Nov 062024
 

Welcome to Cover Me Q&A, where we take your questions about cover songs and answer them to the best of our ability.

cover of instrumental

Here at Cover Me Q&A, we’ll be taking questions about cover songs and giving as many different answers as we can. This will give us a chance to hold forth on covers we might not otherwise get to talk about, to give Cover Me readers a chance to learn more about individual staffers’ tastes and writing styles, and to provide an opportunity for some back-and-forth, as we’ll be taking requests (learn how to do so at feature’s end).

Today’s question comes from staff member Tom McDonald:

What’s your favorite cover of a traditional song?

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Nov 042024
 
dresden dolls gogol bordello

At their two co-headlining shows in Boston this weekend, The Dresden Dolls and Gogol Bordello collaborated on a dark and ominous cover of Nick Cave and the Bad Seeds’ “Red Right Hand.” It came as the encore to Gogol Bordello’s set, and featured their full band joined by masked Dolls Amanda Palmer on vocals and Brian Viglione on tubular bell (a key instrument on this song). Well, we assume it was them; “Who that was we may never know,” Gogol Bordello’s Eugene Hutz joked as the masked duo left the stage. Continue reading »

Jan 312024
 
best cover songs january
BABii — Lovefool (The Cardigans cover)

Brent Amaker And The Rodeo – Gut Feeling (Devo cover)

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Jan 182024
 
sean rowe red right hand

The final single from the Bad Seeds’ eighth album, “Red Right Hand” has become one of their most famous songs despite not starting out as much of a hit. This is both because of how often they play it in concert and its use in popular media. (It has become their fifth most popular cover, something that surprises me as a big Nick Cave fan.) The song oozes a vaguely western menace and feels very much a thematic predecessor, lyrically and musically, to their next album, Murder Ballads (though Cave had been writing about characters like this for years). Continue reading »

Nov 302023
 
best cover songs
boygenius ft. Ye Vagabonds — The Parting Glass (Trad. cover)

Every year, Phoebe Bridgers releases a surprise cover around the holidays to benefit charity. This year, she brought in her boygenius bandmates as well as vocal group Ye Vagabonds to cover “The Parting Glass.” It’s a traditional Irish tune, but their version pays specific homage to Sinead O’Connor, who covered it in 2002. Sales benefit the Aisling Project, an after-school project working with children and young people growing up in a disadvantaged area of Dublin. The beneficiary was chosen by the estate of O’Connor, who died in July. Continue reading »

Aug 302022
 

Under CoverIt takes some guts to cover songs as venerated as the ones on Valerie June’s Under Cover. As in, either you delude yourself if you think you can add to, or better, any the myriad other versions, let alone the originals. Or you are pretty damn good. Self-belief is certainly part the job prècis, and Valerie June has that in spades. She has the talent in spades as well.

You may have heard her name, maybe even some of her material, possibly whilst listening to a blues station on the radio. Or a country music station. Or pop, R&B, or folk. Gospel, even. For she straddles each of these genres, a woman of color from Tennessee, exposed to all and comfortable with each. Following self-releasing her first couple of recordings, she was spotted by Black Key Dan Auerbach, who, no mean gauge of talent, co-produced her 2013 eponymous label debut, which introduced her to a broader and welcoming audience, at home and worldwide. Europe has been especially supportive. Ahead of this, and also worthy of mention, is an EP she released independently, credited to Valerie June and the Tennessee Express. The Tennessee Express were Old Crow Medicine Show.

There have been a couple of albums since, each well-received, if remaining hard to classify under any one genre, perhaps explaining the changes of record label along the way. Fantasy Records demonstrate their faith by issuing this EP, on the back of last year’s album The Moon and Stars: Prescriptions For Dreamers, which had also been on this label.

Is it any good? Let’s see.
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