Full Albums features covers of every track off a classic album. Got an idea for a future pick? Leave a note in the comments!
On April 7, 1972, the Grateful Dead hit the stage at Wembley Empire Pool in London, kicking off a multi-city European tour. The 22-date outing would eventually be immortalized in the three-LP live album it spawned: Europe ‘72.
The tour has been chronicled heavily in band members’ memoirs, remembered for both its great musical output as well as its levels of unbridled debauchery, excessive even by the standards of the Dead. For the band at the time, the tour felt like a monumental undertaking that included both scores of people and mountains of gear. In A Long Strange Trip: The Inside History of the Grateful Dead, Dennis McNally cataloged everything that came along for the journey, which included: “seven musicians, ten crew, five staff, seventeen assorted friends, wives, girlfriends and children … They brought themselves and fifteen tons of instruments, a sound system, and a sixteen-track recording system which they would install in a truck as a mobile studio. There was also lighting gear and their first traveling lighting designer.”
That spring, the band’s lineup was in a state of evolution. It was their last tour to include founding member Ron “Pigpen” McKernan, who would pass away in 1973. The husband and wife duo, pianist Keith Godchaux and vocalist Donna, were firmly entrenched in the band. Mickey Hart was on hiatus after his father had stolen money from the band, leaving Bill Kreutzmann as the band’s lone drummer. Given both this blend of musicians and the high quality of the recording equipment, the shows have a unique sound that differs from other eras of the band’s music.
While many bands use live albums as an easy way of fulfilling their contract or rehashing their greatest hits, Europe ‘72 is very much a complete work in its own right. The 17-track, three record set contained practically a full album’s worth of new material mixed in with older tracks. There are six new songs that were never even included on any studio records, three previously unreleased covers and two instrumental jams. Given the album and tour’s popularity among Deadheads, in 2011 the band released a more exhaustive collection, Europe ‘72: The Complete Recordings, a 73-CD box set.
As Deadhead nation marks the album and tour’s 50th anniversary, we decided to put together our own form of celebration. Here’s a breakdown of live covers of every single track on the album.
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Tom Petty was always open in his love and respect for country music. Debt, even, with many of his songs a mere pedal steel away from sounding that way. So the new tribute album Petty Country: A Country Music Celebration of Tom Petty is not remotely any leap into uncharted territory. And, go figure the number of existing covers of his songs, effortlessly traversing into the full Nashville, Bakersfield or wherever you want to be the center of the genre. And then go figure who is lined up here, with Dolly and Willie, to start with, they who need no surname, right through Steve Earle and Margo Price and to more conventional hat acts like Chris Stapleton and George Strait.
