Black Country, New Road – Time to Pretend (MGMT cover)
If you’re expecting the “Time to Pretend” you knew and loved a decade ago, think again. UK post-punkers Black Country, New Road, one of the buzziest bands of the new year, deconstruct the song entirely. It starts pretty sane, then gradually veers off the tracks into chaos. By the end there’s a free-jazz sax solo leading a wall of noise only barely identifiable as this, or any, song.Continue reading »
In Pick Five, great artists pick five cover songs that matter to them.
Vermont singer-songwriter Henry Jamison addresses a difficult subject on his new album Gloria Duplex: toxic masculinity. “When I was in college 10 years ago, we were just horrible,” he told the New York Times on the subject. “People in their 20s are examining these issues in a way that feels very natural.”
Jamison’s gift with melody makes these weighty topics levitate. Nick Drake meets The National on these twelve songs, with Jamison working with major-league collaborators including St. Vincent’s right-hand man Thomas Bartlett on production and Bon Iver collaborator Rob Moose of yMusic arranging the strings. Hear a taste on single “Boys”:
Perhaps unsurprisingly, given his talents, Jamison knows his musical history. It’s a rare musician at this point who doesn’t choose a single song anyone else has, but Jamison digs deep. No “Hallelujah” or “Hurt” here. He also continued confronting toxic masculinity at its worst, having to banish an R. Kelly cover we once also adored (not to worry, Henry’s substitute pick is great too). Let Henry introduce you to some new favorites below.Continue reading »
Cover Classics takes a closer look at all-cover albums of the past, their genesis, and their legacy.
Anyone attempting to make the argument that Pickin’ On Modest Mouse: A Bluegrass Tribute Featuring Iron Horse is a Cover Classic – an argument that was promised/threatened by my response to this Q&A a few days ago and is related to a defense of bluegrass covers we made a while back – needs to refute two rational, gut-level reactions to the artifact that is this album. First, one needs to establish that the album is not simply another gimmicky entry in the Pickin’ On series, a collection of fairly obvious mid-oughties albums that attempted to pin the banjo on unlikely donkeys in ways that were often funny and almost always “pretty good for a novelty album.” Second, one needs to demonstrate that this album is somehow different than other albums attempting to strip away all of the Modest Mouse noise to reveal the sensitive songwriting lurking just beneath the shouting. Continue reading »
Rave On Buddy Holly, arguably the most hyped cover album of the year, finally drops this week. Rampant previews hinted that the album would be something special, and the A-list lineup of artists doesn’t disappoint. Rave On is a solid, carefully curated collection of tracks from Buddy Holly‘s surprisingly extensive catalog, a worthy tribute to the rock pioneer.
Choosing standouts from such a varied and high-profile set of covers is a challenge. Some of the best moments come from contributors who chose to keep their covers low-key. Dan Auerbach’s vocals gracefully carry the Black Keys‘ quiet, percussion-based opener “Dearest,” while Fiona Apple and Jon Brion trip through a pitch-perfect duet in “Everyday.” My Morning Jacket offers the elegantly subdued “True Love Ways,” embellished with a lovely string section.Continue reading »
Cover lovers around the world should feel indebted to the creators of the Voice Project. Week after week, this group of musically-inclined philanthropists brings musicians and fans together for the sake of song and charity and in doing so gives all of us a slew of wonderful covers to enjoy. We have already featured a number of the Voice Project’s finest covers, but feel inclined to continue the coverage since everything they drop is just that good.Continue reading »