Over our time tracking cover songs (13 years this month!), we’ve written about hundreds of new tribute albums, across reviews, news stories, and, when they’re good enough, our best-of-the-year lists. We also have looked back on plenty of great tribute albums from the past in our Cover Classics series. But we’ve never pulled it all together – until now. Continue reading »
What a strange and contrary man Evan Dando seems to be. Liked and lauded beyond any reasonable appraisal of the breadth of his output, nonetheless he seems a decent enough dude as to get away with it. Yes, he has written some great material, he has an agreeable voice and an extensive taste in cover versions. He’s also written a lot of filler and chosen strange songs to interpret. All in that agreeable voice, a slightly bruised tenor. Moreover, there is the dichotomy between his live persona and his studio self. His later records suggest an acoustic troubadour, plugging in to widen his listeners palate, yet live he turns it all up to 11, chucking everything at the audience at once, good, bad and indifferent, hoping enough sticks, appearing either not really to care or to notice.
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