The National’s Matt Berninger has been recording a lot of covers during the pandemic, a few of which we’ve tackled on Cover Me. His latest, tackling “I’m Waiting for the Man,” will come out on I’ll Be Your Mirror, a tribute album to The Velvet Underground‘s debut album, September 24th.
Amy Speace – Don’t Let Us Get Sick (Warren Zevon cover)
“Don’t Let Us Get Sick” was a moving song even before Warren Zevon got sick, didn’t see a doctor soon enough, and died. After that, the context makes it even more poignant. The canonical cover is Judee Sill’s, but on her new album, Amy Speace gives it a run for its money.
Brandi Carlile – I Remember Everything (John Prine cover)
Millions saw Brandi Carlile cover John Prine’s final song “I Remember Everything” at the recent Grammy Awards. Turns out, it was a preview of a new album, a sequel to 2010’s Broken Hearts & Dirty Windows: Songs of John Prine, one of the best tribute albums ever. Not much more info out there yet – it’ll be out in the fall, apparently – but it has a high bar to live up to.
Every week the names doing these covers from home just get bigger. This past week got a boost from Global Citizen’s all-star charity event, from which several of today’s set come, as well as one major appearance in last night’s Jersey for Jersey fundraiser (Fountains of Wayne’s heartbreaking “Hackensack” from that is worth watching too, though, except for guest bassist Sharon Van Etten, it’s not a cover).
But, amidst the all-stars, musicians at every level continue to take to the internet to perform covers. We’ve got some of the best we’ve seen below. As always, we make no claims to being comprehensive, so share any other favorites in the comments.
“Holes” is the lead track to Mercury Rev’s chamber pop classic Deserter’s Songs, a musical left-turn for them which saved their career. The songs feature elaborate, orchestrated arrangements around Jonathan Donahue’s fragile voice and “Holes” is no exception. The song begins with mellotron approximating an orchestrate but more and more instruments join the wurlitzer and tambourine accompanying his voice, slowly building to a massive crescendo featuring, among other things, a musical saw.