Jun 052024
 

Sam's PlaceA new Little Feat album seems remarkable enough; as in, are they still a thing? The fact that Sam’s Place is a (mostly) covers album, and a blues cover album at that, is less so. Which seems a tad snarky as, actually, in a gourmet-grits-no-grocery, cordon-bleu-meat-and-potatoes way, the album has its pockets jammed full of charm.

Sam’s Place is Little Feat’s first “new” album in 12 years. With a back catalog as long as Little Feat’s, one might ask if they even need to bother with new product. Sam’s Place doesn’t really answer that question, as the “new” material here is anything but new. Perhaps this is their Blue and Lonesome, a stopgap release from a band that’s past its peak but has something still left in the tank. Only time will tell.
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May 242024
 
little feat

In the late ‘90s, I took a musicology class on the history of 20th century American music. During a section on blues, my professor played Muddy Waters’ rendition of “Got My Mojo Working.” “Now,” she said after it ended. “What is the song about?” Frustrated by our blank stares, she yelled out, “Sex, people. It’s about sex.” More precisely, it’s about someone trying to score and failing miserably, but that’s the blues for you.

We’re now almost one-quarter of the way through the 21st Century, and we can still talk about “Got My Mojo Working,” and all its tawdriness, in the present tense. Last week, the long-running rock band Little Feat released a live cover on its newest album Sam’s Place.

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Feb 052021
 

In the Spotlight showcases a cross-section of an artist’s cover work. View past installments, then post suggestions for future picks in the comments!

Taj Mahal covers

Like the centuries-old architectural marvel in India that he took as his stage name, musician and composer Taj Mahal seems to live beyond the reach of time. There’s been an “old soul” vibe about him, an ageless quality, since he debuted in the mid-sixties. Taj may not be the sole survivor of his generation, but you won’t find a more soulful survivor who is still in the game.

His artistic longevity is all the more impressive because Taj has never had the chart-topping hit, or a cultish following, or the other advantages that make it easier for a performer to sustain a career. Yet here he is, almost 80, still throwing down, resonating with a new crop of musicians.
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May 282020
 
bb king eric clapton rollin tumblin

The year 2000 ushered in a tsunami of pop music as N’SYNC, Britney Spears and the Backstreet Boys all released multi-platinum albums. That same year, an aging British guitarist who spent most of the ‘90s chasing soft-rock glory and a septuagenarian bluesman who released his first single in 1949 had an unlikely hit record, too.

Riding with the King features the guitar-slinging duo of B.B. King and Eric Clapton playing a mix of covers and some of King’s classics. The album went double platinum and won a Grammy Award for Best Traditional Blues Album. An expanded 20th anniversary version of the record will be released this summer along with two bonus tracks left off the original release. One of these, a cover of the blues standard “Rollin’ and Tumblin’,” was unveiled last week.

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Apr 042020
 

In Memoriam pays tribute to those who have left this world, and the songs they left us to remember them by.

On the morning of  October 17, 1961, a skinny, scruffy-haired teen was standing on platform 2 of Dartford station, waiting for a train into London. He was holding a guitar case. Slightly further down the platform stood another, less scruffy teen. He clasped two vinyl records under his arms, held at just the right angle that the titles were visible. The scruffy-haired teen tilted his head to get a better look, his eyes widening as he read the large print emblazoned across the record covers. Chuck Berry Rockin’ At the Hops and – could it be? Yes! – The Best of Muddy Waters. Trying to act naturally, the scruffy teen took a step closer to to the young man with the records. Then another step. And another. Before long they were right next to each other. The scruffy teen cleared his throat. “Hello,” he said. “My name’s Keith.”

So there you have it: Muddy Waters was partially responsible for the first meeting of Keith Richards and Mick Jagger since primary school. It would not be his last contribution to their history. A few months later, Brian Jones was on the phone attempting to secure a booking for the newly formed group. The promoter asked for the band’s name. They didn’t have one. Jones’ eyes darted around the room and fell upon that  same fateful album, The Best of Muddy Waters – specifically, side one track 5: “Rollin’ Stone.” The Rolling Stones were now christened. Continue reading »

Oct 022018
 
rollin and tumblin covers

“Rollin’ and Tumblin’” is a blues standard that dates back to the 1920s. William “Hambone Willie” Newbern made the earliest recording the track, then known as “Roll and Tumble Blues.” In 1950, the song was famously recorded by Muddy Waters, who claimed credit as the songwriter. His rendition served as inspiration for the rash of covers by psychedelic blues artists in the ‘60s, including Cream, Canned Heat and Johnny Winter. With such a legacy it’s not really a surprise that classic rockers Rod Stewart and Billy Gibbons — the lead singer and guitarist for ZZ Top — each cover the track on their recent albums.

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