Jan 262023
 

‘The Best Covers Ever’ series counts down our favorite covers of great artists.

best lucinda williams covers

Lucinda Williams has never had a big hit song. None of her singles have charted on the Top 40, or even on Billboard’s Hot 100 chart at all. In fact, most of her songs don’t hit any chart.

You may already be thinking to yourself: Who cares! Giant pop-chart hits are not the way you measure the success of a singer and songwriter like Lucinda Williams. You know what is one possible way, though? Covers. (A few of which, incidentally, made her song hits in other hands.)

Like a few other songwriter’s-songwriter types we’ve covered in this series (John Prine, Steve Earle), the respect Lucinda gets from her peers and fans far outweighs her own commercial success. It’s probably the sort of acclaim she’d value more. Williams’ songs have been covered by her elders alongside a wide array of younger folk and indie artists. Earle, in fact, has called the album he co-produced, Car Wheels on a Gravel Road, “one of the best things I’ve ever been involved in.”

None other than Bob Dylan himself, when he played her take on “Change the Locks” (covered twice on our list) on his Theme Time Radio Hour, compared her to Bessie Smith, calling her “another strong-hearted spirited woman.” He added cheekily, “Time Magazine called her America’s best songwriter in 2002. I guess I was out of town.”

Below, we’ve rounded up 25 equally strong-hearted, spirited covers. Lucinda, who turns 70 today, is no slouch at covers herself – don’t miss her recent Lu’s Jukebox series. But for her birthday, we honor her songwriting and let other artists do the heavy lifting.

25. John Mellencamp – Lafayette

Lucinda Williams’ first album was a collection of covers, but her second, Happy Woman Blues, consisted of all originals, kicked off by “Lafayette” – the first of her songs about her native Louisiana, but certainly not the last. It’s about how the singer misses Lafayette and how it took leaving to appreciate it, so she’s coming back. Because Lafayette is the center of Cajun culture, the song is fittingly a country/zydeco mix, and focuses on the eating, drinking, dancing and other wild times that she looks forward to repeating. John Mellencamp’s 2003 album Trouble No More was a collection of (mostly) blues and folk covers, and his spare take on “Lafayette” is more country-blues than Cajun. His gruff lead vocals are sometimes overshadowed by the twangy female background singer, but it’s a worthy effort. – Jordan Becker

24. Jimbo Mathus – Lake Charles


Picking a single track off Solo Blues Guitar: Jimbo Mathus Performs Lucinda Williams Car Wheels on a Gravel Road kind of defeats the purpose. As you can probably guess from that album title, it’s Mathus, of Squirrel Nut Zippers fame, performing Lucinda’s most iconic album in full (on, as the tin says, solo blues guitar). It’s a beautiful listen that you can hone in on or just let add atmosphere in the background. But, since we have to highlight one, “Lake Charles” will give you a good taste of his combination of finger picking and slide on that beautiful resonator guitar. – Ray Padgett

23. Dennis Mac Namara – I Envy the Wind


If there were a church devoted solely to unrequited love, where all those in the throes gathered to commiserate, “I Envy The Wind” would be the lead hymn in the songbook. Why this song has been covered so sparingly over the years remains a mystery. Hyperbolic hot take coming, but if ever a song was powerful and poised enough to knock “Hallelujah” off its ubiquitous and over-covered pedestal, “I Envy The Wind” is it. Dennis Mac Namera’s skeletal acoustic cover is home to a stunner of vocal performance, equal parts booming and fragile. The heartache and longing are oh so palpable, as is Mac Namera’s unabashed admiration for the song itself. Let us pray. – Hope Silverman

22. Peter Gallagher – Still I Long For Your Kiss

Lest anyone forget, Williams is every bit as much a singer and interpreter of the blues as she is of the broader country/Americana slant she is usually associated with. Check out her aforementioned first album, 1979’s Ramblin’ On My Mind, a set of largely nothing but the blues, Sleepy John Estes, Robert Johnson and the like, with a token Hank Williams for good measure. Sure, her own version of “Still I Long For Your Kiss” carries a bluesy hint, but it took this fella to strip it right back, delectably so. This fella? Peter Gallagher. You’ll know him as an actor in loads of films and TV. But, as this clip shows, he can sing, really sing. This comes from a record he made in 2005, Seven Days In Memphis, of Southern soul belters backed by a crew of the best session men that producer Steve Cropper could find. The other singer here is his TV wife from The O.C., Kelly Rowan. – Seuras Og

21. Angel Olsen – Greenville


Angel Olsen dropped two terrific covers last June. Her version of Dylan’s “One Too Many Mornings,” recorded for the TV show Shining Girls, features haunting electronic textures underpinning her voice. It’s a surprisingly un-folky cover of one of Bob’s early folk songs. Alas, it came a year too late for our Best Bob Dylan Covers list. Her version of of Lucinda Williams’ Car Wheels on a Gravel Road standout “Greenville” though is just as good, guitar echoing behind her mesmerizing double-tracked vocals. – Ray Padgett

