Marvin Gaye Archives

Five Good Covers: “Sexual Healing” (Marvin Gaye)

Posted by Mike Tobyn at 10:00 am 2 Responses »

Apr 042025

Five Good Covers presents five cross-genre reinterpretations of an oft-covered song.

The American, or Caribbean, musical expatriate in Europe has been a constant since travel between the continents has been easy. From the Jazz Age to the present day, some artists prefer to ply their trade on the European continent rather than the American one.

Each individual had their own reasons for their move. Pianist Hazel Scott was a huge success in the US, becoming the first Black American woman to host a network TV show, but the McCarthy witch hunts chased her out of America. Others were trying to escape drug or alcohol problems, or vindictive individual drug dealers, or, in the case of Chet Baker, were hoping that the authorities in Europe might take a more lenient view of their drug habits, which they had no intention of curbing.

A significant theme from many African American artists, from Josephine Baker onwards, was that the segregation policies and lack of appreciation of Jazz or Rhythm and Blues as art forms in their home country made Europe an enticing prospect. They could feel more appreciated in their art, and love who their heart wanted to love rather than who society was willing to let them love. This has been eloquently described by Sonny Rollins, and features in all the biographies of Miles Davis. Artists who had been to Europe fighting in the Second World War on behalf of their country, contrasted their acceptance as heroes in the lands they helped liberate, with their status back home.

This world is beautifully captured in one of the greatest movies about music ever made, Round Midnight. In the movie, saxophonist Dexter Gordon (who spent many years himself in Copenhagen) plays jazz musician Dale Turner. His alcohol problems have made him unwelcome in his favorite playing spots in the US, and so he takes a residency in Paris. There he finds a supportive community of post-bop musical superstars, and people who lionize him as a person and support him in his craft. The story itself is based on the life of Bud Powell. Through love, nurturing and appreciation as an individual, Turner/Gordon refinds his muse and his mojo. The Oscar-winning soundtrack albums, curated by Herbie Hancock, are exquisite works of art.

Marvin Gaye’s time in Europe followed one of the tropes. Creatively, emotionally and financially broken by years of drug abuse, he had lost his marriage, record deal and reputation, and moved to Europe in the late ’70s. His relocation to the port town of Ostende, Belgium in 1981 was an attempt to get away from his problems. It seemed to work, and Gaye was able to start recording after curbing his drug use, and getting fit both physically (by running) and spiritually. Forced by circumstances to be innovative with his music, he learned how to use the Roland TR-808 and Jupiter 8 synthesizers (then mainly used as drum machines) to create a whole sound. From that the album Midnight Love and its biggest hit, “Sexual Healing,” emerged.

Recovery from cocaine addiction can awaken all sorts of things in the addict. In Gaye’s case his libido returned. He was still a young man. He used that energy and creativity to create one of the great songs about sex. It also gave Gaye one of his biggest hits and led to receiving his only two Grammy Awards.

One of the biggest risks the expatriate faces is when he thinks he is over the worst and can return across the Atlantic to face his demons, with greater strength. It does not always work out as they hope. In the same way that Dale Turner/Bud Powell struggled when they returned to the US, Gaye’s potentially triumphant return to musical stardom and his family home soon ended in disaster.

The universality of the message and success of the song has meant that there have been many covers over the years. Here are five of the best.
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In Memoriam : Garth Hudson / The Band

Posted by Seuras Og at 10:30 am No Responses »

Jan 282025

In Memoriam pays tribute to those who have left this world, and the songs they left us to remember them by.

Whilst it is now many a long year since the last active members of the Band threw in the towel, it is surely now appropriate to give a collective eulogy to this epochal and iconic band, now that the last surviving member, also the eldest, has died. Garth Hudson, the extravagantly bearded professorial figure behind his faithful Lowrey organ, left the earth last week, aged 87. It would be nice to hope the rest of the band have had time to patch up their differences, and that Valhalla is shaking once more to the mighty sound of the five-piece in their prime. For Robbie Robertson (1943 – 2023), Levon Helm (1940 – 2012), Rick Danko (1943 – 1999) and Richard Manuel (1943 – 1986) were like no other band, before or since.
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Say She She Get Seasonal with Marvin Gaye’s “Purple Snowflakes”

Posted by Mike Tobyn at 12:00 pm No Responses »

Dec 162024

Say She She have worked extraordinarily hard in 2024 to consolidate their breakthrough success of 2023. They have taken their soulful harmonies on tour several times, honing a legendary live act. Throughout the year they have also given us the stories of their influences with well-curated series of classic songs, road tested live and then released with studio versions. With no more shows on the cards for the year they have given us their first seasonal song, a cover of “Purple Snowflakes” by Marvin Gaye.

