Feb 262021
 

‘The Best Covers Ever’ series counts down our favorite covers of great artists.

willie nelson covers

Today, Willie Nelson releases his 71st – yes, you read that right, 71st – album. It’s a set of Frank Sinatra covers called That’s Life. But while we prepared to hear more covers by Willie Nelson, we thought it was a good chance to look at covers of Willie Nelson. Because those 71 albums include hundreds and hundreds of songs Willie wrote himself, from classics like “Crazy” and “On the Road Again” to a plethora of deep cut gems just waiting to be discovered. And you can’t spell “discover” without “cover,” so we’ve put together thirty ways for you to discover some songs you don’t know and new interpretations of some songs everyone knows.

Because Willie’s discography is so deep and times convoluted, we set a few ground rules for this list:

  • We only included covers of songs Willie himself wrote, rather than songs he just popularized. That knocks out a few of his big hits: “Blue Eyes Crying in the Rain,” “Mammas Don’t Let Your Babies Grow Up to Be Cowboys,” and “Always on My Mind” among them.
  • The first recording of a Willie song doesn’t count as the cover – even if that first recording wasn’t by Willie himself. Remember that before you get mad that Patsy Cline’s “Crazy” is not on this list. Subsequent versions of those songs are of course fair game.
  • An artist can’t cover themselves. That normally goes without saying, but Willie’s recorded in so many different bands and configurations, the same songs sometimes come up repeatedly. So The Highwaymen singing an older Willie song doesn’t qualify as a cover.

Okay, caveats and disclaimers behind us, let’s dive in! Click onward for the 30 best Willie Nelson covers ever…

The list continues on Page 2.

Sep 032020
 

‘The Best Covers Ever’ series counts down our favorite covers of great artists.

best leonard cohen covers

Last week, Donald Trump gave his headlining speech at the Republican National Convention. Right after, fireworks exploded over the Washington Monument, soundtracked by a cover of “Hallelujah.” A few minutes later, a second singer covered “Hallelujah” while the entire Trump family watched. Both covers were unauthorized, and Leonard Cohen’s estate quickly said they are exploring legal action. (It must also be said that the covers weren’t very good – you won’t find either one on this list.)

Though hardly a shining moment in the history of Cohen covers, this event speaks to the cultural ubiquity of his work, and of “Hallelujah” in particular. For an artist who never sold that many records, Cohen has become about as iconic as icons get. Humble to the end, he would no doubt object – politely, of course – to that statement. But it’s true. His songs transcend his albums, they transcend his performances, they even transcend Leonard Cohen himself.

There’s never a bad time to talk about Leonard Cohen covers, but they’ve really been on my mind the past couple years. Why? Because I’ve been writing an entire book on the subject, which is out today. It’s in the 33 1/3 series of small books on specific albums. The album I selected? The 1991 tribute album I’m Your Fan: The Songs of Leonard Cohen. Without it, you probably wouldn’t even know “Hallelujah”… but we’ll get to that later.

In the book, I explore not just that one tribute album, but the entire history of Leonard Cohen covers generally. It’s a long and fascinating story, but suffice to say here that Cohen wouldn’t have had anywhere near the reach he did without others covering his songs. Covers gave him his start – Judy Collins’s, in particular – and resurrected his career more than once.

There are far too many great Cohen covers to fit in a list like this (and our Patreon supporters will soon get a bonus list of 100 more of them). But we all dug deep to pull the highlights, both the best of the totemic covers as well as brilliant but lesser-known interpretations. The covers span his entire catalog too. Plenty of “Hallelujah”s, of course, and versions of the ’60s songs that made him famous, but also covers of deeper cuts from albums throughout his recording career, up to and including his very last. We hope you’ll discover some new favorites, and maybe be able to listen to the classics you already know in a fresh light.

