If you are currently binge-watching the Netflix show Bridgerton, yes, that was an orchestral cover of Ariana Grande’s “Thank u, next” you heard. The soundtrack to Bridgerton,a Shonda Rhimes 1800s period piece filled with wealth, lust, and betrayal, is overseen by composer and musician Kris Bowers. Bowers worked with Alexandra Patsavas, who is responsible for the six pop covers scattered through the series. Patsavas told Parade “the choices and their respective placements are each very deliberate, and that the Grande and Swift covers specifically ‘were able to tell the musical story and amplify a female perspective.”
Under the Radar shines a light on lesser-known cover artists. If you’re not listening to these folks, you should. Catch up on past installments here.
Paola Bennet uploaded her first cover to YouTube in 2010. Since then, she has posted over 60 videos of covers and original songs. The videos themselves are nothing fancy; they have a simple background and feature Bennet and her acoustic guitar. However, the sound that the videos showcase is of much higher quality than your typical self-made acoustic guitar cover appearing on YouTube. Her voice has an impressive range and she wields it with sure control.
Bennet self-identifies her music as living in the “sadgirl folk” genre, which is extremely relatable. What better way to welcome the sunshine during quarantine than to listen to some nostalgic, acoustic guitar covers, executed with poise and grace? In this post we’ll showcase a sample of Bennet’s covers throughout the years.
We first encountered French pop superstar Christine and the Queens when she covered Kanye West’s “Heartless” with an unlikely twist: mixing in bits of 1973 French hit “Les Paradis Perdus.” Knowing that, it should be no surprise that the newly short-haired Christine doesn’t play her Rihanna cover for the BBC straight. Instead, throughout her powerful rendition of Rihanna’s “Kiss It Better,” she sprinkles in lines from Kate Bush’s “Wuthering Heights.”
Though Bob Dylan moved away from his role as a ‘protest singer’ long ago — we saw Another Side by his fourth album — his name will forever be associated with social activism. The international human rights organization Amnesty International rose out of the same turbulent era as Dylan, forming in 1961, the year Dylan recorded his first album. Fitting, then, that in celebration of their 50th birthday, Amnesty would call on artists to contribute their Dylan covers to the massive four disc set Chimes of Freedom: The Songs of Bob Dylan Honoring 50 Years of Amnesty International.
Best (So Far) finds the finest first-round covers of the latest pop hits.
With its infectious whistling hook and taut digital disco groove, Maroon 5 and Christina Aguilera’s “Moves Like Jagger” is endearing a whole new generation of music listeners to the frontman of The Rolling Stones in a way Ruby Tuesday never could have expected. To those hip to the ways of classic rock, Jagger stands for a cragginess, for experience, for a libido-driven dude who’s seen a whole lot of life. But in this funky tag-team single, he’s all slickness and sultry dance beats — the key to Adam Levine’s soaring vocal seduction of a swiftly yielding Xtina, and the fuel for a very different demographic of backseat makeouts.
Every Wednesday, our resident Gleek Eric Garneau gives his take on last night’s Glee covers.
In “Original Song,” the kids from McKinely High once again compete in the regional glee club competition. Thanks to the machinations of Sue Sylvester (Jane Lynch), they discover they can’t sing their show-stopping My Chemical Romance number, and instead decide to compose and perform…wait for it…original songs. Will the glee club’s newfound creativity be enough to secure a trip to the national competition in New York City?
Last season’s regionals episode, “Journey,” provided some of Glee‘s most powerful moments to date. Bursting with anthemic music and sharp setpieces (the delivery of Quinn’s baby comes to mind), that episode reminded audiences that at its best Glee packs a lot of punch. “Journey” closed out season one, and, other than a few glimmers to the contrary, the second season’s been unable to live up to those previously established highs.