Although conceived and recorded in the ’60s the song was never released during Gaye’s lifetime, as the theme and music were adapted to become “Pretty Little Baby,” which Motown must have thought would have year-round appeal. The original did eventually appear on a Motown Christmas compilation in 1993, since which time it has become like a Shibboleth of Soul, a song that those with deep love and appreciation for the art form use to signify their appreciation for the season and the music. There are great versions by Laura Mvula, Gregory Porter and John Legend. “Pretty Little Baby,” for whatever reason, has attracted less cover attention over the years.

Say She She could be forgiven for sounding jaded and tired after a year of constant activity on the road and publicity trail. Of course they may have, in the classic style, recorded their winter holiday classic in June. Nevertheless their reading is upbeat, warmly enveloped in an upbeat Major Key, with their harmonies as tight and uplifting as ever. The snowflakes may be cold but the atmosphere is warm. It is dark but comfortable, and everyone is cuddled up with someone they love, or alone if that is what they wish. A fitting reward for a busy year.

Five Good Covers: “You Are My Sunshine”

Posted by Seuras Og at 1:00 pm No Responses »

May 102024

Five Good Covers presents five cross-genre reinterpretations of an oft-covered song.

“You Are My Sunshine” is an old warhorse of a song. It’s been around for so long and in so many forms as to, now, be quite beyond categorization. Until recently it has been unfairly parked under hokey old cornball music for old folk, even if the many cheesier versions out there have deserved and drawn such scorn. I know that I thought it dreadful old nonsense, until I was recently forced to accept and re-evaluate it as a song of some pathos and persuasion. You may still share my earlier view, so I put it to you: Can any of these covers shift that opinion?

Cover Genres: Bagpipes

Posted by Seuras Og at 2:00 pm 1 Response »

May 192023

Cover Genres takes a look at cover songs in a very specific musical style.

Oho! Well, you were warned that this was coming, but the oft-maligned bagpipes have a surprisingly fertile life in coverland. As with the banjo, it isn’t a genre per se, even if usually most associated with the folk and indiginous musics of the Celtic nations. Luckily(?!) for you, it has leaked into any number of unexpected other genres, which, by and large is where we are going today.

But first, some context. Bagpipes have existed since the dawn of time, the ingredients of their manufacture largely available to mankind from very early on, usually in the form of the body parts of an otherwise eaten animal. All you need is a stomach and a pair of lungs–the stomach from your kill, the lungs your own. Apply lips and blow. At the other end of the “bag” is the chanter, a bit like a whistle. By maintaining a constant input of air into the bag, as it flows out and through the chanter, the sounds produced can be altered.

As sophistication advanced, further “pipes” were added, giving a constant tone, as background. This provides the drone, or drones, suddenly a texture so beloved in modern post-rock circles. If you can’t be blethered to blow, bellows devices bypassed the need for the musicians own lung power, these filling the bag by under-arm pumping action, pushing air into the bag that way. The Scottish highland bagpipes are the prime example of the former, the Irish uillean pipes of the latter, but there area host of other models, some lungs driven, some bellows. So we have the Scottish small pipes, Northumbrian pipes, probably the next best known, ahead crossing the channel to the many and varied European varieties.

As “civilization” advanced, so the pipes tended to move outward, towards the edges of any world known at that time, partly as pianos and violins swept in to classier society, in the hubs of nations and empires, and partly through pipes being exported to the “colonies”, the savages taking their primitive instrument of choice to the very fringes of the world.

Enough natter, let’s groove!
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Five Good Covers: “Yesterday” (The Beatles)

Posted by Patrick Robbins at 12:00 pm No Responses »

Apr 082022

Five Good Covers presents five cross-genre reinterpretations of an oft-covered song.

This post has been a long time coming. Any cover song site worth its weight in scrambled eggs has to touch on the most covered song by the most covered band of all time. So now we arrive at “Yesterday” by the Beatles, a song they recorded four days before Paul McCartney turned 23. (They recorded “I’ve Just Seen a Face” and “I’m Down” during the same session – not a bad day’s work, Paul.)

“Yesterday” was the first Beatles song to feature only one member, and the first to feature a string quartet. The lads weren’t especially keen on the song, burying it deep on side two of Help! and not allowing it to be released as a single in the UK. Matt Monro stepped up to release his version two months after the Beatles released theirs. Après Matt, le déluge – over a hundred covers in 1966 alone, over three thousand covers total according to the Guinness Book of World Records (you get the sense that they eventually threw up their hands and stopped counting).

Sinatra, Aretha, Dylan, Elvis – all of them recorded terrific versions. Many more great ones were recorded by artists who weren’t known by only one name. Parodies were recorded by artists from EuFourla to the Beatles themselves (on their 1965 Christmas record). In fact, never has the topic “Five Good Covers” felt more woefully inadequate than it does for this song. Nevertheless, we persist, and we hope you enjoy these five drops in “Yesterday”‘s ocean.
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