Dec 132023
 

Follow all our Best of 2023 coverage (along with previous year-end lists) here.

best tribute albums 2023

Some of the albums on our list were obvious home runs. Cat Power singing a tribute to a 1966 Bob Dylan concert? You know that’s gonna be great (and it is). A bunch of punk and psychobilly bands blasting through Cramps covers? Pretty much a guaranteed blast. 90-year-old Willie Nelson in the twilight of his career paying tribute to one of his personal songwriting heroes? Good luck not being moved.

Others were more surprising. Reggae David Bowie could go either way. So could free-jazz Harry Styles or indie-rock ELO. And maybe the biggest surprise of all: T-Pain covers Sam Cooke and Black Sabbath…and it’s not terrible??

As always, big names mix with some albums we guarantee you’ve never heard of. To use one of the clichéd words we see constantly in cover-album titles, uncover some new favorites below.


25. Various Artists — Stuff Your Fridge!

Stuff Your Fridge! features 30 tracks, recorded by underground bands you’ve probably never heard, covering all aspects of the Grateful Dead songbook. The covers can be at times both brilliant and/or cringeworthy. The tracks that fare the best are the ones that stray the furthest from the original recordings, such as a goth version of “Cold Rain and Snow” by Delay 77 and a prog metal rendition of “Fire on the Mountain” by Buck Pool. But the compilers saved the oddest for last. That distinction goes to “Attics of My Life” by Holey Hell. It’s a keyboard-driven instrumental, arranged as if written for the soundtrack to a first-generation ‘80s Nintendo game. One can only imagine what they would have done with Drums and Space. – Curtis Zimmermann


24. Amos Lee — Honeysuckle Switches: The Songs of Lucinda Williams

Lucinda Williams seems like a solitary artist despite a steady flow of collaborations with (and covers by) her many admirers–country stars, jazz giants, and arena rockers alike. So it’s a warming surprise to have a full album tribute from an artist like Amos Lee, one who has made his own sizable mark as a songwriter and who is a generation or two younger than Lucinda.

Drawing from all phases of Williams’ discography, Lee keeps mostly on the bare bones side of things, with acoustic guitar or piano supporting his soulful vocals. Certain takes may miss the emotional core of the originals, while on other tracks he brings life to songs that may have felt too downbeat in Lucinda’s delivery of them. Or not–each listener’s mileage will vary. And anyway, Honeysuckle Switches may well find an unbiased audience in Amos Lee fans who haven’t yet known the pleasure of the songs of Lucinda Williams. – Tom McDonald


23. T-Pain — On Top of The Covers

In 2019, Auto-Tune pioneer T-Pain joined the first cast of The Masked Singer in 2019, a television show where celebrities hide their identities behind costumes and sing. T-Pain ended up revealing himself at the very end, by winning, and surprising the judges. T-Pain’s cover album maintains a similar spirit, whether he is still searching for redemption after the death of Auto-Tune or finally at peace asserting his raw talent. He has chosen each song on the album to show off his vocal range and power, spanning from old standards to hits through the ages. You will hear plenty of vocal runs that assert “listen to what I can do,” but they do so without an overbearing bravado, just confidence. Instead of relying on a computer to back him up, T-Pain layers his own voice intricately throughout the entire album. You can hear it in the Glee-like chorus accompaniment in “Don’t Stop Believin’.” His choosing “Don’t Stop Believin’” in the first place makes me think T-Pain is not taking himself too seriously with this cover album. It’s a guilty pleasure song, and perhaps not one that would first come to mind for someone whose brand is “Hard&B”. – Sara Stoudt


22. Various Artists — Dead Formats Vol. 2

Pure Noise Records’ second volume of (primarily) indie rock and alternative covers is just as fun as their first edition (which was our 16th best covers album of 2022). 15 artists tackle 15 tracks, as far back in time as Elton John from the ’70s, and there are a few tracks from the ’80s and ’90s, but most are covers from the aughts. Most of the covers are straightforward, high energy performances filtered through the lens of pop punk, but a few really stand out stylistically. Less Than Jake really lean into the vaguely Caribbean air of The Kinks’ “Come Dancing,” going full ska. Lavalove appear to treat Nirvana’s “Lithium” as pop punk, but then, on the bridges, they get really playful, alternately vamping and then embracing an aesthetic similar to Nirvana at their nosiest. Mint Green slow down Incubus’ “Drive” and though they don’t deviate much from the arrangement, the female harmonies stand out from the rest of the collection. (The Linkin Park and Slipknot covers also stand out, but only because they are faithful and the only nu-metal covers here.) – Riley Haas


