Nov 102025
 
Hey Joe

A few months ago, music journalist Jason Schneider released the book That Gun in Your Hand: The Strange Saga of ‘Hey Joe’ and Popular Music’s History of Violence. It’s a fascinating read—but don’t take our word for it. None other than Lenny Kaye, who in addition to playing on an iconic version of “Hey Joe” (it was the Patti Smith Group’s first single!), is a music journalist himself. He wrote in the book’s foreword, “In these pages, Jason Schneider has traced Joe’s lineage through its many mise-en-scenes, not only the bare bones of the song but the inner complexities and contradictions that each artist brings to it, subject and subjective.”

As part of the book, Schneider listened to, naturally, a lot of different versions of “Hey Joe.” Since I assume we all know the Hendrix version (and if not, here’s a deep dive on it), we asked Schneider to tell us about some lesser-known covers he loves. Continue reading »

Nov 042024
 
dresden dolls gogol bordello

At their two co-headlining shows in Boston this weekend, The Dresden Dolls and Gogol Bordello collaborated on a dark and ominous cover of Nick Cave and the Bad Seeds’ “Red Right Hand.” It came as the encore to Gogol Bordello’s set, and featured their full band joined by masked Dolls Amanda Palmer on vocals and Brian Viglione on tubular bell (a key instrument on this song). Well, we assume it was them; “Who that was we may never know,” Gogol Bordello’s Eugene Hutz joked as the masked duo left the stage. Continue reading »

Oct 072024
 
Nick Cave Burt Bacharach

When you think Nick Cave, you might not necessarily think “joy,” but, the concept has been coming through in his more recent work, none more recent than his new cover of the Burt Bacharach classic “What the World Needs Now is Love.”

The cover appears on the soundtrack for the Todd Phillips film Joker: Folie a Deux.
Cave’s song is part of a larger medley, featuring “Slap That Bass” and “Get Happy” (Cave’s voice isn’t instantly discernible in those sections of the song). The medley invokes a 1940s big band vibe, incorporating a full horn section, along with a xylophone and drums. And while at first the thought of all those ideas combined seem rather incongruous, it actually works.

The idea of love and joy aren’t necessarily new additions to the Cave cannon. In 1992, he recorded cover of Louis Armstrong’s “What a Wonderful World” with former Pogues front man Shane McGowan. And as far as joy is concerned, Cave’s latest album with the Bad Seeds, Wild God, actually features a track with that name.

May 312024
 

‘The Best Covers Ever’ series counts down our favorite covers of great artists.

Sisters of Mercy

As regular readers know, here at Cover Me we put together a Best Covers Ever list every month for a celebrated artist. We’ve recently done the Pet Shop Boys and Sheryl Crow. And before them we did the biggie – The Beatles – and before them, Bob Dylan! But every now and again, there’s a particular genre that’s crying out for the Best Covers Ever treatment – and this month it’s the Dark Genre. It’s goth!

So why now, you ask? Are goth covers really a thing? And why don’t Alien Sex Fiend or Fields of the Nephilim have their own Best Covers Ever features?

Fair questions, all. First off, goth music is everywhere right now. It may have emerged out of the UK post-punk scene and enjoyed its most innovative period from 1980 to 1982, but it’s now the reason we have Whitby Goth Weekends in April and November (well, that and Count Dracula), World Goth Day on May 22, and goth nights down the Hatchet Inn in Bristol most nights, particularly Thursday. It’s also why we have heaps of goth books on the market right now, from John Robb’s The Art of Darkness to Lol Tolhurst’s Goth: A History and Cathi Unsworth’s Season of the Witch, all trying to explain goth’s lasting influence as a musical subculture: the fixation with death, the dark theatricality, the Victorian melodrama, the leather, the thick black eyeliner, the fishnet tights, the deviance, the sex, the deviant sex, and, of course, spiders. Continue reading »

Apr 012024
 
best cover songs
Aoife O’Donovan — The Lonesome Death of Hattie Carroll (Bob Dylan cover)

Bartees Strange — You Always Hurt The Ones You Love (Mills Brothers cover)

Beyoncé — Blackbird (The Beatles cover)

Continue reading »

Mar 052024
 
nick cave new look

Nick Cave may have started in the Birthday Party—”the most violent live band in the world”—but his latest release a bit more toned down: an old-timey style cover of Edith Piaf’s “La Vie En Rose.” It comes from producer Jack Antonoff’s The New Look soundtrack, which has showcased period-appropriate versions of popular oldies by famous musicians and groups such as The 1975 (“Now is the Hour”), Lana Del Rey (“Blue Skies”), and more.

The show focuses on designers Coco Chanel and Christian Dior inside of Nazi-occupied Paris, France. Cave’s deep baritone voice was gritty and rich in the heartfelt version of the French song. This nostalgic cover is floating on a jazzy cafe-style piano with a steady quarter-note beat. About halfway through, Cave’s voice seems to fade into the distance, and orchestra-feeling saxes, and chimes/bells come in.

Cave takes his time on some unexpected syllables and even adds a spoken word section in the middle. Between the instrumentation, production, and weary/melancholy, the delivery makes it feel like it is coming from World War II.

Check out many more covers of and by Nick Cave here.