Bob Dylan – I Can’t Seem to Say Goodbye (Jerry Lee Lewis cover)
Bob Dylan doesn’t change his setlists much anymore. In fact, on his recent UK and European tour, he played the exact same setlist every single night…except one. The day it was announced Jerry Lee Lewis passed away, Dylan returned to the stage after his usual finale “Every Grain of Sand.” As anyone who’s read his new book knows, Bob knows his music history. So he skipped the obvious picks and tackled the quite obscure Sun Records-era outtake “I Can’t Seem to Say Goodbye.”Continue reading »
In Memoriam pays tribute to those who have left this world, and the songs they left us to remember them by.
It doesn’t seem five minutes since this, less than two years ago, with the publication of his memoir Sing Backwards and Weep seeming a good time to celebrate his apparent immunity to death. Even in a world becoming nervously aware of the pandemic, he seemed then a figure above such inconvenience, a latter-day Keith Richards made flesh, even in recovery. Little then did we know what his second volume would reveal, Devil In a Coma ripping apart that semblance, the Devil possibly in that very coma at the time of that article’s writing. I guess the assumption was that he had fully recovered from that further near-death, making last week’s news all the more astonishing and upsetting. At the time of this writing the cause of his death remains unknown. I hope he went in peace.
Not the place to regale and remind of his derring-do; others have done that better and by more right elsewhere. Here we celebrate, again, his winning way with the songs of others, his uncanny instinct to possess and inhabit the writings of other artists, as if the words had been written solely for his sepulchral tones. I don’t like the Devil comparison, however many coming up against him in their own lives might, preferring the image that he had the voice of God, with no need of any article, indefinite or otherwise. Sure, an older God, a vengeance-is-mine God, where forgiveness has to be earnt, much as he too tried to atone for his past behaviors, a forbidding God not to be taken in vain.
Hyperbole? Why not? Enjoy these ten further covers and sink one in his memory. Continue reading »
Soulsavers is, or was, the nom de guerre for the initially electronica production team Rich Machin and Ian Glover, who have increasingly developed into the providers of a lush neo-gospel soundscape, incorporating element of country, soul, and blues, into which a variety of singers have embedded (usually) rich and evocative vocals. Dave Gahan is, of course, the front man for Depeche Mode, as famous for his medical history as his work in those early adopters of electronica/pop. His tones are perfect for the Soulsavers brand, and he first came aboard in 2012, singing and writing much the material for The Light the Dead See. This prove a bigger draw than earlier material and the collaboration continued, with the next album, Angels and Ghosts, perhaps ominously now under the Dave Gahan and Soulsavers soubriquet. The duo then made an instrumental album, Kubrick, Gahan returning to Depeche Mode duties.
Last year Gahan began to drop hints as to a further collaboration, and that it would be a covers collection: “When I listen to other people’s voices and songs—more importantly the way they sing them and interpret the words—I feel at home. I identify with it. It comforts me more than anything else.” A taster, the Cat Power song “Metal Heart,” dropped a month or so back and all seemed to be auguring well. Now we have Imposter, the full basket of fruits of their labors. And we have a problem. Continue reading »
Rock music has always idolized and iconicized those seen to be casualties. If you sing and/or play, premature death and/or mental illness always seems to add to the luster of flickering creative flames. Conversely, good health and a productive work ethic is sometimes demonized, until old age brings about a respectability to earlier derided middle-aged output. Roky Erickson fell firmly into the former category, a wide-eyed and vibrant presence in the 1960s, knocked down by the all too familiar cocktail of which came first, drugs or mental instability. The answer, as always, and as with Syd Barrett, Peter Green and Brian Wilson: probably a bit of both. Continue reading »
When we began our Best Covers Ever series a little over three years ago, Bob Dylan was about the first artist who came to mind. But we held off. We needed to work our way up to it. So we started with smaller artists to get our feet wet. You know, up-and-comers like The Rolling Stones and Nirvana, Beyoncé and Pink Floyd, Madonna and Queen.
We kid, obviously, but there’s a kernel of truth there. All those artists have been covered a million times, but in none of their stories do cover songs loom quote as large as they do in Bob Dylan’s. Every time one of his songs has topped the charts, it’s been via a cover. Most of his best-known songs, from “All Along the Watchtower” to “Knockin’ on Heaven’s Door,” didn’t get that way because of his recordings. In some cases fans of the songs don’t even realize they are Bob Dylan songs. That’s been happening since Peter, Paul, and Mary sang “Blowin’ in the Wind,” and it’s still happening almost sixty years later – just look at the number of YouTube videos titled “Make You Feel My Love (cover of Adele)”.
So needless to say, there was a lot of competition for this list. We finally narrowed it down to 100 covers – our biggest list ever, but still only a drop in the bucket of rain. Many of the most famous Dylan covers are on here. Many of them aren’t. The only criteria for inclusion was, whether iconic or obscure, whether the cover reinvented, reimagined, and reinterpreted a Dylan song in a new voice.
With a list like this, and maybe especially with this list in particular, there’s an incentive to jump straight to number one. If you need to do that to assuage your curiosity, fine. But then come back to the start. Even the 100th best Dylan cover is superlative. Making it on this list at all marks a hell of a feat considering the competition. (In fact, Patreon supporters will get several hundred bonus covers, the honorable mentions it killed us to cut.)
In a 2006 interview with Jonathan Lethem, Dylan himself put it well: “My old songs, they’ve got something—I agree, they’ve got something! I think my songs have been covered—maybe not as much as ‘White Christmas’ or ‘Stardust,’ but there’s a list of over 5,000 recordings. That’s a lot of people covering your songs, they must have something. If I was me, I’d cover my songs too.”
Cover Classics takes a closer look at all-cover albums of the past, their genesis, and their legacy.
When is a cover not a cover? If a song is written but never committed to any released format, what counts as the original version? Both questions that might raise askance of this set, a set that I believe can, and indeed should, pass muster for these august pages. After all, if it’s good enough for Woody Guthrie…
Jeffrey Lee Pierce is a name known more by association, I guess, than in his own right, popping up in the alongside others plowing the same vein. Literally. Whilst his lifetime recorded output, predominantly under the Gun Club soubriquet, may have been prodigious, he left enough unfinished and discarded songs to provide the bulk of the material in these three (so far) recordings. Continue reading »