21. Teddy Thompson — My Love of Country

Anyone not already convinced of Teddy Thompson’s mastery of country music need only waltz into his joy of an eighth album, appropriately titled My Love of Country. It’s here that the singer (hailing from London rather than Nashville, lest you should wonder) revitalizes a trove of country standards from the ’50s and ’60s. And it’s here that he channels his 23 years of professional dalliance in the genre into one immensely satisfying, 27-minute whole.

Teddy has the voice for it, of course, which is as strong, deep, rich, and emotive an instrument as it’s ever been. He also has the necessary conviction to deliver tracks previously made famous by George Jones, Buck Owens, and Ray Charles, as well as the skill to forge a magnificent country cut out of a whiskey-soaked number penned by his famous folky dad, Richard, in 1974: “I’ll Regret It All in the Morning.” He further has the help of an impeccable range of musicians to bring the fine period detail, including Charlie Drayton (drums), Byron Isaacs (bass), Jon Cowherd (piano), and producer David Mansfield (violin/accordion/pedal steel/most other things). That’s not to mention sublime harmony singers in the vein of Logan Ledger. But the ultimate reason Thompson makes “A Picture of Me Without You,” “Cryin’ Time,” and “You Don’t Know Me” sound so heartfelt and effortless is from having been immersed in these songs for much of his life. “That’s the real key,” he says, “having them in your body for a long time.” Amen to that. – Adam Mason

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Jun 302020
 

That’s A Cover? explores cover songs that you may have thought were originals.

John Bonham

If Led Zeppelin’s 1971 track “When the Levee Breaks” is widely considered an original, it’s because the sound that Page, Plant, Jones, and Bonham make on that record bears very little relation to its source material: a jauntily played acoustic blues number from 1929. It emanates instead from deep in the heart of the mightiest of English rock bands. It is huge, rumbling, and apocalyptic. And it is totally at one with the song’s all-too-familiar theme of an individual at the mercy of forces way beyond his control.
Continue reading »

Jun 182018
 

In Pick Five, great artists pick five cover songs that matter to them.

fantastic negrito cover songs

In the year 2000, the musician known as Fantastic Negrito almost died. A car accident put him in a three-week coma before requiring months of brutal physical therapy. When he finally got out of the hospital, permanent damage to his guitar-playing hand forced him to retire from music. He eventually moved to Oakland and became an urban farmer growing vegetables and, as his new bio artfully puts it, “other, more profitable, green matter.”

A lot has happened since then. He eventually returned to music, and quickly achieved the sort of milestones he never did the first time around. He won the first-ever NPR Tiny Desk Contest in 2015, earned a longtime champion and mentor in Chris Cornell, and, just last year, won his first Grammy award, for Best Contemporary Blues Album. But the accident’s after-effects linger in his mind on new album Please Don’t Be Dead, which features a real photo from his hospital stay as its cover. Watch the music video for single “The Duffler”: Continue reading »

Jun 262017
 
jack white american epic

Every once and awhile, a musical project comes along that reminds us of the magnitude of talent and ingenuity many of our current musicians possess. The American Epic series by PBS is one such project. Directed by Bernard McMahon, American Epic re-imagines the music captured by record companies way back in the 1920’s. But not just any music. “Country singers in the Appalachians, blues guitarists in the Mississippi Delta, Gospel preachers across the south, Cajun fiddlers in Louisiana, Tejano groups from the Texas Mexico border, Native American drummers in Arizona, and Hawaiian musicians”. The record companies gave a musical voice to so many talented, undiscovered musicians at that time.

To make the project authentic, the American Epic team reassembled the very first electrical sound recording system which was used back in the 1920s. They then tasked executive producers Jack White and T Bone Burnett to create an album of recordings by twenty of today’s artists, all recorded on the only system of this kind in the world. The result is a fantastic throwback to long ago brought to us by some seriously talented and committed musicians. Continue reading »