– Ray Padgett, Editor-in-Chief

Buy I’m Your Fan: The Songs of Leonard Cohen here:
Bloomsbury | Amazon | IndieBound | Barnes and Noble | Bookshop

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May 122017
 

Full Albums features covers of every track off a classic album. Got an idea for a future pick? Leave a note in the comments!

Tired of hearing hoary old crooners covering hoary deceased crooners? Try this as an antidote. 1975’s Blood on the Tracks was Bob Dylan’s fifteenth studio album, and is usually in the critical running for his best, vying with the earlier Blonde on Blonde (covered here). (Of course, whenever a new Dylan record is released, it is compulsory to be proclaimed as a “return to form,” that status seldom lasting until the ink dries and Blonde or Blood regains its rightful pole position.) Let me go on record here: Blonde is a bit meh, with rather too much filler for my tastes, so it is always Blood for me.

Blood on the Tracks was also my first full immersion in Bob, Greatest Hits not quite counting. See, a pal o’mine had access to discounted CBS recordings, half price if I recall. I had my eye on a witchy boho girl, like me newly arrived at University. She had her eye on my discount and, beyond a serious 40 minutes of otherwise silence, as we listened to my purchase of Blood, a prompted and suggested gift for her, that was that. She thanked me, apologized for giving me the bum’s rush, but she had to go out, you see, with the flash harry further along the corridor. I was so hurt, my emotions imbued by and immersed in Bob’s own heartbreak, that I bought a second copy. Probably full price, too.
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Nov 282015
 

They Say It’s Your Birthday celebrates an artist’s special day with other people singing his or her songs. Let others do the work for a while. Happy birthday!

randynewman

The Great Mississippi Flood of 1927 saw New Orleans receiving 15 inches of rain in 18 hours, with parts of it under four feet of water. Forty-seven years later, Randy Newman released “Louisiana 1927,” a lament about the devastation the disaster caused and the government’s callous response. Thirty-one years after that, Hurricane Katrina struck, and the song took on a new life. It takes a remarkable writer to compose a song about the long-ago past that can be relevant in the far-ahead future, and that’s just what Randy Newman is.

As he celebrates his 72nd birthday today, Newman can look back on a career of critically praised albums, memorable film scores, a couple of fluke hits, twenty Oscar nominations and two wins. He’s the absolute master of the unreliable narrator, which allows him to explore the uncomfortable side of humanity with dark humor. Journalist Paul Zollo writes, “There is no other songwriter who has shown us bigotry, ignorance, and human weakness as convincingly as Randy Newman.” People who only know him as the guy who writes for Pixar movies and gets mocked by Family Guy need to take a closer look; fortunately, many cover artists have been all too happy to take that closer look for us.
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Sep 042013
 

Full Albums features covers of every track off a classic album. Got an idea for a future pick? Leave a note in the comments!

Welcome to part two of our all-cover collection of the Beatles’ self-titled epic. We’ve got nine covers here, done in styles ranging from blues and jazz to ska and country-rock to folk and indie-rock – in other words, a selection almost as varied as the White Album itself.
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May 032013
 

In the Spotlight showcases a cross-section of an artist’s cover work. View past installments, then post suggestions for future picks in the comments!

Warren is a profoundly mysterious man, and I have learned not to argue with him, about hockey or anything else. —Hunter S. Thompson

The fact that Hunter S. Thompson was a friend of Warren Zevon’s really shouldn’t surprise anybody: his crazy songs of headless mercenaries and KGB waitresses sound like Fear and Loathing on vinyl. Starting out as a songwriter for groups such as the Turtles in the ’60s (he said that the B-side he wrote for “Happy Together” paid his rent for years), Zevon struggled with his own songwriting identity until releasing his Jackson Browne-produced eponymous album in 1976, and its follow-up, 1978’s Excitable Boy. Although never really recapturing the fire that those two albums kindled for him, he went on to have sporadic success between long bouts of drug and alcohol addiction, and became known for his rambunctious live shows attended by equally rambunctious fans. Continue reading »