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Jan 042022
 
new elliott smith covers

For months, veteran Washington State indie label Kill Rock Stars has been trickling out tracks from its thirtieth birthday comp Stars Rock Kill, but over the holidays that trickle became a flood. After a bunch more singles dropped in December, the full album landed on New Year’s Eve. It’s 63 tracks long, all new covers of songs by the label’s artists. Leading the pack was Elliott Smith, who got covered thirteen separate times. And in a sign of the depth of his catalog, every single artist picked a different song. Continue reading »

May 302018
 

‘The Best Ever’ series counts down our favorite covers of great artists.

pink floyd covers

Coming in at 40 tracks, our third ‘Best Ever’ countdown is our longest yet. This feels appropriate; Pink Floyd’s songs tend to be a whole lot longer than Talking Heads’ or Fleetwood Mac’s. A band whose default length was set at “epic” deserves a list just as winding.

Luckily, the covers community has obliged, allowing us a list as discursive as Pink Floyd itself. A band that, for better or worse, can get pigeonholed into a specific sound and era, gets transformed into a whole host of other genres and moods. Psychedelic rock is represented here, of course, but so is bluegrass, soul, and disco. One cover even includes a “featuring Tupac Shakur” credit, which is probably not what Gilmour or Waters envisioned. Though the latter would certainly appreciate the walls being torn down.

Twenty-minute tracks that might seem intimidating to some don’t phase these artists. Some turn them into tight four-minute pop songs. Others, if you can believe it, extend the songs further. So strap in, and set the controls for the heart of the cover… Continue reading »

Feb 222013
 

In the Spotlight showcases a cross-section of an artist’s cover work. View past installments, then post suggestions for future picks in the comments!

Mary Lou Lord is a music lover. For starters, she was busking for eight years before being signed to a label; there are bands in the Rock and Roll Hall of Fame whose careers are shorter than that. She cofounded the Boston chapter of Girls Rock Camp, a summer program designed to foster a positive atmosphere for girls to become empowered through music education. She shares songs that are new to her on her Facebook page, and when she talks about Connie Converse, or points out how much Neil Young’s “Pocahontas” sounds like Carole King’s “He’s a Bad Boy,” you can’t help but get caught up in the giddy excitement of her discovery. Continue reading »

Jul 152008
 

There’s just something about the 80’s that inspires great cover songs. So great, in fact, that this series is gonna be a two-parter. First up: Rock. All the excesses of the 80’s – big hair, ten-minute guitar solos, and Jon Bon Jovi – are all well represented below by artists who aren’t afraid to find the good songs amidst the novelty. And stay tuned for some 80’s pop next week.

Jessica Will – For Those About to Rock (AC/DC)
When AC/DC titled this song, they clearly weren’t singing to Will. Her light acoustic take packs a punch, attitude and intensity making up for lack of distortion. And if you want more acoustic female covers of AC/DC, there’s a whole disc of ‘em: Backed in Black.

M. Ward – Let’s Dance (David Bowie)
Indie posterboy, most recently of She & Him fame, does a quiet take kind of like how you would expect and indi posterboy covering Bowie to sound

Jon Regen – Don’t Stop Believin’ (Journey)
Another ironic Journey cover…yech. This one’s a keeper though, not too mellow and keeping the strong melody of the original. Bonus points for rocking out the guitar fills on the keys!

Anberlin – Love Song (The Cure)
So far in today’s 80’s rock theme, we’ve yet to have any real rocking covers. This should change that though, an aggressive rock band from Florida that does a loud and intense take, with a singing voice that melts in your mouth.

Grizzly Bear – Owner of a Lonely Heart (Yes)
The Bear made the blog rounds a year or so ago with their “He Hit Me (It Felt Like a Kiss)” cover (download it here), and this takes a similar approach, a slow builder that never explodes.

The Whip – White Wedding (Billy Idol)
When the banjo leads this one in, you know you’re in for something special. And are you ever. This one’s off a charity comp of Portland covers called Bridging the Distance. Yes, the Decemberists are on it.

Scott D. Davis – The Final Countdown (Europe)
I posted Laibach’s cover of this one a few weeks back, but this piano take is fun and bouncy – way more than Laibach’s death-goth. Davis has a whole album of these instrumental takes on classic rock, Rockfluence, and it’s fabulous.

Mary Lou Lord – Jump (Van Halen)
Cover girl extraordinaire, Lord does a song so sincere here you wonder whether she realizes exactly what band she’s covering. It’s beautiful though, and as she draws you in you forget the original even exists.

Damien Rice – When Doves Cry (Prince)
One of those songs that seems to inspire great covers, I can’t decide if I like this or Patti Smith’s version more. It’s solo acoustic here, with Rice sounding so delicate that if you do touch his stomach, he might break.

Philmore – Livin’ On a Prayer (Bon Jovi)
It seems appropriate to end on some more rock, so here you go. Even louder and more aggressive than the original, but just as sing-along-able.