Five Good Covers presents five cross-genre reinterpretations of an oft-covered song.
Artists are eligible for induction into the Rock & Roll Hall of Fame 25 years after their first release. For the Doobie Brothers, who formed in 1970, it took nearly twice as long. Perhaps that’s because they have had twice as many members as most of the other inductees.
The band became hit makers in the early ‘70s: playing a hybrid of hard rock, country-rock, and blues, mixed with well-manicured harmonies. The Doobies’ sound took a 180-degree turn in 1975 when a young soul singer named Michael McDonald was tapped to fill in for the band’s ailing frontman Tom Johnston. Eventually, Johnston left, and McDonald pushed the band into blue-eyed soul territory.
In 1978, the collective recorded and released its eighth studio album Minute by Minute. With its synth-driven pop sounds, the album was a distinct departure from their earlier music. Before it hit the shelves, the band was certain they had a flop. As McDonald recalled in an episode of VH1’s Behind the Music: “I remember playing that album for a friend of mine and said, ‘Well, what do you think’? And he goes, ‘It’s a piece of shit. It sucks.’ And I remember thinking, ‘I think he’s right.’”
Joan Wasser started out as a violinist, performing in a variety of bands throughout the ’90s including The Dambuilders, Black Beatle, and Antony and the Johnsons. She eventually broke out on her own, assuming the stage name Joan As Police Woman (inspired by the TV show Police Woman) and releasing her first solo album in 2006. After two solo records of original material, Joan As Police Woman released a limited edition covers album in 2009 that included a variety of songs, from 
