Aug 282026
 
Best Cover Songs of August 2026
Joy Oladokun — The Thrill Is Gone (B.B. King cover)

Tied to America’s 250th birthday, Salt Lick Sessions’ “Songs of U.S.” series features musicians covering “songs that have shaped the country’s cultural identity while exploring what belongs in the American songbook today.” Nashville singer-songwriter Joy Oladokun selected Roy Hawkins and Rick Darnell’s “The Thrill Is Gone,” best known for the B.B. King version. She says the song “feels really powerful without being so poetic that people could be left behind.” Unlike many of the King-inspired blues-rock covers that feature copious guitar solos, she strips it back to a beautiful folky ballad. She also covered “Ain’t No Sunshine.” Continue reading »

Aug 102026
 

Blaze Foley is one of those eternally dropped names, usually by the hip or the famous (often both) musicians with tales to tell of the late and largely unheralded Texas troubadour and roustabout. Here is a veritable bushfire of fans, friends, acolytes and disciples, all keen to peddle his music to a wider public. If you have heard the name, now’s the opportunity to put his mouth into those of others, ahead, maybe, of risking the real thing.

Michael David Fuller, as he was born, in December, 1949, grew up in a musical family, singing gospel, as part of The Singing Fuller Family, with his mother, brother, and sisters. Childhood polio left him with a limp, and the sort of chip on his shoulder that predisposed toward the same sort of vices that beset his friend and co-conspirator, Townes Van Zandt. Although it was clear to see his songs were strong and sound, he was often his own worst enemy in his self-promotion thereof. A, let’s say, colorful career was demarcated more by setbacks and disappointment, with wider fame always one step ahead of him. His premature death, at 39, shot dead under never quite fully agreed circumstances, left him more as a memory than his meagre lifetime of recordings could ever provide. Sittin’ With Blaze isn’t the first tribute set to his dedication, but is certainly of higher profile.
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Oct 312025
 
The Dollyrots — You Don’t Own Me (Lesley Gore cover)

“It’s My Party” was the bigger hit, but these days it feels like “You Don’t Own Me” gets covered more. It’s become something of a feminist anthem (probably an unlikely future for “It’s My Party”…). Dollyrots singer Kelly Ogden said, in sharing her band’s new revved-up cover, “The song is an anthem for female empowerment, about willing to be defiant in the face of something that’s just plain wrong. Sadly, it’s still just as timely as when Lesley sang it over 60 years ago.”

Folk Bitch Trio — Sex on Fire (Kings of Leon cover)

Remember “Sex on Fire”? Gotta be one of the dumbest singles of the 21st century. Folk Bitch Trio covered it for Like a Version, and they, against all odds, manage to redeem it. “It’s an underrated song,” they said. “It rocks. It’s filthy without you really knowing. The Folk Bitch Trio twist is kind of easy: We just sing it in three-part harmony, lock in, look at each other and we’re there.” Continue reading »

Jul 312025
 
Best Cover Songs
Benson Boone — Seventeen Going Under (Sam Fender cover)

Bruce Springsteen — Poor Side Of Town (Johnny Rivers cover)

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Apr 302025
 
Cover Songs of April
Ben Harper — Ghost Dance (Patti Smith cover)

Hopefully a full recording will be released of the Carnegie Hall tribute to Patti Smith. Until then, there are a number of videos on YouTube. Best I’ve seen is Ben Harper doing “Ghost Dance,” Smith’s mesmerizing mediation from 1978’s Easter. Note Flea on bass and Dylan/Costello sideman Charlie Sexton on guitar. Continue reading »

May 262023
 

‘The Best Covers Ever’ series counts down our favorite covers of great artists.

Prince

In July of 1958, a Prince was created. That was the month Charles became Prince of Wales. Earlier this month he was officially crowned King.

In June of 1958, another Prince was created. He died seven years before Charles’ coronation, but he had long before passed beyond the arena of royalty into the field of the celestial.

Prince was, if not a god, a divine presence, more felt than understood. That he was a musical genius was almost taken for granted; his prolific recording, his tremendous work ethic, his mysterious appearances where you least expected him (On Muppets Tonight?? Making fun of Hee Haw???)–all served to make him more myth than man, and now he’s less man than legend.

Prince famously told George Lopez that “covering the music means your version doesn’t exist anymore,” but that’s not quite so. Prince may not (or may) be immortal, but his music definitely is, and the covers that continue to roll in are all the proof you need. This post offers some of the evidence. (Certainly not all of it – more nominations missed the cut than made it, and the great majority of them were very worthy.)

Before we begin: to qualify, a Prince song needed to have been officially released before the cover version. Sadly, this means the Bangles’ “Manic Monday,” Sheila E’s “The Belle of St. Mark,” Celine Dion’s “With This Tear,” and others didn’t get considered.

And now for our selections. And don’t worry, Charles–it’s good to be King. It’s just more magical to be Prince.

–Patrick Robbins

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