I Am What I Am. This is the same album that included “Bad Actor,” which Bob Dylan covered in concert a couple years ago. The album’s seemingly on its way to be the country version of Blackstar or You Want It Darker, a late-in-life masterpiece for the true heads. Continue reading »

The Best Cover Songs of February 2026

Posted by Ray Padgett at 11:12 am 1 Response »

Mar 032026

Asher White — Casper (Jessica Pratt cover)

Why does Asher White have a record titled Jessica Pratt? Because, as it turns out, it is a full-length cover of singer-songwriter Jessica Pratt’s 2012 debut record—which happens to be self-titled. Pratt herself approves: “White’s curiously inventive renditions took me by surprise,” she said in a press release. “A broad sweep stylistically and production-wise. Not just homage, but a record in its own right.”

The Belair Lip Bombs — Happiness (The 1975 cover)

“It was the first single that came out of their latest record and I just listened to it for like two years straight,” singer Maisie Everett said of the 1975 song the band covered on Like a Version. “I still do.” Continue reading »

That’s a Cover?: “Love Buzz” (Nirvana / Shocking Blue)

Posted by Tom McDonald at 11:00 am No Responses »

Jan 092026

That’s A Cover? explores cover songs that you may have thought were originals.

Anyone alive and actively listening to music in 1991 heard “Smells Like Teen Spirit” and felt its pull. Listeners by the millions dove into the tar-pit trap of Nirvana and the whole grunge thing. This is common knowledge today. But less well known is the fact the first Nirvana single to get international recognition (if very few listeners) came out a few years earlier, and that was “Love Buzz.”

Released in 1988, “Love Buzz” became the very first single issued by the band. It was also the very first single released by the newly-formed indie label Sub Pop Records, and it remains Sub Pop’s all-time best-selling single. (Of course, it only began to sell after Nirvana signed to a major label and released Nevermind.)

In retrospect, “Love Buzz” seems like a strange pick for a debut single. Bleach, Nirvana’s first LP, offered several better options. How about the album’s opening salvo, “Blew”? Or how about the song Nirvana performed more times than any other–“School”? Finally, the obvious question: Why not “About a Girl”? Buried in the middle of Bleach, “About a Girl” is an order of magnitude more popular than the sludgy and chaotic “Love Buzz.”

Each of these other tracks had the advantage of being original Kurt Cobain compositions. Seems like a songwriter would want their debut single to spotlight their songwriting talent, right?

But no, they went with “Love Buzz,” a cover, and an obscure cover at that.
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The 50 Best Cover Songs of 2025

Posted by Staff at 9:00 am 2 Responses »

Dec 192025

Follow all our Best of 2025 coverage (along with previous year-end lists) here.

Last year’s unexpected theme was Tom Petty covers. For no obvious reason, he popped up again and again on our 2024 year-end list. And whaddya know, Tom’s back this year, with two more Petty covers on our list. This year, however, he is not the most-covered artist on our list.

That’s a tie between two artists, one extremely of-the-moment, one timeless. With three covers apiece, Chappell Roan and Neil Young share the most-best-covered crown. (Artists with two covers apiece this year, in addition to Petty, are Gillian Welch, John Prine, and—this one’s surprising—Nelly Furtado!)

Spoiler alert: None of those appears in the number-one position. Number one covers an artist who I don’t think has ever appeared on one of our year-end lists. But don’t skip ahead. There are 49 equally (well, almost) as good covers to get through first, spanning genres and sounds and eras and ages. Here we go.

Cover art by Hope Silverman

Review: The Sam Chase’s ‘Covered’

Posted by Seuras Og at 10:00 am No Responses »

Dec 092025

I am not sure how much traction (The) Sam Chase elicits in his home state of California, but over here in Blighty, courtesy a magnificent little festival called Maverick, he is always guaranteed a welcome. He, and his band, The Untraditional, cut quite the rug with his hoarse holler, belting out songs of a country hue, a punk attitude and a sometimes chamber-folk setting. This all makes for a beguiling combination, a rich mix of sandpaper and silk. Over the years he has worked solo, as a trio and now with his a 7 piece band behind him. That’s a lot, but, with cello, violin and trumpet, augmenting the more familiar guitar, keys, bass and drums, flickering remembrances of Van Morrison’s Caledonia Soul Orchestra wouldn’t be that far off point. And, yes, all seem present for Covered:, endeavoring to both compete with and comfort his foghorn fusillade.

To be fair, Chase’s voice gets dialed down a tad across most the selections here, culled from a bevy of the usual suspects: a Dylan, a Prine, a couple of Waits, balanced with CCR, Nirvana and one from the pirate cabaret of The Crux. The overall effect is strangely chameleonic, as he affects to occupy the persona of each individual singer, in character if not always sound. The difference comes largely from the arrangements, which tend toward the dusty roadhouse of amplified acoustica with drums. This renders a fluency to the flow of Covered:, a congruency that makes for a set that is all his own, however familiar the songs may or may not be.
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