Jan 292018
 
kevin morby jason molina cover

There are no shortages of Jason Molina tributes worth a listen. Given that he died of complications of alcoholism, such tributes tend to either emphasize the apocalyptic content of his songs as a kind of in-process suicide note or go the other way and play up aspects of his songs that bear witness to a stubborn and against-the-odds act of survival.

The key to two new covers’ success, though, is that where other tributes have often stemmed from their creator’s personal relationship to Molina – relationships that tended to color the songs as an argument about their creator – Kevin Morby and Waxahatchee’s Katie Crutchfield came to this project out of a shared love for the songs themselves. The result is two faithful but interpolated duets, sung in the style of something like “Islands in the Stream.” Continue reading »

Apr 072015
 

Death has a way of flattening out a life into a simple narrative that can be approximated by a few lines of obituary newsprint. This is especially true for the sort of death that is the result of life-long addiction and tendencies toward self-destruction. In the case of Jason Molina, a quintessentially midwestern artist who died in 2013 of complications due to alcoholism, the teleological power of death is such that it is easy to hear his entire catalogue as a sort of suicide note.  There is, for example, a tidy simplicity to understanding the apocalyptic seven minutes of  “Farewell Transmission,” arguably his most important sonic document, as a prophetic and self-fulfilling Book of Revelations.

However, like most of Molina’s work with Songs: Ohia and Magnolia Electric Co., “Farewell Transmission” doesn’t prophesize a ghost-filled world at the brink of demise so much as it builds that world as a fictional landscape, one filled with endless deserts and a predatory midnight that we all must actually live in. Set in the moments wherein “the big star is falling,” the song is not panicked at the prospect of the end of things so much as it grimly satisfied by its final arrival and the fact that we made it this far. Even as the end arrives, the song’s images of impending doom are undercut by a repeated exhortation for all us to “come on, let’s try.” The song’s most obvious prediction of death is immediately tempered: “I will be gone / but not forever.”
Continue reading »

Jun 152011
 

Quickies rounds up new can’t-miss covers. Download ‘em below.

Unsubtle band name notwithstanding, L.A. duo Well Hung Heart show a surprising delicacy on their Huey Lewis and the News cover. Recorded for Syffal’s Pop Cultures Collide series, it reinvents the Back to the Future smash.
MP3: Well Hung Heart – The Power of Love (Huey Lewis and the News cover) Continue reading »