If you have an abiding interest in Neil Young, or regularly check in on this site, you have heard it by now: the new Neil Young tribute album is out. Heart of Gold: The Songs of Neil Young, Volume 1 has got some big names on board, and a confident, semi-official vibe about it (thanks in part to the subtitle, A Benefit for the Bridge School). Volume 2 is officially unannounced but said to be forthcoming from Killphonic Records.
We’ve been spreading the news of the project in recent months by looking at each of the singles released ahead of the album. But enough teasing: the record is here, and it’s time to opine.
Let’s jump right to the point: Volume 1 is a solid collection to kick off the series. Long may it run.
Is there room for improvement in Volume 2? Of course, and we’ve got some suggestions. Continue reading »
This spring, Vampire Weekend released their fifth album, Only God Was Above Us. Like all their albums, it was extremely well-received (“Universal acclaim,” says Metacritic), and they’re currently in the middle of a year-long tour supporting it. They take so long between albums that we wanted to strike while the iron was hot and celebrate some of the great covers of their work.
To state the obvious, five albums is not a huge discography. Last month we did The Kinks, and they’ve got 26 studio albums to cover songs from, and that’s not even counting all the non-album singles that include many of their biggest hits. But Vampire Weekend are beloved in a way few modern indie-rock bands are. So even though they don’t have that many songs, and even though they’re hardly in the game of making inescapable pop hits, they get covered a fair amount. And often in unexpected, inventive ways. Fitting for one of the most unexpected, inventive bands in the game.
Four days after the Grammy Awards, the Recording Academy returns to the Dolby Theatre in LA to stage an all-star tribute to The Beach Boys. All surviving bandmembers were present to watch a host of A-list artists tackle their hits and, occasionally, deeper cuts. The proceedings were filmed for A Grammy Salute To The Beach Boys, which will air later this year, but for now you can preview it with audience footage that landed on YouTube.
Below, find videos of Beach Boys covers from Mumford & Sons, St. Vincent, Beck, My Morning Jacket, Weezer, LeAnn Rimes, Brandi Carlile, Fall Out Boy, Little Big Town, Charlie Puth, Norah Jones, Pentatonix, and Hanson, along with a couple cool duets among the artists performing: Beck and Jim James of My Morning Jacket doing “Good Vibrations,” Carlile and Legend doing “God Only Knows” (pictured above), and Luke Spiller of The Struts & Taylor Momsen of The Pretty Reckless doing a medley of “Surfin’ USA” and “Fun Fun Fun.”
It’s a little hard to compare them all since sound quality is inconsistent, but three performances that stand out here at Mumford & Sons collaborating with Sam Gendel on a strange jazzy “I Know There’s an Answer,” St. Vincent crooning “You Still Believe in Me,” and LeAnn Rimes singing the hell out of “Caroline No.” And Weezer, of course, who were made to do crunchy power-pop covers of Beach Boys hits. (I couldn’t find any video of three performers from this show: Andy Grammer, Lady A, and Take 6).
When I was five, my brother and I were digging in the yard and we dug up some jelly beans. Being jelly beans, we ate them. As you would expect, as they weren’t really food and since they didn’t really decay, they were pretty much intact. And they were delicious. Our Mom apparently didn’t seem to think this was a very smart thing to do, so we were punished. But it seemed oh-so-worth-it in the end.
Listening to the Red Hot Organization’s 25th release, the sprawling 5-CD Day of the Dead, I kinda feel the same way. There’s a lot more digging though, and way fewer jelly beans. Continue reading »
Since Prince’s sudden passing yesterday, tributes have poured in from artists around the world. Some of those artists had concerts scheduled last night and took the opportunity to play Prince covers – in some cases covers they’d performed before, in other cases covers the put together last-minute to pay tribute to the legend. Either way, this first night of covers is raw and wonderful, a first-run at what will no doubt be thousands of new covers to come (Coachella is this weekend…)
We’ve rounded up a bunch that have either video or audio below. They’re mostly live from concerts last night, but in a couple cases they’re from artists who couldn’t wait for their next show and posted new covers themselves. We’ll keep adding more as they surface. We know The Damned covered “Manic Monday” and Christine and the Queens covered “I Feel For You” – anyone got full video for those?Continue reading »
In the Spotlight showcases a cross-section of an artist’s cover work. View past installments, then post suggestions for future picks in the comments!
The sun must have been approximately eight inches from my forehead as I wound my way through a crush of warm bodies – all of them panting and glistening in the fierce Texas heat. Perspiration beaded and trickled down the damp necks of an expectant crowd; condensation beaded and trickled down their cans of Lagunitas.
With the first loud and clear ring of an electric guitar, a roar arose from the crowd, and Paolo Nutini strutted onto stage at Austin City Limits – shirt unbuttoned like a golden god of 70s rock, tight pants that might have been painted onto his lithe frame, and a tousled mane that exemplified the definition of “sex hair.”