Mar 282025
 

‘The Best Covers Ever’ series counts down our favorite covers of great artists.

best david bowie covers

If you feel safe in the area you’re working in, you’re not working in the right area. Always go a little further into the water than you feel you’re capable of being in. Go a little bit out of your depth. And when you don’t feel that your feet are quite touching the bottom, you’re just about in the right place to do something exciting. – David Bowie

In March 1975, David Bowie released Young Americans, the album that saw him move from glam rock to Philly soul. It was his first top ten album in America, featuring his first number one song in “Fame.” Fifty years later, that golden anniversary is enough of a hook to hang a Cover Me Best Covers Ever feature on. But the remarkable thing about David Bowie is, this was little more than a blip in his career. He had other personas to invent, other forms to master, other brilliancies to create. And he wouldn’t rest until (long after) he did.

Bowie’s influence on popular culture cannot be overstated, and not just in the music world – I’m convinced that roughly one-third of Tilda Swinton is David Bowie. For millions of misfits worldwide, he himself was the freak flag, the one who made it okay to be other than. I’ll help you with the pain, he sang. You’re not alone. Give me your hands. ‘Cause you’re wonderful. It’s a message that still sings out today, in Bowie’s songs and in the work of those he influenced.

Now, with these forty covers, we have a combination of the two. Bowie recorded the earliest song here at the age of twenty, the most recent at sixty-eight, months away from his death. It’s a true wonder how high the bar of quality stayed for nearly half a century. It’s not a wonder how good the covers are, though – when inspired by the one who inspired them to step up, step out, step on stage, everyone here went a little bit out of their depth and did something exciting.

And now, let’s dance.

– Patrick Robbins, Features Editor

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Feb 192021
 

They Say It’s Your Birthday  celebrates an artist’s special day with covers of his or her songs. Let someone else do the work for a while. Happy birthday!

birthday

Hi, I’m Patrick Robbins, the features editor here at Cover Me, and today’s my birthday. Please forgive the self-indulgence of a one-year-older guy for putting up a post that’s about me.

2021 is kind of a big year for me. Not only am I having one of those milestone birthdays – you know, one of those ones that ends in a zero – I’m also having a milestone anniversary. This year marks ten years since I joined the Cover Me staff. In all that time, I’ve gotten off a few good lines here and there (my favorite: a song had “more hooks than Moulty’s closet”), but far more importantly, I’ve found some great covers that I never would have discovered if I hadn’t been looking for them to share and talk about here.

So, as a little birthday present from me to you, I thought I’d pick out some of my favorite discoveries I’ve made over the years. What follows are some of my all-time favorite covers that I found specifically for Cover Me posts (as opposed to covers I already knew about), and links to the pieces in which I originally wrote about them. There’s a lot of songs here, but they’re only about one percent of the songs I’ve written about. So think of these as the cream of my cover crop.

Thanks to all of you for reading Cover Me – without you, this post wouldn’t exist – and here’s to many more birthdays and anniversaries to come.

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Mar 262014
 

Five Good Covers presents five cross-genre reinterpretations of an oft-covered song.

David Bowie’s appearance on Top of the Pops in 1972 electrified a nation. “I had to phone someone, so I picked on you,” he sang, pointing directly into the camera with the slyest of smiles, and within 24 hours young Britons were answering that call, draping their arms over their friends’ shoulders and buying The Rise and Fall of Ziggy Stardust and the Spiders from Mars in droves. (Many of them would be part of the New Romantic movement a decade later and would cite that show as the moment their world shifted.)

It didn’t hurt that Bowie had sung “Starman,” a track with more hooks than Moulty’s closet. It was added to Ziggy at the last minute, in the belief that it was just the hit single the album needed – a belief that turned out to be very well founded indeed. Both the singer and the song have enraptured listeners ever since.
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